1,720,956 research outputs found
Colors 2016
No full textCONTENTS
The Dragon’s Glow, Kristina McGee 6;
If I Could Fly, Ruth Lerum 7;
Eagre, Tori Nickol 8;
A Court of Thorns and Roses, Samantha Reed 9;
Loving Naples, Debra Bernardi 10;
The Farmer, Tori Nickol 12;
Playing Dress Up, Gabi Eodice 13;
Boundaries, Samantha Reed 14;
The One Habit of Highly Effective People, Chloe Hendrickson 23;
Red, the Lone Ranger, Becs Poliquin 26;
Arachnophobia, Katie Gildner 27;
Projection, Becs Poliquin 36;
Day’s End, Katie Gildner 45;
The Wall, Jeremy George 47;
Internment, Ceder Cumin 47;
These Tiled Floors, Isaac Bostrom 48;
A Slimy Slope, Ruth Lerum 49;
Small White Stones or How I Learned to Fly, Brenna Kinsey 55;
Heart, Emma Reisenauer 62;
Palindrome Poem, Kevin Murphy 65;
Leave Taking, Elvira Roncalli 65;
Now and Forever, Kevin Murphy 66;
There's Only One Type of Person I Could Love, Chloe Hendrickson 67;
My Mother's Notebook, Soumitree Gupta 69
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
The “Mad” Woman in Medea and Decolonial Feminist Revisions: An Intersectional Feminist Analysis of Three Plays
Get PDFThis thesis focuses on Medea, the classical Greek play by Euripides that was first produced in 431 B.C., and its feminist, queer, and decolonial revisions in contemporary global contexts. These revisions include The Hungry Woman: A Mexican Medea by Chicana queer feminist author Cherríe Moraga and Black Medea by Indigenous Australian playwright Wesley Enoch. Common to these primary texts are themes of Medea’s madness and anger, which are tied to the fraught questions of home, nation, and the Other. Each section of this thesis focuses on a different play, analyzing the intersectional feminist politics of Medea’s madness across varying sociopolitical and historical contexts. While all the individual sections of this thesis develop a nuanced argument specific to the sociopolitical context of the play, the guiding theme throughout the thesis is that readers must interpret Medea’s madness through an intersectional feminist lens. Each section situates the play within its specific historical and geographical context and interprets Medea’s madness within that context. Ultimately, this thesis argues that the function of Medea’s madness is determined by her marginal, exiled locations as a woman and an ethnic Other within the domestic space and the nation-space. Reading the source text and the revisions through an intersectional feminist framework allows the reader to see how Medea must navigate “home” as a gendered, racialized, and/or nationalist space, as well as a discursive construct
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Colors 2015
No full textCONTENTS
Colors in the Sky, Brenna Kinsey 2;
Like Shooting a Dog, Katie Gildner 3;
Trees in Limbo, William French 8;
Minor, Samantha Reed 9;
Adventure, Janet Sheehy 10;
Double Black, Conor Smith 11;
Winter, Justin A. Moore 12;
Green Light, Kevin Stewart 13;
Flathead Lake, Tori Nickol 15;
Forever I Cain the Noctivagant, Justin A. Moore 16;
Snow White, Ryden Meyer 17;
Fallen Angel, Amber Gevock 21;
Inheritance, Tori Nickol 22;
Monuments, Ryan Edens 23;
The Dog That Can Bite, Sabrina Harding 25;
Spinoza, Barry Ferst 29;
Memento, Justin A. Moore 30;
A Lover’s Locket, Ryan Edens 32;
Find A New Room, Jay Bouchard 33;
18 Years, Brenna Kinsey 34;
Under the Dog Park Sun, Michelle Golden 35
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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