1,721,047 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Drawing for Freedom
Katalog utgitt i forbindelse med utstillingen "Drawing for Freedom" på Akershus kunstsenter, Lillestrøm, 16. september - 16. oktober 2016.
Design: Jeannette Christensen, Anne Marit Austbø og Ylva Greni Gulbrandsen.The art project” Drawing for Freedom” is a cooperation between the Norwegian human rights organization the Norwegian Helsinki Committee (NHC) and the Academy of Fine Art of the Oslo National Academy of the Arts (KHiO).
The thematic focus of the project is political prisoners in Azerbaijan. The project has a clear activist profile, and is linked to a campaign by human rights groups to free all political
prisoners in Europe.
During the fall semester of 2015, 20 students at the Academy of Fine Art participated in the class ”Drawing as a political tool”: Hans Adell, Erla Audunsdottir, Julia Alfe Bylund, Øyvor Hansen Engen, Therese Frisk, Aksel Octavius Norreen Hauklien, Amanda Hårsmar, Heidi Klemetsen, Anna Knappe, Kachun Lay, Janne Maria Lysen, Anna Sofie Mathiasen, Nasim Iranpour Mashak, Lykourgos Porfyris, Elisabeth Samstad, Erle Saxegaard, Love Terins, Linnea Vestre, Morten Jensen Vågen
and Suzannah Rehell Øistad. During two 5-day workshops students met with a former political prisoner from Azerbaijan, an activist in exile, a relative of political prisoners currently in jail, and experts on Azerbaijan/oil states/human rights
from the Norwegian Helsinki Committee. Norwegian artists with experience with political art/drawing portraits were also involved: Terje Nicolaisen, Morten Krohg, Shwan Dler Qaradaki and Lotte Konow Lund. Terje Nicolaisen was heavily involved in
the creative process, also with his own contribution of works.
Artworks made during and after the workshops were exhibited at the City Hall of Paris in December 2015, and later in Stockholm in April 2016 at ”Defenders Day”, an event gathering human rights activists from all over the world. A selected number of works were also shown during the “OSCE Civil Society Parallel Conference 2015”, 1-2 December 2015 in Belgrade, and at Oslo Freedom Forum in May 2016.
In September –October 2016 ”Drawing for Freedom” will be exhibited at Akershus Art Centre in Norway. The Norwegian, Swedish, Danish, Finnish and Estonian delegations to the Parliamentary Assembly of the Council of Europe (PACE) stand behind an application to show “Drawing for Freedom” at the premises of the Council of Europe in Strasbourg in January 2017
Drawing for Freedom
Katalog utgitt i forbindelse med utstillingen "Drawing for Freedom" på Akershus kunstsenter, Lillestrøm, 16. september - 16. oktober 2016.
Design: Jeannette Christensen, Anne Marit Austbø og Ylva Greni Gulbrandsen.The art project” Drawing for Freedom” is a cooperation between the Norwegian human rights organization the Norwegian Helsinki Committee (NHC) and the Academy of Fine Art of the Oslo National Academy of the Arts (KHiO).
The thematic focus of the project is political prisoners in Azerbaijan. The project has a clear activist profile, and is linked to a campaign by human rights groups to free all political
prisoners in Europe.
During the fall semester of 2015, 20 students at the Academy of Fine Art participated in the class ”Drawing as a political tool”: Hans Adell, Erla Audunsdottir, Julia Alfe Bylund, Øyvor Hansen Engen, Therese Frisk, Aksel Octavius Norreen Hauklien, Amanda Hårsmar, Heidi Klemetsen, Anna Knappe, Kachun Lay, Janne Maria Lysen, Anna Sofie Mathiasen, Nasim Iranpour Mashak, Lykourgos Porfyris, Elisabeth Samstad, Erle Saxegaard, Love Terins, Linnea Vestre, Morten Jensen Vågen
and Suzannah Rehell Øistad. During two 5-day workshops students met with a former political prisoner from Azerbaijan, an activist in exile, a relative of political prisoners currently in jail, and experts on Azerbaijan/oil states/human rights
from the Norwegian Helsinki Committee. Norwegian artists with experience with political art/drawing portraits were also involved: Terje Nicolaisen, Morten Krohg, Shwan Dler Qaradaki and Lotte Konow Lund. Terje Nicolaisen was heavily involved in
the creative process, also with his own contribution of works.
Artworks made during and after the workshops were exhibited at the City Hall of Paris in December 2015, and later in Stockholm in April 2016 at ”Defenders Day”, an event gathering human rights activists from all over the world. A selected number of works were also shown during the “OSCE Civil Society Parallel Conference 2015”, 1-2 December 2015 in Belgrade, and at Oslo Freedom Forum in May 2016.
In September –October 2016 ”Drawing for Freedom” will be exhibited at Akershus Art Centre in Norway. The Norwegian, Swedish, Danish, Finnish and Estonian delegations to the Parliamentary Assembly of the Council of Europe (PACE) stand behind an application to show “Drawing for Freedom” at the premises of the Council of Europe in Strasbourg in January 2017
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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