1,720,999 research outputs found
Per un'edizione critica della musica da camera di Robert Schumann / Studien zur kritischen edition Robert Schumanns Kammermusik
Get PDFLa tesi si presenta come un lavoro preparatorio all’edizione critica dei Trii con pianoforte di Robert Schumann, in collaborazione con la Robert-Schumann-Gesamtausgabe e in cotutela con l’Università di Lipsia.
Il lavoro comprende l’edizione critica delle Mährchenerzählungen op. 132 (pubblicata dalla Gesamtausgabe in un volume a parte dedicato alla musica da camera con pianoforte – RSA II/3, delle Phantasiestücke op. 88 e del primo Trio con pianoforte, violino e violoncello op. 63.
Ai problemi critici presentati dalle opere scelte nella tesi si affianca una ricerca di tipo informativo sui più importanti giornali dell’epoca: per la maggior parte sulla Neue Zeitschrift für Musik, l’Allgemeine Musikalische Zeitung e la Neue Berliner Musikalische Zeitung, in un arco temporale compreso fra il 1830 e il 1860.
Partendo dalle recensioni – schumanniane e non – dei trii del suo tempo, lo scopo é stato quello di mettere in luce complessivamente la presenza e le caratteristiche del prodotto “Trio con pianforte”; la loro diffusione e il loro status fra gli altri generi della musica da camera tedesca, le critiche e le caratteristiche, in un interscambio produttivo fra indagine filologica e contesto storico-estetico. I risultati di questa ricerca vengono esposti nel primo capitolo della tesi, e confluiranno nella introduzione generale all’edizione critica vera e propria. In appendice si riportano le recensioni più significative
Religiosität, Märchen, Sage bei tschechischen Komponisten: einige Bemerkungen zum Beitrag von Helmut Loos
Get PDFWie die tschechische Historiographie überhaupt, so ist auch die tschechische Musikhistoriographie lange Zeit von Stereotypen beherrscht worden, die mit wissenschaftlicher Objektivität wenig zu tun hatten. Daher ist jeder Blick 'von außen' notwendig und willkommen, weil er uns auf die Klischees, aber auch die Lücken in unserer tschechischen Musikgeschichte nicht nur hinweist, sondern uns auch, wie Helmut Loos es in seinem Artikel 'Religiosität bei Smetana und Dvořák' getan hat, dazu veranlasst, unsere Standpunkte unter neuen Fragestellungen zu überdenken
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
E-Musik – Kunstreligion der Moderne: Beethoven und andere Götter
Get PDFHelmut Loos se v svoji monografiji sooča s temeljnimi vprašanji recepcije, razumevanja in vrednotenja glasbe, določenih znotraj koncepta umetnostne religije moderne
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Organisierte und institutionalisierte Mozart-Pflege in Deutschland im 19. und 20. Jahrhundert
No full textOrganisierte und institutionalisierte Mozart-Pflege in Deutschland im 19. und 20. Jahrhundert. - In: Musikgeschichte in Mittel- und Osteuropa / hrsg. von Helmut Loos ... - Chemnitz : Schröder. - Bd. 1. (1997). - S. 69-8
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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