1,721,100 research outputs found
Digital storytelling as decision making process. An informal conversation between Helen Graham and Antonia Liguori about the power of a personal story and the public domain
No full textThis is not a conventional paper. Instead it is the form of a conversation between Helen Graham and Antonia Liguori, reflecting on events they participated in for the Enkdist project. The first was a workshop facilitated by Helen Graham at the international conference of Digital Storytelling in Ankara (May 2013). The second was organised by Antonia Liguori in Rome (September 2013) where the Enkdist project involved - as a specific target group - people who work in museums and cultural institutions. This informal conversation is a dialogic reflection about the digital storytelling as a learning process, with the aim of pinpointing some desirable ways for the facilitator to interact with people involved in a workshop. And the starting point – as sometimes happens in that kind of conversation, when one is in the shoes of the facilitator and the other one of the storyteller – is a clear provocatio
Digital storytelling as decision making process. An informal conversation between Helen Graham and Antonia Liguori about the power of a personal story and the public domain
No full textThis is not a conventional paper. Instead it is the form of a conversation between Helen Graham and Antonia Liguori, reflecting on events they participated in for the Enkdist project. The first was a workshop facilitated by Helen Graham at the international conference of Digital Storytelling in Ankara (May 2013). The second was organised by Antonia Liguori in Rome (September 2013) where the Enkdist project involved - as a specific target group - people who work in museums and cultural institutions. This informal conversation is a dialogic reflection about the digital storytelling as a learning process, with the aim of pinpointing some desirable ways for the facilitator to interact with people involved in a workshop. And the starting point – as sometimes happens in that kind of conversation, when one is in the shoes of the facilitator and the other one of the storyteller – is a clear provocatio
La enseñanza de La Inquilina de Widfell Hall, de Anne Brontë: La reivindicación femenina de Helen Graham y la adaptación cinematográfica dirigida por Mike Barker (1996)
No full textThe main aim of this chapter is to analyse Anne Brontë's literary
novel The Tenant of Widfell Hall (1848) and the film adaptation
directed by Mike Barker. This paper will analyse Helen Graham's
feminist vindication and examine the themes of education,
infidelity and alcohol addiction in both the novel and the film
adaptation. I intend to make a literary-film study of some of the
novel's main themes and the character Helen Graham by
comparing the original text with the film adaptation.
Keywords: Anne Brontë, The Tenant of Widfell Hall, Teaching
Literature, Feminist Vindication, Mike Barker.El principal objetivo de este capítulo es analizar la novela The
Tenant of Widfell Hall (1848) de Anne Brontë y la adaptación
cinematográfica dirigida por Mike Barker. En este trabajo se analizará la reivindicación femenina de Helen Graham y se
examinarán los temas de la educación, la infidelidad y la adicción
al alcohol, tanto en la novela como en la adaptación
cinematográfica. Pretendemos hacer un estudio literario-fílmico
de algunos de los principales temas de la novela y el personaje
Helen Graham comparando el texto original con la adaptación
cinematográfica.
Palabras clave: Anne Brontë, La inquilina de Widfell Hall,
Enseñanza de la Literatura, Reivindicación Feminista, Mike
Barker
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Robert Burns (Ed.): German Cultural Studies. An Introduction, New York 1995; Jill Frobes / Michael Kelly (Eds.): French Cultural Studies. An Introduction, New York 1995;: Helen Graham / Jo Labanyi (Eds.): Spanish Cultural Studies. An Introduction, New York 1995
No full textGerman Cultural Studies. An Introduction, edited by Robert Burns, Oxford University Press, New York 1995, 375 S.
French Cultural Studies. An Introduction, edited by Jill Frobes and Michael Kelly, Oxford University Press, New York 1995, 332 S.
Spanish Cultural Studies. An Introduction, edited by Helen Graham and Jo Labanyi, Oxford University Press, New York 1995, 455 S
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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