1,720,954 research outputs found
Rhythm Changes: A Cultural Study of Ownership in Jazz
Exploring how jazz was and is commodified in the first decades of the “modern jazz” era and the current era of conglomerate ownership, Rhythm Changes: A Cultural Study of Ownership in Jazz departs from the premise that the influence of record companies on the history and development of jazz has largely been neglected in most literature on the topic. Through examinations of the major stylistic changes in the music, the ways in which the music is brought to market, developments in cultural production, and the operations of two significant jazz labels, it is argued that conglomeration in the entertainment industry paved the way for the emancipation of various forms of popular music, including jazz. This in turn has led to a shift in focus and an expansion of the scale on which jazz is commodified. These developments are traced and analyzed in two case studies, each focusing on the particular commodification practices of two of the most prominent jazz labels of the time: Impulse Records and Blue Note Records (both now owned by Universal). Coinciding with a trend in American business of pursuing diversification strategies, as well as the emancipation of popular music in the second half of the 1960s, record companies’ views on jazz recording projects began to change. Rather than simply meant to document the music, jazz recording sessions are seen as unique artistic events that merit the listener’s undivided attention ever since. As a result, the one-size-fits-all aesthetics of the classic Blue Note and Impulse products were eventually discontinued in favor aesthetics that emphasize the singular importance of these commodities
The Unexpected Virtue of Transgression: Sound and Image Relations in Birdman
In this thesis I argue that the 2014 film Birdman (or The Unexpected Virtue of Ignorance) presents its viewers with several moments which undermine a leisurely viewing of it. In each of the three main chapters I take an in-depth look into distinct scenes which force us to adjust our expectations of the fictional truth presented. Drawing on several different theoretical concepts, such as the “fantastical gap” between the diegetic and nondiegetic realms, the phenomenon known as synchresis, and the literary concept of focalization, I argue that the filmic experience triggered by Birdman encompasses more than a single moment of reflection, leading me to suggest an adjustment to Francesco Casetti’s definition of the filmic experience
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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