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Die Schweiz und die Philanthropie: Reform, Soziale Vulnerabilität und Macht (1850-1930)/ La Suisse et Philanthropie: réforme, vulnérabilité sociale et pouvoir (1850-1930).
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Straffälligenhilfe im Dreiländereck. Die Basler Patronagekommission und ihre nationale und transnationale Vernetzung im 19. Jahrhundert
No full text"Altersprobleme" aus Sicht der Stiftung Pro Senectute. Philanthropische Politik der Bedürfnisinterpretation in der Zwischenkriegszeit
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Commitment and identity : the antifascists activists of Freies Deutschland from the western exile (Belgium, France and Switzerland) to the 1970’s GDR (1943-1975)
No full textCette thèse étudie les militants des organisations Freies Deutschland (FD) fondées en Belgique, en France et en Suisse pendant la Seconde Guerre mondiale. En reproduisant le modèle du Nationalkomitee « FreiesDeuschland », créé à Moscou en juillet 1943 par des exilés communistes et des prisonniers de guerre allemands, ils tentent de rassembler des opposants au régime nazi présents en Europe de l’Ouest. A l’aide d’une base de donnée biographique, la thèse analyse les modalités de l’engagement militant de ces acteurs.Celui-ci subit des variations notamment lors de la légalisation des organisations qui sont restées clandestines jusqu’à la Libération en Belgique et en France et jusqu’au printemps 1945 en Suisse. L’identité revendiquée de ces acteurs change également, alors qu’ils adoptent une rhétorique tournée vers leur nation et sa reconstruction. Enfin, après la guerre et après le retour des militants dans les deux Allemagnes, le SED leur demande de livrer leur expérience d’exil pour soutenir le discours officiel sur l’antifascisme. Ils trouvent alors une occasion de valoriser un capital politique négligé par le parti dans l’après-guerre et produisent un répertoire commémoratif sur l’antifascisme de l’Ouest.This PHD dissertation studies the activists of the organisations Freies Deutschland (FD) in Belgium, France and Switzerland during the Second World War. Reproducing the model of the Nationalkomitee « Freies Deutschland », founded in Moscow in July 1943 by German communists and prisoners of war, they tried to gather Nazi regime opponents in Western Europe. The dissertation analyses the political engagement of these activists with the help of a biographical methodological approach. The commitment of these actors changed during the Liberation in Belgium and France and until spring 1945 in Switzerland. The identity theytried to give themselves also changed when they adopted a discourse more concentrated on their nation and its reconstruction. Finally, after the war and their return in East and West Germany, the SED asked them to write their story in exile to support the official discourse on antifascism. This gave them an occasion to promote their political experience, which was neglected by the party after the war. They produced a memorial narrative on western antifascism
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