1,721,893 research outputs found
Alien Registration- Hebert, Paul (Madison, Somerset County)
https://digitalmaine.com/alien_docs/6585/thumbnail.jp
Cryptic diversity and phylogeography of high alpine Sattleria — a case study combining DNA barcodes and morphology (Lepidoptera: Gelechiidae)
Huemer, Peter, Hebert, Paul D. N. (2011): Cryptic diversity and phylogeography of high alpine Sattleria — a case study combining DNA barcodes and morphology (Lepidoptera: Gelechiidae). Zootaxa 2981: 1-22, DOI: 10.5281/zenodo.27832
Figure 3 in Prospects for using DNA barcoding to identify spiders in species-rich genera
Figure 3. Bar graph with standard errors showing the differences in mean (in black) and maximum (in grey) intraspecific divergence as well as nearest-neighbor distance (in white) between the three geographical distribution categories.Published as part of Blagoev, Gergin, Hebert, Paul, Adamowicz, Sarah & Robinson, Emily, 2009, Prospects for using DNA barcoding to identify spiders in species-rich genera, pp. 27-46 in ZooKeys 16 (16) on page 36, DOI: 10.3897/zookeys.16.239, http://zenodo.org/record/57647
Figure 4 in Species diversity and endemism in the Daphnia of Argentina: a genetic investigation
Figure 4. Collection sites for Argentine populations belonging to the subgenus Hyalodaphnia. Photographs are included to demonstrate the several head morphologies encountered. The morphological, not genetic, forms encountered at each site are indicated on the map.Published as part of Adamowicz, Sarah J., Hebert, Paul D. N. & Marinone, María Cristina, 2004, Species diversity and endemism in the Daphnia of Argentina: a genetic investigation, pp. 171-205 in Zoological Journal of the Linnean Society 140 (2) on page 181, DOI: 10.1111/j.1096-3642.2003.00089.x, http://zenodo.org/record/543913
Sattleria
Checklist of Sattleria species Sattleria Povolný, 1965 Sattleria melaleucella (Constant, 1865) = Gelechia mariae Frey, 1867 unavailable, infrasubspecific = Gelechia dzieduszyckii fusca Burmann, 1954 Sattleria arcuata Pitkin & Sattler, 1991 Sattleria pyrenaica (Petry, 1904) Sattleria karsholti Huemer & Hebert, 2011 sp. nov. Sattleria cottiella Huemer & Hebert, 2011 sp. nov. Sattleria marguareisi Huemer & Sattler, 1992 Sattleria izoardi Huemer & Sattler, 1992 Sattleria graiaeella Huemer & Hebert, 2011 sp. nov. Sattleria dzieduszyckii (Nowicki, 1864) = Gelechia dzieduszyckii tatrica Gregor & Povolný, 1955 Sattleria triglavica Povolný, 1987 Sattleria basistrigella Huemer, 1997 bona sp., stat. rev. = Gelechia dzieduszykii [sic] f. basistrigella Müller-Rutz, 1934 unavailable, infrasubspecific Sattleria angustispina Pitkin & Sattler, 1991 Sattleria breviramus Pitkin & Sattler, 1991 Sattleria styriaca Pitkin & Sattler, 1991Published as part of Huemer, Peter & Hebert, Paul D. N., 2011, Cryptic diversity and phylogeography of high alpine Sattleria — a case study combining DNA barcodes and morphology (Lepidoptera: Gelechiidae), pp. 1-22 in Zootaxa 2981 on page 6, DOI: 10.5281/zenodo.27832
FIGURE 4 in Review of the world Monoctonina Mackauer 1961 (Hymenoptera, Braconidae, Aphidiinae): key for their identification and descriptions of five new species
FIGURE 4. Monoctonus inexpectatus sp.n., female. a—head; b—antenna; c—F1 and F2; d—mesoscutum; e—propodeum; f—petiole; g—ovipositor; h—fore wing.Published as part of Čkrkić, Jelisaveta, Petrović, Andjeljko, Kocić, Korana, Kavallieratos, Nickolas G., Hebert, Paul D.N. & Tomanović, Željko, 2019, Review of the world Monoctonina Mackauer 1961 (Hymenoptera, Braconidae, Aphidiinae): key for their identification and descriptions of five new species, pp. 359-385 in Zootaxa 4691 (4) on page 367, DOI: 10.11646/zootaxa.4691.4.3, http://zenodo.org/record/352738
Fig. 1. Newly eclosed female A in Ten species in one: DNA barcoding reveals cryptic species in the neotropical skipper butterfly Astraptes fulgerator
Fig. 1. Newly eclosed female A. fulgerator (species LOHAMP, voucher code 02-SRNP-9770) from the ACG.Published as part of Hebert, Paul D. N., Penton, Erin H., Burns, John M., Janzen, Daniel H. & Hallwachs, Winnie, 2004, Ten species in one: DNA barcoding reveals cryptic species in the neotropical skipper butterfly Astraptes fulgerator, pp. 14812-14817 in Proceedings of the National Academy of Sciences 101 (41) on page 14813, DOI: 10.1073/pnas.0406166101, http://zenodo.org/record/442338
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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