797 research outputs found
Sanborn, Edmond R.
No full textCarte de Visite of Edmond R. Sanborn, 20th Maine Infantry; From the Janet & Bedford Hayes Collectionhttps://digitalmaine.com/arc_civilwarportraits/3369/thumbnail.jp
Sanborn, Edmond R.
No full textCarte de Visite of Edmond R. Sanborn, 20th Maine Infantry; From the Janet & Bedford Hayes Collectionhttps://digitalmaine.com/arc_civilwarportraits/3369/thumbnail.jp
The Edmond Ward Family Home
No full textEdmond Ward established a home on Kelleys Island in 1845. He and his descendants raised grapes, made wine, and became active in the island's government
Recommended from our members
Edmond White
No full textHandwritten notes about author Edmond (sic) White
Edmond Rostand ou la communion perdue
No full textFor Edmond Rostand, dramatic writing is a medium ensuring communion between the author and the spectator, a bond questioned by Plato. This article studies how Edmond Rostand’s poetic plays illustrate the quest for the public’s understanding of the poet and how the characters thrive for their lost social recognition. His works shed light on the poet at work, each of the characters being an accomplished or budding versifier to reveal that poetry is legitimate work, which requires skills. Edmond Rostand’s poetic style deconstructs literary and social norms that have led to his contemporaries’ loss of authenticity. Misunderstood by theater goers and critics, disappointment led the playwright to improvisation and to pantomime, in which gestures could not alter the fragile and fleeting idea, making poetry easier to comprehend and bridging the gap between the author and his audience, establishing the poet as a worthy citizen again.For Edmond Rostand, dramatic writing is a medium ensuring communion between the author and the spectator, a bond questioned by Plato. This article studies how Edmond Rostand’s poetic plays illustrate the quest for the public’s understanding of the poet and how the characters thrive for their lost social recognition. His works shed light on the poet at work, each of the characters being an accomplished or budding versifier to reveal that poetry is legitimate work, which requires skills. Edmond Rostand’s poetic style deconstructs literary and social norms that have led to his contemporaries’ loss of authenticity. Misunderstood by theater goers and critics, disappointment led the playwright to improvisation and to pantomime, in which gestures could not alter the fragile and fleeting idea, making poetry easier to comprehend and bridging the gap between the author and his audience, establishing the poet as a worthy citizen again.For Edmond Rostand, dramatic writing is a medium ensuring communion between the author and the spectator, a bond questioned by Plato. This article studies how Edmond Rostand’s poetic plays illustrate the quest for the public’s understanding of the poet and how the characters thrive for their lost social recognition. His works shed light on the poet at work, each of the characters being an accomplished or budding versifier to reveal that poetry is legitimate work, which requires skills. Edmond Rostand’s poetic style deconstructs literary and social norms that have led to his contemporaries’ loss of authenticity. Misunderstood by theater goers and critics, disappointment led the playwright to improvisation and to pantomime, in which gestures could not alter the fragile and fleeting idea, making poetry easier to comprehend and bridging the gap between the author and his audience, establishing the poet as a worthy citizen again
Recommended from our members
Understanding 1968: the case of Brest
No full textThis article examines the dominance of Paris in how May '68 has been portrayed over the years. It will be argued, through a case-study of the revolt in the Breton city of Brest, that the Paris-centred approach is one that belies the true nationwide aspect of May/June 1968. As one of a range of characteristics, the concentration on the Latin Quarter has helped mould what Kristin Ross has described as the 'official history' of 1968. An examination of how the events were played out within different regional contexts would go a long way towards helping overcome the shortcomings of the increasingly narrow portrayal that has come to dominate the stereotypical image of 1968
Edmond Rostand ou la communion perdue
No full textFor Edmond Rostand, dramatic writing is a medium ensuring communion between the author and the spectator, a bond questioned by Plato. This article studies how Edmond Rostand’s poetic plays illustrate the quest for the public’s understanding of the poet and how the characters thrive for their lost social recognition. His works shed light on the poet at work, each of the characters being an accomplished or budding versifier to reveal that poetry is legitimate work, which requires skills. Edmond Rostand’s poetic style deconstructs literary and social norms that have led to his contemporaries’ loss of authenticity. Misunderstood by theater goers and critics, disappointment led the playwright to improvisation and to pantomime, in which gestures could not alter the fragile and fleeting idea, making poetry easier to comprehend and bridging the gap between the author and his audience, establishing the poet as a worthy citizen again
Edmond Couchot teorico delle immagini digitali
No full textAuthor of some of the first interactive artworks (La plume and Je sème à tout vent), Edmond Couchot was more prolific as a theoretician than as an artist. This paper seeks to reflect on his writings of the 1980s and early 1990s, when digital technologies were not pervasive yet. Defining a digital image as the product of a mathematical language, Couchot reflects on the born of a “new visual order” and its cultural consequences in the creation, perception and circulation of images
Petition, To: "To Their Excellencys" From: Patrick Hayes, Master of Schooner Edward & Edmond, March 25, [1802?].
No full text- …
