4,148 research outputs found

    Suchbewegungen gegen den Strom: Für eine Soziologie der ganzen Arbeit.

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    Haubner T. Suchbewegungen gegen den Strom: Für eine Soziologie der ganzen Arbeit. In: Atzmüller R, ed. Gesellschaft in Transformation: Sorge, Kämpfe und Kapitalismus. . Weinheim/Basel: Beltz-Juventa; 2024

    Gefüge von Eisenmeteoriten

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    Meteorite stammen aus der Anfangsphase unseres Sonnensystems und sind herrlich undefiniert und inhomogen. Ein einzelner Meteorit ist ein Überraschungspaket hinsichtlich seiner Zusammensetzung und seines Gefügeaufbaus [1, 2]. Es werden die Gefüge von drei Eisenmeteoriten gezeigt, nämlich von den Fundorten. Canyon Diabolo, Dronino und Gebel. Die verschiedenen Gefügezusammensetzungen werden erklärt, wobei auch einige, für uns, unerklärliche Mischungen beobachtet wurden. Referenzen [1] S. Strobl, R. Haubner, Acta Metallurgica Slovaca, 2007, 13, 795 - 801. [2] R. Haubner, S. Strobl, Practical Metallography, 2021, 58, 570 - 580

    Arsenic loss during metallurgical processing of arsenical bronze

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    The chemical composition of ancient copper-based metal changes over time due to repetitive recycling and mixing of old metal. Prehistoric copper usually contains impurities from the copper ores themselves, and some have been used as evidence of anthropomorphically induced chemical change. Research into these changes has historically relied upon the assumption of element loss linearity, which is highly misleading and in fact varies with a multitude of factors. To illustrate the complexity of such losses for prehistoric alloys, we have selected arsenical bronze (Cu-As alloys) for study. The mass loss of several Cu-As-alloys under reducing atmosphere was measured by DTA/TGA. From our comparison of the experimental results to thermodynamic calculations and literature data, it was unclear whether weight losses were solely caused by the elemental loss of arsenic. However, a prolonged time temperature-cycling run demonstrated that mainly arsenic volatilizes; hence, the non-linear mass loss from the alloy can be directly attributed to arsenic

    Interview with Roland Abraham

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    Interview with Roland Abraham, who is a former director of the Minnesota Extension Service. He is the author of Helping People Help Themselves: Agricultural Extension in Minnesota, 1879 to 1979. Abraham talks about how he got to the university and about the Minnesota Extension Service.Abraham, Roland H.; Pflaum, Ann M.. (1999). Interview with Roland Abraham. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/47871

    The death of William Golding: authorship and creativity in darkness visible and the paper men

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    In the seventies and eighties William Golding was deeply responsive to the critical, anti-authorial ethos that followed the publication of Roland Barthes's "La mort de I'auteur" (1968). In Darkness Visible (1979) and The Paper Men (1984) he investigates means by which to reaffirm authorial presence. Working through paradox, he performs the authorial death in these novels, and establishes language’s inadequacy as a means of conveying absolute meaning, authorial "vision," truth or revelation. Having done so he nonetheless gestures towards the divine, towards the possibility of a vatic communication. In this manner the novels work upon principles of contradiction and collapse. What remains is a discourse of hope, promise, desire, without means of substantiating such optimism. Thus Golding might be said to have practiced a form of negative theology, and to have anticipated in this respect some recent trends in literary theory

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Roland Barthes's resurrection of the author and redemption of biography

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    The most misunderstood essay in literary theory must be Roland Barthes's 'The Death of the Author' (originally 'La mort de l'auteur', 1968). Repeatedly critics and commentators have taken this satiric jeu d'esprit literally, and have credulously assumed that it is advocating the very position that it is condemning

    Roland Barthes's resurrection of the author and redemption of biography

    No full text
    The most misunderstood essay in literary theory must be Roland Barthes's 'The Death of the Author' (originally 'La mort de l'auteur', 1968). Repeatedly critics and commentators have taken this satiric jeu d'esprit literally, and have credulously assumed that it is advocating the very position that it is condemning
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