1,721,237 research outputs found
Haslam, J M, VX4416
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/391009Surname: HASLAM. Given Name(s) or Initials: J M. Military Service Number or Last Known Location: VX4416. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 2056.207279
Item: [2016.0049.23302] "Haslam, J M, VX4416
Mobilising accounting in the radical media during the First World War and its aftermath: The case of Forward in the context of Red Clydeside
It remains the case that surprisingly little research has been done into the mobilising of accounting in media such as newspapers. Moreover, one can still argue that there is, again surprisingly, a paucity of research into accounting\u27s emancipatory dimensions, actual as well as potential. And this is in spite of the scope for such work and the apparent significance of such topics for the critical social analysis of accounting. We seek here to add to and build upon the work that has been done in these areas [see, Gallhofer S, Haslam J. The aura of accounting in the context of a crisis: Germany and the First World War. Acc Organ Soc 1991; 16(5/6):487–520; Gallhofer S, Haslam J. Accounting/art and the emancipatory project: some reflections. Acc Audit Accountability J 1996;9(5):23–44; Gallhofer S, Haslam J. Accounting and emancipation: some critical interventions. London: Routledge; 2003; see also, for instance, Lehman C, Tinker T. The ‘real’ cultural significance of accounts. Acc Organ Soc 1987;12(5);503–22; Lehman C. Accounting\u27s changing role in social conflict. New York: Markus Wiener; 1992; Beard V. Popular culture and professional identity: accountants in the movies. Acc Organ Soc 1994;19(3):304–18; Bougen P. Joking apart: the serious side to the accountant stereotype. Acc Organ Soc 1994;19(3):319–35; Broadbent J, Ciancanelli P, Gallhofer S, Haslam J. Enabling accounting: the way forward? Acc Audit Accountability J 1997;10(3):265–75; Lehman G, Tinker T. Environmental accounting: accounting as instrumental or emancipatory discourse. In: Proceedings of the interdisciplinary perspectives on accounting conference, July; 1997; Shearer T. Ethics and accountability: from the for-itself to the for-the-other. Acc Organ Soc 2002;27(6):541–73]. We elaborate a critical historical analysis of accounting\u27s mobilisation in the radical media in the crisis context of the First World War and its aftermath. We focus upon the way in which accounting is mobilised in Forward, an important radical weekly newspaper of the key context of politically charged ‘Red Clydeside’ during this crisis period. Our general concern here is to further bring out and articulate the political character of accounting and its potential in the context of seeking to transform accounting and society. In our focus, we explore a number of ways in which accounting is mobilised to support a socialistic rhetoric that is disturbing for hegemonic forces. Our study contributes to an understanding of radical accounting functioning in the early twentieth century, adding to previous insights. We thus aim here to further encourage engaged action towards emancipatory development in and through accounting
Mobilising accounting in the radical media during the First World War and its aftermath: the case of forward in the context of Red Clydeside
It remains the case that surprisingly little research has been done into the mobilising of accounting in media such as newspapers. Moreover, one can still argue that there is, again surprisingly, a paucity of research into accounting's emancipatory dimensions, actual as well as potential. And this is in spite of the scope for such work and the apparent significance of such topics for the critical social analysis of accounting. We seek here to add to and build upon the work that has been done in these areas [see, Gallhofer S, Haslam J. The aura of accounting in the context of a crisis: Germany and the First World War. Acc Organ Soc 1991; 16(5/6):487–520; Gallhofer S, Haslam J. Accounting/art and the emancipatory project: some reflections. Acc Audit Accountability J 1996;9(5):23–44; Gallhofer S, Haslam J. Accounting and emancipation: some critical interventions. London: Routledge; 2003; see also, for instance, Lehman C, Tinker T. The ‘real’ cultural significance of accounts. Acc Organ Soc 1987;12(5);503–22; Lehman C. Accounting's changing role in social conflict. New York: Markus Wiener; 1992; Beard V. Popular culture and professional identity: accountants in the movies. Acc Organ Soc 1994;19(3):304–18; Bougen P. Joking apart: the serious side to the accountant stereotype. Acc Organ Soc 1994;19(3):319–35; Broadbent J, Ciancanelli P, Gallhofer S, Haslam J. Enabling accounting: the way forward? Acc Audit Accountability J 1997;10(3):265–75; Lehman G, Tinker T. Environmental accounting: accounting as instrumental or emancipatory discourse. In: Proceedings of the interdisciplinary perspectives on accounting conference, July; 1997; Shearer T. Ethics and accountability: from the for-itself to the for-the-other. Acc Organ Soc 2002;27(6):541–73]. We elaborate a critical historical analysis of accounting's mobilisation in the radical media in the crisis context of the First World War and its aftermath. We focus upon the way in which accounting is mobilised in Forward, an important radical weekly newspaper of the key context of politically charged ‘Red Clydeside’ during this crisis period. Our general concern here is to further bring out and articulate the political character of accounting and its potential in the context of seeking to transform accounting and society. In our focus, we explore a number of ways in which accounting is mobilised to support a socialistic rhetoric that is disturbing for hegemonic forces. Our study contributes to an understanding of radical accounting functioning in the early twentieth century, adding to previous insights. We thus aim here to further encourage engaged action towards emancipatory development in and through accounting
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Comprehensive Vertebral Deformity and Vertebral Fracture Assessment in Clinical Practice: Intra- and Inter-Reader Agreement of a Clinical Workflow Tool.
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
22. The Oxyrhynchus Papyri, volume XLIV. Edited with translations and notes by A. K. Bowman, M. W. Haslam, J. C. Shelton, J D. Thomas, with contributions by V. Brown, F. C. Philips, J. W. Shumaker, A. Swiderek
Irigoin Jean. 22. The Oxyrhynchus Papyri, volume XLIV. Edited with translations and notes by A. K. Bowman, M. W. Haslam, J. C. Shelton, J D. Thomas, with contributions by V. Brown, F. C. Philips, J. W. Shumaker, A. Swiderek. In: Revue des Études Grecques, tome 91, fascicule 432-433, Janvier-juin 1978. pp. 210-211
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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