932 research outputs found
OTOH
No full textContains the essay “Unsettled Feelings". Funded by SSHRC Institutional Explore Grant. Design by Chloe Brumwell & Randy Lee Cutler.Unsettle
Coat Cooke & Joe Poole | Coat Cooke & Rainer Wiens: Reviews
No full textCoat Cooke album reviews by Randy Raine-Reusch. Coat Cooke (sax); Joe Poole (drums); Rainer Wiens (guitar)
Council on Academic Affairs. Minutes. January 9, 2008
No full textThis is the minutes for the Council on Academic Affairs' meeting on January 9, 2008. E. Kay Halasek and W. Randy Smith (the Chair and Vice Chair, respectively) gave comments regarding relevant updates. Professor Lora G. Dobos presented the proposal to establish regular clinical track faculty. Profession Robert A. Kaufman discussed the proposal with the Council. Professor Sheryl Barringer presented the proposal to establish a major in Biomedical Engineering. Professors Richard Hart and Robert Gustufson discussed the proposal with the Council. E. Kay Halasek and W. Randy Smith led the discussion to create an Air Science major, and to revise the Rule/Guidelines on Institutes and Centers
Interview with Randy Stoecker, author, Liberating Service Learning and the Rest of Higher Education Civic Engagement
No full textIt’s common for colleges in the U.S. to have service learning programs of one kind or another. These are sometimes criticized as being liberal or even radical endeavors — especially if “social justice” language is employed. But what if these are, in fact, conservative programs at their heart, ones that, in the context of the corporatized university, are furthering the neoliberal project and inhibiting the development of better social welfare policies? Listen to our interview with Randy Stoecker as he discusses his book, Liberating Service Learning and the Rest of Higher Education Civic Engagement (Temple University Press, 2016), for a first-hand critique as well as some thoughts on how we might all better serve our students — and the communities they would engage with
Handbook of violence risk assessment /
No full textIncludes bibliographical references and index.Violence risk assessment tools : overview and critical analysis / Kirk Heilbrun, Kento Yasuhara, Sanjay Shah -- The use of measures of psychopathy in violence risk assessment / David DeMatteo, John F. Edens, Allison Hart -- Gender-specific childhood risk assessment tools : early assessment risk lists for boys (EARL-20B) and girls (EARL-21G) / Leena K. Augimeri, Pia Enebrink, Margaret Walsh, Depeng Jiang -- Structured assessment of violence risk in youth (SAVRY) / Randy Borum, Henny Lodewijks, Patrick A. Bartel
Reflections 1979
No full textThe 1979 issue of Reflections is edited by Randy Waters with Michele Barale and Joyce Compton Brown serving as faculty advisers. Cover art and photography is by Les Brown. Author biographies are included on a contributors page at the conclusion of the issue. Award winners of the student literary context include: Randy Waters, Debbie Drayer, and Susan Sheilds.https://digitalcommons.gardner-webb.edu/reflections/1005/thumbnail.jp
The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques
No full textThis thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel University.This thesis is based on the research conducted by the author for the series,
Richard Niles' History of Pop Arranging, seven thirty-minute documentary
programmes for BBC Radio 2, researched, written and presented by the author and
broadcast in 2003. It also draws on interviews conducted by the author (and other
research) between 2002 and 2007 both for the radio series and for this thesis and on
the author's experience as a professional arranger in popular music working with
many of the genre's significant recording artists including Paul McCartney, Ray
Charles, Cher, Tina Turner, Westlife, Tears For Fears, Dusty Springfield, James
Brown, Pet Shop Boys, Kylie Minogue and producers including Trevor Hom, Steve
Lipson, Steve Mac and Steve Anderson.
It will be argued that the role of the arranger in popular music has often been
undervalued and that during a critical period of popular music history (1950-2000)
arrangers played a significant part in the evolution of musical content. This thesis is,
to the best of the author's knowledge, the first time (apart from the above mentioned
documentary) the subject has ever been examined. The arranger is "invisible" because musical arrangers are often un-credited on
record liner notes or in books or articles concerning popular music. A considerable
amount of research has been necessary to determine who wrote many of the
arrangements considered herein. Motown's Berry Gordy purposely kept the names of
musicians and arrangers off the records because he feared others might 'poach' the
trademark 'Motown Sound'. Other record labels considered the job of the arranger to
be reminiscent of an earlier era, diluting the Rock 'n' Roll image of emotion and
spontanaeity they wished to promote. Some producers and recording artists disliked
sharing credit for their work. Motown arranger David Van dePitte told the author that
arranging was "thankless and anonymous - a very service-oriented profession where
others often take credit for what you've done." Arranging has therefore remained an
intrinsically unseen art created by 'invisible' artists. By analyzing many recordings,
revealing the techniques and concepts they have used in their work to create popular
records, arrangers and their art will be made more 'visible'
Species suitability guide for Colorado
No full textCompiled by Randy Moench, data from the Colorado State Forest Nursery, Fort Collins, Colorado
Hospital float at Kinsmen parade in Golden
No full textPeople on the float include: Margaret Jacobson, Carol Hart, Randy Thompson, Luise Kennleyside
Reconsidering Randy Shilts: examining the reportage of America's AIDS chronicler
No full text2013 Fall.Includes bibliographical references.The role of openly-gay reporter and author Randy Shilts (1951-1994) is examined related to his use of journalistic practices and places him on a continuum of traditional reporting roles as considered in the context of twentieth century philosophers Walter Lippmann and John Dewey. Reporter functions demonstrated by Shilts are examined, including those dictated by expectations of either strong journalistic influence over society and media consumers, or those more aligned with democratic practices where education and participation emphasize strong roles for society and media consumers. Using a biographical approach including 17 primary source interviews of former colleagues, critics, sources and family/friends, the examination of Shilts work as both a reporter and noted author is presented as being heavily influenced by his forthcoming attitudes about disclosure of his sexual orientation from the start of his career and his desire to explain or unpack aspects of gay culture, and ultimately the AIDS crisis, to heterosexual audiences. Careful examination of the posthumous critique of Shilts' work - including his construction of Patient Zero - is undertaken. The study concludes that Shilts fully engaged a Lippmann-esque approach embodied in an authoritarian role for journalism that sought to change the world in which it was offered, and did so perhaps most influentially during the earliest days of the HIV/AIDS pandemic in America
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