3,461 research outputs found
Hong Kong, British Army Capt. E.M. Pickles and Hong Kong Police Sub-Inspector David Lloyd
No full textHong Kong, Frontier to Red China. Actual control at the border is in the hands of the Hong Kong Police, who are backed up by the British Army units. Left is Capt. E.M. Pickles of the British Army. Right is Sub-Inspector David Lloyd of the Hong Kong Police. (Both of Border Patrol). Harrison Forman.Hong Kong: Lo WuPickles on left, Lloyd on right.GrayscaleForman Safety Negatives, Box
John Wood and Paul Harrison
No full textJohn Wood and Paul Harrison interviewed on their artistic collaboration by Ellen Mara De Wachter
E.M. Jellinek: The Hungarian connection
No full textThis is the second in a series of papers depicting the mostly undocumented life of E.M. Jellinek. This paper establishes the connection between Jellinek Morton, a well-known figure in Hungary in the early part of the 20th Century, and E.M. Jellinek, one of the founders of alcohol studies. Newly found documents in Hungary and at the Rutgers Center of Alcohol Studies Library and Archives provide compelling evidence of this connection and shed some light on the mysterious circumstances of his 1920 disappearance from Hungary. The information in these papers was first presented at the 36th Annual Substance Abuse Librarians and Information Specialists (SALIS) Conference on May 1st, 2014, by seven presenters in a panel entitled “Mystery and speculations: Piecing together E.M. Jellinek’s redemption.”Peer reviewe
We don't like each other: John Wood and Paul Harrison in conversation with Ellen Mara De Wachter
No full textAt a time when creative processes are changing because of the pandemic, many are finding collaborative working and joining of creative forces is more important than ever.
This has been at the heart of Wood and Harrison’ practice for over 30 years. Their work touches on themes of tragedy, comedy and irony, experimenting with the physical limitations, scale and movement of the human body in relation to the surrounding environment - universal notions that many of us can relate to right now.
De Wachter is author of 'Co-Art: Artists on Creative Collaboration' (published by Phaidon) which explores the phenomenon of collaboration in the visual arts and its potential in society at large
Tomb with a view: three recent publications by E.M. Forster
No full text6000-word review article concerning three recent collections of essays, broadcasts and diaries by English modernist novelist, author and critic E.M. Forste
Hayo Haya Maaseh [= Once upon a time]
No full textAnthology of East European Jewish folklore, with introduction and sources. The anthology includes: songs, tales, traditions, customs, jokes, proverbs, riddles. Authored by Chaim Ben Zion Elon-Baranik (born 1901). Published immediately after the Second World War. Illustrations by Moritz Oppenheimer, L. Pilichowski, Yosef Budko, E.M. Lilien (his signature in print). Most of the illustrations are printed on separated chrome paper, on one side of the page. Folklore publishing, Tel Aviv. HaIvri press, Jerusalem. 22 em. [1],303, [3] pages. Excellent condition. Chipped top of spine. . '... Olb price140-160This is a hardbound book (hard cover)Language note: HebrewChaim Ben Zion Elon-Barani
Integrated difference: Counteracting exclusion of migrants through intercultural spatial planning and governance in Athens
No full textThis research-and-design research addresses the influence of urban conditions on social conditions (and vice versa) and explores interdisciplinary alternatives. In the context of Athens (Greece), spatial planning and its governance support social exclusion of migrants, which is expressed through conflicts with native residents. The project experiments with alleviating these effects by establishing spatial planning as active agent of integration. The main aim of the research is to develop an appropriate strategy in areas with migrants, by re-adjusting the principles of urban space. Instead of providing one fixed solution, the project will design flexible initiatives that help the community achieve the desirable outcome. The methodology of this urban integration can be replicable, provided that it is adjusted for similar urban and social contexts
Letter from E.M. Rowalt, Acting Regional Director, War Relocation Authority, to Mr. Joseph Smart, Regional Director, War Relocation Authority, September 29, 1942
No full textCorrespondence from E.M. Rowalt to Joseph Smart regarding the transportation and storage of incarcerees personal belongings.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications
Croft, Margareth Harrison (Death, 1907-01-06)
No full textAddress: Home for Friendless- Beechwood AvenueAge at death: 88128/Pg. 4/1907/F W M/B. P.- England/Dr. E.M. Craig/Busse & Borgmann/Spring Grove Cem.Original record filed in drawer labeled 'CRAMER-CRUSE'
Psycholinguistic Characteristics of the Discourse with a «Colour Black» Component (based on E.M. Remarque’s works)
No full textIn recent decades, colour vocabulary has been actively studied by the Ukrainian and foreign scientists. Modern Linguistics has significant achievements in research of this issue, however, some of its aspects, in particular, psycholinguistic characteristics of the discourse with a colour element, still remain relevant and poorly researched.
Colour has always played an important role in artistic discourse. The names of individual writers are
inextricably associated with certain coloronyms, which is a so-called marker in their work.
One example of this phenomenon is the colour black, that is dominant in the discourse of E.M. Remarque, which, given the mostly dramatic themes of the author’s novels, is quite expected, especially if the
fact is considered through the prism of Psycholinguistics.
The purpose of the given scientific investigation is to provide psycholinguistic characteristics of the
discourse with the «black colour» component in E.M. Remarque’s works and to identify the impact it has
on the reader in the process of perceiving the outstanding author’s texts.
Implementation of the stated tasks of research involved the integrational usage of general scientific methods (such as description, induction, deduction), as well as the analysіs of dictionary definitions, current native and foreign psycholinguistic sources; contextual and structural-thematic analysis; modelling
and classification of actual material.
The results of the analysis of the Remarque’s discourse with the «black colour» component allow us
drawing the following conclusion: the coloronym «schwarz» in E.M. Remarque’s is characterised by a wide
semantic content, wherein the black colour is used by the writer both to determine the colour of the described object neutrally and to convey figurative negative semantics.
Lexemes denoting black, in their direct meaning, indicate the colour of the depicted object directly.
Using the colour nomination «schwarz» in symbolic meaning, the author resorts to «painting» in dark natural phenomena, which are not characterised by black; depicts dishonest and illegal actions; demonstrates
negative attitude towards people.
Using the specified colour nomination as the colour of clothing, objects, buildings, as well as emotions,
experiences and feelings, non-verbal means of intensification the semantics of “black” – the designation of
poses, gestures, facial expressions, body movements the author demonstrates not only his personal attitude
towards the characters of his novels, but by focusing the consciousness of the reader on their difficult psychological and physical state, he encourages to rethink the causes and consequences of their actions.
Stable association with the black colour, peculiar for a long historical and cultural development of
mankind, and therefore with sad events in human life, losses, failures, loneliness, is verbalized in all analysed Remarque’s works. Thus, the black colour is the necessary element of the psycholinguistic portrait of
Remarque’s character
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