17,929 research outputs found
Florida star quilt by Sarah Agatha Harris Saxton
Image of Florida Star quilt created in 1953 by Sarah Agatha Harris Saxton. Also includes questionnaires describing the quilt completed by Helen Welch as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994
Chimney Sweep quilt by Sarah ?
Image of Chimney Sweep quilt created in 1890 by Sarah ?. Also includes questionnaires describing the quilt completed by Ruth M. Harris as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. Description can not be read
The 'true use of reading' : Sarah Fielding and mid eighteenth-century literary strategies.
PhDThe aim of this thesis is to explore, by examining her life and
works, how Sarah Fielding (1710-68) established her identity as an author.
The definition of her role involves her notions of the functions of
writing and reading.
Sarah Fielding attempts to invite readers to form a sense of ties
by tacit understanding of her messages. As she believes that a work
of literature is produced through collaboration between the writer and
the reader, it is an important task in her view to show her attentiveness
toward reading practice. In her consideration of reading, she has two
distinct, even opposite views of her audience: on the one hand a familiar
and limited circle of readers with shared moral and cultural values and
on the other potential readers among the unknown mass of people. The
dual targets direct her to devise various strategies. She tries to
appeal to those who can endorse and appreciate her moral values as well
as her learning. Her writings and letters testify that she is sensitive
to the demands of the literary market, trying to lead the taste of readers
by inventing new forms.
The thesis opens with an overview of Sarah Fielding's career,
followed by a consideration of her critical attention to the roles of
reading. I go on to examine the narrative structures and strategies
she deploys, with a particular emphasis on her use of the epistolary
method. The following chapter deals with her attention to the reading
of the moral message tangibly embodied in her educational writing. It
is followed by an analysis of the activity which earned her a reputation
as a learned woman. Various as the forms of her works are, they invariably
reflect her attempt to balance herself between the two demands of
inventiveness and familiarity
Dr. Sarah E. Harris Interview, Montgomery County Commissioner, Wright State University Board of Trustees
Alyce Jenkins interviewed Dr. Sarah E. Harris from Wright State University\u27s Board of Trustees in 1992. In the Interview Dr. Harris discusses her early education, professional experience prior to arriving at Wright State and her time as a member of the Wright State University Board of Trustees
Sarah Fielding: Satire and Subversion in the Eighteenth-Century Novel
This study of Sarah Fielding (1710―68) is an original contribution to Fielding scholarship that has a dual purpose: to support those who are striving to re-introduce her to the modern literary landscape in an effort to restore her eighteenth-century literary standing, and to firmly establish Fielding as an early feminist writer. It is argued here that throughout her oeuvre Fielding challenged prevailing traditions that denied women a choice, particularly in education, employment and marriage. These themes are also considered in the political treatises of Mary Astell (1666―1731) and Mary Wollstonecraft (1759―97), who are now widely recognised as feminist writers.
It is further argued that Fielding’s subversion in fiction of the English patriarchal system is underscored by her unorthodox performance in the literary arena. This is fully explored alongside her use of sentimentalism as a literary tool with which she challenges her seemingly inhumane society. Fielding’s interest in ‘the Labyrinths of the Mind’ (in modern terms, human psychology) will also be addressed as will her placement in the history of feminism and her placement in the sentimental novel tradition. Fielding’s performance as a literary critic will be compared with the few female authors who, like her, dared to publish literary criticism during her writing career. Accordingly, extracts from Fielding’s novels and her two critical pamphlets will be thoroughly examined.
An updated biography of Fielding that is also included here will provide evidence for a further claim, that her fiction is autobiographical in part. A comprehensive account of Fielding’s performance as a literary critic forms the final chapter of this work. It is the first full-length examination of her contribution to the genre and includes an appraisal of her recently unearthed critical pamphlet entitled A Comparison Between the Horace of Corneille and The Roman Father of Mr. Whitehead (1750) that is yet to be formerly attributed to her. Ultimately this study of Fielding will go far beyond what has previously been written about this remarkable eighteenth-century author, particularly regarding her feminist activity
Portrait of Sarah Wright Harris and Charles Harris
Portrait of Sarah Wright Harris and Charles Harris. Note on back Sarah Wright Harris Charles Harris taken (1865-1868)? Sent by Hirschel Judy 1976. This image is a 3 1/2 X 5 reprint of a black and white silver gelatin photograph.https://corescholar.libraries.wright.edu/special_ms1_photographs/3320/thumbnail.jp
Portrait of Sarah Larue Harris Heron
Sarah Harris (later Sarah Heron) entered Jacksonville State Teachers College as a freshman in Fall 1937.https://digitalcommons.jsu.edu/lib_ac_histimg_1930/1541/thumbnail.jp
First person - Sarah Alghamdi
ABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Disease Models & Mechanisms, helping early-career researchers promote themselves alongside their papers. Sarah Alghamdi is first author on ‘ Contribution of model organism phenotypes to the computational identification of human disease genes’, published in DMM. Sarah is a PhD student in the lab of Robert Hoehndorf at King Abdullah University of Science and Technology, Thuwal, Saudi Arabia, investigating artificial intelligence, specifically knowledge representation and reasoning over biomedical data
Sarah Laughed (2018)
Artist: Yael Harris Resnick (American-Israeli)
Subject: Sarai (Sarah)
Art Type & Medium: Acrylic & hand painted silk on canvas
Dimensions: 18 x 24 inches
Credit Line: Artist Yael Harris Resnick’s professional web page: https://yaelharrisresnick.com/
Artist Exhibition Label: Original painting of Sarah laughing (Genesis 18)https://digitalcommons.snc.edu/judaism_religious_mothers/1003/thumbnail.jp
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