12,194 research outputs found
Três contos de Thomas Hardy: tradução comentada de cadeias de significantes, hipotipose e dialeto
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Estudos da TraduçãoEsta tese se insere na área de tradução comentada de textos literários e se baseia na minha tradução para o português dos contos "The withered arm", "Barbara of the House of Grebe" e "An imaginative woman", do escritor inglês Thomas Hardy (1840-1928), tendo como intuito propor uma discussão a respeito de algumas questões de tradução de prosa, a saber, a cadeia de significantes, hipotipose e dialeto. A tradução é precedida por um estudo prévio sobre o autor e sobre os aspectos mais importantes de sua obra e por uma apreciação da ficção de Hardy traduzida no Brasil. Em seguida, apresento os contos traduzidos e os respectivos comentários da traduçãoThe area of research of this thesis is literary translation with commentary and it is based on my own translation into Portuguese of the short stories #The withered arm#, #Bárbara of the House of Grebe#, and #An imaginative woman# by Thomas Hardy (1840-1928). In the commentaries, I draw attention to some matters in prose translation, such as underlying networks of signification, hypotyposis, and dialect. My translation is preceded by a study on the writer and on the most important aspects of his work, and by an analysis of Hardy#s fictional work translated into Brazilian Portuguese. Finally, I present the translation of the short stories and the commentaries on the translatio
Gaussian Hardy Spaces
No full textIn this thesis we study a preprint by Pierre Portal that introduces Gaussian Hardy Spaces and proves equivalence of norms.AnalyseDIAMElectrical Engineering, Mathematics and Computer Scienc
Snaps!: Bourdieu and the field of photographic art
No full textThis article forms part of an ongoing body of work where the authors apply the theoretical perspective and conceptual approach of the French social theorist Pierre Bourdieu to a range of artistic field contexts (see, for example, Grenfell and Hardy 2003), Grenfell & Hardy 2007, Hardy & Grenfell 2006, and Hardy 2009). These studies have employed Bourdieu’s three-level approach to field analysis in order to tease out the relationship between individual artists’ practice, their immediate cultural environment and relations to other fields such the political and commercial. In the current article, we address the field of photography; in particular focussing on the relationship between the photographic field, its legitimate institutions and its agents, and photographers themselves. First, the article briefly addresses Bourdieu’s ‘thinking tools’. It then considers some of his own photographs and their relationships to the context of Algeria and Béarn in late 1950s in order to show how photography featured in his own work and his studies of the photographic field. We do this to set a methodological baseline. The case of Roger Fenton, an early British pioneer in photography, is then discussed in order to demonstrate how individual habitus, field context and photographic image are intimately linked. Finally, we offer further examples of C20 photographers in order to extend the exploration of the relationship between their lived experiences, the photographs they took and the social and political context of the time
Georges Hardy. La politique coloniale et le partage de la terre aux XIXe et XXe siecles
No full textHoffherr René, Hardy G., Renouvin Pierre, Ruellan F., Bréard A., Piatier André. Georges Hardy. La politique coloniale et le partage de la terre aux XIXe et XXe siecles. In: Politique étrangère, n°5 - 1937 - 2ᵉannée. pp. 472-473
Correspondance intime du Général Jean Hardy, de 1797 à 1802, 1901
No full textCaron Pierre. Correspondance intime du Général Jean Hardy, de 1797 à 1802, 1901. In: Revue d'histoire moderne et contemporaine, tome 3 N°2,1901. pp. 194-195
In Memoriam Marcel Gillet (1922-1996)
No full textHardy-Hémery Odette, Hirsch Jean-Pierre. In Memoriam Marcel Gillet (1922-1996). In: Revue du Nord, tome 78, n°316, Juillet-septembre 1996. pp. 417-422
In Memoriam Marcel Gillet (1922-1996)
No full textHardy-Hémery Odette, Hirsch Jean-Pierre. In Memoriam Marcel Gillet (1922-1996). In: Revue du Nord, tome 78, n°316, Juillet-septembre 1996. pp. 417-422
Abbé V. Hardy. La cathédrale Saint-Pierre de Lisieux. Paris, impr. Frazier-Soye, 1917.
No full textOmont Henri. Abbé V. Hardy. La cathédrale Saint-Pierre de Lisieux. Paris, impr. Frazier-Soye, 1917.. In: Bibliothèque de l'école des chartes. 1917, tome 78. pp. 349-350
Art Rules: Pierre Bourdieu and the Visual Arts
No full textThe French social theorist Pierre Bourdieu is now recognized as a major contemporary critique of culture and the Visual Arts. His work was developed over a fifty year career which took in major studies of education, museums, photography, painting, the media and taste. This book sets out to do what no other has so far achieved. It exclusively addresses Bourdieu’s work on the Visual Arts. Over its three parts and eight chapters it gives an in-depth coverage of Bourdieu’s theory of culture and aesthetics. It describes Bourdieu’s background and the development of his thinking throughout his career. His main ‘thinking tool’ are described and located within his overall ‘theory of practice’. There is discussion of aesthetics in terms of his social philosophy. A line is traced from Kant through salient views to aestheticism and its significance in art and culture. Bourdieu’s own response to this tradition is described.This theory of practice is then applied to three practical case examples: Museums, Photography and Painting. A chapter is dedicated to each of these. In each one, a Bourdieusian perspective is brought to bear on contexts not dealt with by Bourdieu himself. There is analysis of the Tate, MOMA and the Musée d’Orsay. Photography is considered as a ‘mid-brow’ art with examples from pop, journalism and ‘artist-photographers’. Finally, the book deals with painting. Based on Bourdieu’s own work on the ‘pre-impressionist’ Manet, this example is contrasted with such artistic movements as the Young British Artists of the 1990s and American Expressionism.Finally, the theory and practical examples are used as a springboard to address Visual Arts in the 21st Century. The ‘problem of aesthetics’ is reconsidered in the light of post-modernism and Bourdieu’s theory. A new perspective to the Visual Arts in the twenty-first century is provided based on his approach.The book sets out to identify the ‘rules of art’: how artistic fields function and the implications their processes have for Art and artistic practice.<br/
Odette Hardy-Hemery, De la Croissance à la industrialisation, un siècle dans le Valenciennois, 1984
No full textDaviet Jean-Pierre. Odette Hardy-Hemery, De la Croissance à la industrialisation, un siècle dans le Valenciennois, 1984. In: Revue du Nord, tome 69, n°273, Avril-juin 1987. pp. 452-454
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