555 research outputs found
Rebecca Graham with Rosalind and Keith Slater at the 2013 Campus Author Reception
No full textpermission grantedRebecca Graham, CIO and Chief Librarian, with Rosalind and Keith Slater (emeritus) with his plaque taken at the Campus Author Recognition Program annual reception, November 7, 2013.The University of Guelph Librar
Anna Cora Mowatt as Rosalind
No full textEngraving of Anna Cora Mowatt as Rosalind in Shakespeare's As You Like It. Anna Cora Mowatt Ritchie was an author, playwright, public reader, and actres
Anna Cora Mowatt as Rosalind
No full textEngraving of Anna Cora Mowatt as Rosalind in Shakespeare's As You Like It. 'Tis he; slink by, & note him.' Act 5, Sc.2. Anna Cora Mowatt Ritchie was an author, playwright, public reader, and actres
Rosalind Krauss: between modernism and post-medium
Full text linkRosalind Krauss: Between Modernism and Post-Medium’ is a response to an essay, ‘Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts’, by Irish aesthetic philosopher Diarmuid Costello criticising the prominent American art critic and historian Rosalind Krauss for her notion of “post-medium” art. Costello objects to the fact that in Krauss’ theorisation a particular post-medium can in principle be practised by only one artist and thus does not allow the comparative judgement and sense of artistic or historical development that the notion of medium implies. This essay by contrast contends both that Krauss’ notion of post-medium does allow comparison and that in the very notion of medium on which Costello relies there is a certain moment of non-comparison, of a particular author or artist making something absolutely novel and unprecedented. Indeed, it suggests that these two qualities of the medium cannot be separated and necessarily imply each other. The author does this with reference to the work of the American “ordinary language” philosopher Stanley Cavell, on whom Krauss draws for her theorisation of the post-medium. Also included is an interview with Krauss herself that raises a number of these matters
Gender Benders: Shakespeare\u27s Rosalind and Woolf\u27s Orlando
Full text linkEnglish Renaissance playwright, William Shakespeare and twentieth century modernist author, Virginia Woolf’s works, “As You Like It” (1599) and “Orlando” (1928), respectively posit a vision of gender that transcends the physical sex of the body. The play’s heroine, Rosalind, and the novel’s protagonist, Orlando, each challenge the stability of the binary categories of male and female, demonstrating how gender is not absolute but rather a constantly adapting and evolving construct. This thesis traces the development of Rosalind and Orlando by analyzing and comparing both protagonists’ journeys towards concordia discors, considering how gender transformation plays a pivotal role in helping both figures transcend prescribed gender roles and restraints placed upon them by family and society. Both Rosalind and Orlando mount challenges to prescribed gender norms during periods when conservative gender roles were strictly enforced. By doing so, each character positions themselves as pivotal and progressive representations of gender performance for their time
Bertha Boykin Todd & Rosalind Moore Mosley
No full textBertha Boykin Todd (r) and Rosalind Moore Mosley (l) at the dedication of the Bottle Chapel at Airlie Gardens.
Bertha Boykin Todd (1929- ) is a native of Sampson County, NC as well as an author, educator and civil rights leader. She was the librarian in 1952 at then all-black Williston High School, and helped to integrate the Wilmington YMCA. She was co-chairman for the Foundation observing the 1898 Riot Centennial. She has served on a variety of local, state, and national boards dealing with education and the promotion of equal rights during desegregation, and has recieved many awards for her efforts.
Rosalind Moore Mosley (1941-2012) was born in Wilmington, NC and is a member of Chestnut Street Presbyterian Church
Interview with Rosalind Krauss
No full textNesta entrevista, realizada em 2012 e originalmente publicada no jornal The Brooklyn Rail, Rosalind Krauss debate com Yve-Alain Bois os principais argumentos presentes em seu livro Under Blue Cup [Sob a xícara azul], lançado em 2011. A severa crítica feita pela autora, do fenômeno internacional das instalações de arte, é defrontada com a própria experiência crítica de Bois, a partir do trabalho de determinados artistas que, segundo ela, importam justo na medida em que propõem a crítica dos meios artísticos tradicionais sem que, por isso, revelem indiferença a eles. O diálogo, que revela traços da formação intelectual de ambos, lança luz a diferentes métodos de trabalho e à centralidade da noção de forma na arte mais experimental do século XX.In this interview, done in 2012 and originally published in the Brooklin Rail journal, Rosalind Krauss debates with Yve-Alain Bois the main questions focused in Under Blue Cup. The severe criticism addressed by the author to the international dissemination of installation art is confronted with Bois own critical stand on the subject, both of the critics approaching a set of artworks which, according to Krauss, are interesting as far as they perform a criticism of the medium. The dialogue, showing interesting features of the intellectual background of both critics, also illuminates to the different methods at work in both, and points out to the central role played by the idea of form in the art done in the 20th Century
Sutkutik batel [Retorno] and Yi’bel Kuxlejal [Raíces]
Full text linkTwo poems by Enriqueta Lunez in the Tzotzil language, translated into Spanish by the author, into English by Rosalind Gill, into Portuguese by Lillian DePaula, and into French by Christine Klein-Lataud.Dos poemas de Enriqueta Lunez en lengua tsotsil, traducidos al español por la autora, al inglés por Rosalind Gill, al portugués por Lillian dePaula y al francés por Christine Klein-Lataud.Deux poèmes d'Enriqueta Lunez en tzotzil, traduits en espagnol par l'auteure, en anglais par Rosalind Gill, en portugais par Lillian DePaula et en français par Christine Klein-Lataud.Dois poemas de Enriqueta Lunez na língua tsotsil, traduzidos pela autora para o espanhol, por Rosalind Gill para o inglês, por Lillian DePaula para o português e por Christine Klein-Lataud para o francês
Rosalind R. Fisher (1950-1972)
No full textRosalind R. Fisher came to Geneseo as Dean of Women in 1950. Prior to her tenure at Geneseo, she had served two years as a Red Cross Program Director in the British Isles during World War II. She served the College as Associate Dean of Students, Professor of English, Chairman for the Faculty, and State University Senator. Author, The stone strength of the past. Centennial history of the State University College of Arts and Science at Geneseo, New York (Wm. J. Keller Inc., 1971). The Rosaalind R. Fisher award, named for her, is granted each year to a senior for outstanding achievement in Student Teaching in English. A certificate is presented at the School of Education Convocation.https://knightscholar.geneseo.edu/cap-fsa-identified/1067/thumbnail.jp
Strangers in Style: Digital Intimacy and the Self Becoming on the Style Blogosphere
Full text linkPublic talk/panel featuring Dr Rosie Findlay (London College of Fashion) and Rosalind Jana (digital editor of Violet magazine, blogger and author) in conversation with Dr Agnes Rocamora (London College of Fashion). A joint event hosted by the Cultural and Historical Studies Hub and the Fashion Media and Imagery Hub at London College of Fashion, Wednesday 22 November 2017
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