111 research outputs found
sj-xlsx-2-tva-10.1177_15248380221143355 – Supplemental material for EHealth for Sexual Assault: A Systematic Scoping Review
No full textSupplemental material, sj-xlsx-2-tva-10.1177_15248380221143355 for EHealth for Sexual Assault: A Systematic Scoping Review by Maria Hardeberg Bach, Courtney Ahrens, Miranda Olff, Cherie Armour, Sascha Strauss Krogh and Maj Hansen in Trauma, Violence, & Abuse</p
sj-docx-1-tva-10.1177_15248380221143355 – Supplemental material for EHealth for Sexual Assault: A Systematic Scoping Review
No full textSupplemental material, sj-docx-1-tva-10.1177_15248380221143355 for EHealth for Sexual Assault: A Systematic Scoping Review by Maria Hardeberg Bach, Courtney Ahrens, Miranda Olff, Cherie Armour, Sascha Strauss Krogh and Maj Hansen in Trauma, Violence, & Abuse</p
Therapists’ Experiences in Their Work With Sex Offenders and People With Pedophilia: A Literature Review
Full text linkThis article presents a review of the literature that pertains to the experiences of therapists who work directly with child sex offenders and/or people with pedophilia. We draw together results from studies that attempted to identify how therapists experience such work and how they were personally impacted by it. Usually, such studies are embedded within one of the following theoretical frameworks: Secondary traumatic stress, compassion fatigue, vicarious traumatization and burnout. Most literature on the topic has therefore sought to determine to what extent and why, work-related stress responses may occur among these therapists. The aim of this paper is therefore to provide insight into this, arguably, important line of research, while evaluating the current knowledge as well as providing recommendations for future research efforts
A Pós-graduação em Música no Brasil: : 40 anos da dissertação “O non legato na obra de Johann Sebastian Bach para teclado” de Margarida Maria Furtado-Weinberger
Full text linkThe text is an attribute to the 40th anniversary of the first master's thesis in Music in Brazil, The Non Legato in the work of Johann Sebastian Bach for keyboard, and its author, Margarida Maria Furtado-Weinberger. After a brief comment on the pioneering role of the UFRJ School of Music in the musical academic scene, we present the dissertation, with reflections about the development of research in performance. We conclude by pointing out relevant aspects of the research model carried out at the time, highlighting the contribution that this pioneering dissertation represents for Brazil.El texto honra el 40º aniversario de la primera tesis de maestría en Música en Brasil, O Non Legato en la obra de Johann Sebastian Bach para teclado, y su autora, Margarida Maria Furtado-Weinberger. Después de un breve comentario sobre el papel pionero de la Escuela de Música de la UFRJ en el escenario académico musical, presentamos la disertación, con reflexiones sobre el desarrollo de la investigación en la interpretación. Concluimos señalando aspectos relevantes del modelo de investigación realizado en ese momento, destacando la contribución que representa esta tesis pionera para Brasil.O texto homenageia os 40 anos da primeira dissertação de mestrado em Música no Brasil, O Non Legato na obra de Johann Sebastian Bach para teclado, e a sua autora, Margarida Maria Furtado-Weinberger. Após um breve comentário sobre o papel precursor da Escola de Música da UFRJ no cenário acadêmico musical apresentamos a dissertação, com reflexões em torno do desenvolvimento da pesquisa em performance. Finalizamos apontando aspectos pertinentes ao modelo de investigação realizado na época, destacando a contribuição que esta dissertação pioneira representa para o Brasil
Investigating Performer Uniqueness: The Case of Jascha Heifetz
No full textThis thesis is based on the conviction that the greatest musical performers of history can and should be granted the same level of academic scrutiny and study as is so often received by the greatest composers. Composers had the early advantage of producing durable manuscripts, while performers prior to the age of recording were unable to leave more than impressions in the minds of those who heard them. With the recent successes of numerous investigations into performance and recordings, including the CHARM and CMPCP projects, such studies are becoming ever more viable and significant.
The thesis focuses on the violinist Jascha Heifetz (1901-1987) and primarily his performances of the Bach solo violin works (BWV 1001-1006). While there have been studies of individual pieces, of particular performers, and of multiple recordings of the same piece, a study focussing on specific repertoire played by a specific performer is something that has been somewhat overlooked in the literature. The thesis draws on numerous methods to distil what is distinctive and unique about Heifetz. This includes an examination of what and how the performer played, why the performer played that way, and how that way of playing compares to other performers. The study concludes with a discussion of Heifetz’s unique performer profile in the context of violin performance history.
Focussing on one of the most famous and successful performing musicians of the twentieth century along with some of the most frequently played pieces, this case study will suggest research methods and approaches transferable to related studies. The thesis draws on original interviews with former Heifetz students, friends, and colleagues, and on over thirteen months of archival research in the Jascha Heifetz Collection held by the Library of Congress. This array of previously untapped material aided the analytical and empirical investigations into Heifetz’s uniqueness
Therapists’ Personal Experiences in Their Work with Clients Who Have Sexually Offended Against Children:A Phenomenological Study
No full textThe need for professionals working with people who have committed sexual offensesis increasingly recognized. Still, relatively little is known about the personal impact of work with this population. Most research in the field has aimed to determine treatment providers’ level of work-related stress and hence focused on negative aspects of experience. Moreover, most of these studies have been conducted with questionnaires and yielded mixed results. In order to learn more about individual, contextual and dynamic aspects of therapists’ personal experiences with these clients, we suggest to drawing from in-depth interview studies and Interpretive Phenomenological Analysis (IPA). In the present study, four therapists working in Norway were interviewed. Surprisingly, the participants described their work as rewarding, despite the challenges they encountered. In fact, they considered their work to be rewarding precisely because of its challenging nature. The implications of these results for clinicalpractice and future research will be discussed
Documentation of glaciers and mountain chains in the Nordvestfjord of Scorsby Sound (East Greenland, July 2016) by landscape photography during Maria S. Merian cruise MSM56
No full textFrom the 12th until the 17th of July 2016, research vessel Maria S. Merian entered the Nordvestfjord of Scorsby Sound (East Greenland) as part of research cruise MSM56, "Ecological chemistry in Arctic fjords". A large variety of chemical and biological parameters of fjord and meltwater were measured during this cruise to characterize biogeochemical fluxes in arctic fjords. The photo documentation described here was a side project. It was started when we were close to the Daugaard-Jensen glacier at the end of the Nordvestfjord and realized that not many people have seen this area before and photos available for scientists are probably rare. These pictures shall help to document climate and landscape changes in a remote area of East Greenland.
Pictures were taken with a Panasonic Lumix G6 equipped with either a 14-42 or 45-150 objective (zoom factor available in jpg metadata). Polarizer filters were used on both objectives. The time between taking the pictures and writing down the coordinates was maximally one minute but usually shorter. The uncertainty in position is therefore small as we were steaming slowly most of the time the pictures were taken (i.e. below 5 knots). I assume the uncertainty is in most cases below 200 m radius of the noted position. I did not check the direction I directed the camera to with a compass at the beginning. Hence, the direction that was noted is an approximation based on the navigation map and the positioning of the ship. The uncertainty was probably around +/- 40° but initially (pictures 1-17) perhaps even higher as this documentation was a spontaneous idea and it took some time to get the orientation right. It should be easy, however, to find the location of the mountains and glaciers when being on the respective positions because the mountains have a quite characteristic shape. In a later stage of this documentation, I took pictures from the bridge and used the gyros to approximate the direction the camera was pointed at. Here the uncertainty was much lower (i.e. +/- 20° or better). Directions approximated with the help of gyros have degree values in the overview table.
The ship data provided in the MSM56 cruise report will contain all kinds of sensor data from Maria S. Merian sensor setup. This data can also be used to further constrain the position the pictures were taken because the exact time a photo was shot is noted in the metadata of the .jpg photo file. The shipboard clock was set on UTC. It was 57 minutes and 45 seconds behind the time in the camera. For example 12:57:45 on the camera was 12:00:00 UTC on the ship.
All pictures provided here can be used for scientific purposes. In case of usage in presentations etc. please acknowledge RV Maria S. Merian (MSM56) and Lennart T. Bach as author. Please inform me and ask for reprint permission in case you want to use the pictures for scientific publications.
I would like to thank all participants and the crew of Maria S. Merian Cruise 56 (MSM56, Ecological chemistry in Arctic fjords)
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