1,721,065 research outputs found

    Hypergraph modelling for geometric model fitting

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    Abstract not availableGuobao Xiao, Hanzi Wang, Taotao Lai, David Sute

    Superpixel-based two-view deterministic fitting for multiple-structure data

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    This paper proposes a two-view deterministic geometric model fitting method, termed Superpixel-based Deterministic Fitting (SDF), for multiple-structure data. SDF starts from superpixel segmentation, which effectively captures prior information of feature appearances. The feature appearances are beneficial to reduce the computational complexity for deterministic fitting methods. SDF also includes two original elements, i.e., a deterministic sampling algorithm and a novel model selection algorithm. The two algorithms are tightly coupled to boost the performance of SDF in both speed and accuracy. The key characteristic of SDF is that it can efficiently and deterministically estimate the parameters of model instances in multi-structure data. Experimental results demonstrate that the proposed SDF shows superiority over several state-of-the-art fitting methods for real images with singlestructure and multiple-structure data.Guobao Xiao, Hanzi Wang, B, Yan Yan, and David Sute

    Robust Fitting of Multiple Structures: The Statistical Learning Approach

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    We propose an unconventional but highly effective approach to robust fitting of multiple structures by using statistical learning concepts. We design a novel Mercer kernel for the robust estimation problem which elicits the potential of two points to have emerged from the same underlying structure. The Mercer kernel permits the application of well-grounded statistical learning methods, among which nonlinear dimensionality reduction, principal component analysis and spectral clustering are applied for robust fitting. Our method can remove gross outliers and in parallel discover the multiple structures present. It functions well under severe outliers (more than 90% of the data) and considerable inlier noise without requiring elaborate manual tuning or unrealistic prior information. Experiments on synthetic and real problems illustrate the superiority of the proposed idea over previous methods.Tat-Jun Chin, Hanzi Wang and David Sute

    Multi-subregion based correlation filter bank for robust face recognition

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    Abstract not availableYan Yan, Hanzi Wang, David Sute

    Learning group activity in soccer videos from local motion

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    Yu Kong, Weiming Hu, Xiaoqin Zhang, Hanzi Wang and Yunde Jiahttp://www.cis.pku.edu.cn/accv2009/Technical_Program.htm

    Efficient guided hypothesis generation for multi-structure epipolar geometry estimation

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    Abstract not availableTaotao Lai, Hanzi Wang, Yan Yan , Guobao Xiao, David Sute

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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