1,720,973 research outputs found
Truth and Autobiography in Stand-up Comedy and the Genius of Doug Stanhope
Get PDFIt’s common for stand-up comedians to tell stories as well as, or instead of, jokes. Stories bring something extra to the performance, and when presented as true add a further layer of appeal. However, most stories told as if true by comedians are not true. A categorizing of forms of comedic story is presented involving the dimensions of grammatical person and truthfulness. Some advantages of comedians’ employing true first-person stories are discussed, and these considerations are then explored through the role of autobiography in the work of Doug Stanhope. Many aspects of Stanhope’s (highly unusual) life find their way into his shows, and true stories and his personality more broadly are folded into other elements of his act (such as his political views). Links are made with Kierkegaard’s notion of ‘inwardness’ and Carl Rogers’ therapeutic ‘congruence’ and ‘transparency’, and it’s argued that authenticity is a prerequisite for the quality of self-disclosure that is basic to Stanhope’s excellence
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Teaching critical thinking virtues and vices: the case for Twelve Angry Men
Get PDFIn the film and play Twelve Angry Men, Juror 8 confronts the prejudices and poor reasoning of his fellow jurors, exhibiting an unwavering capacity not just to formulate and challenge arguments, but to be open-minded, stay calm, tolerate uncertainty, and negotiate in the face of considerable group pressures. In a perceptive and detailed portrayal of a group deliberation a ‘wheel of virtue’ is presented by the characters of Twelve Angry Men that allows for critical thinking virtues and vices to be analysed in context. This article makes the case for (1) the film being an exceptional teaching resource, and (2), drawing primarily on the ideas of Martha Nussbaum concerning contextualised detail, emotional engagement, and aesthetic distance, its educational value being intimately related to its being a work of fiction
Truth and autobiography in stand-up comedy, and the genius of Doug Stanhope
Get PDFIt is common for stand-up comedians to tell stories as well as, or instead of, jokes. Stories bring something extra to the performance, and when presented as true add a further layer of appeal. However, most stories told as if true by comedians are not true. A categorizing of forms of comedic story is presented involving the dimensions of grammatical person and truthfulness. Some advantages of comedians’ employing true first-person stories are discussed, and these considerations are then explored through the role of autobiography in the work of Doug Stanhope. Many aspects of Stanhope’s (highly unusual) life find their way into his shows, and true stories and his personality more broadly are folded into other elements of his act (such as his political views). Links are made with Søren Kierkegaard’s notion of “inwardness,” and it’s argued that authenticity is a prerequisite for the quality of self-disclosure that is basic to Stanhope’s excellence
Critical Thinking: The Basics. 2nd Edition
No full textCritical Thinking: The Basics is an accessible and engaging introduction
to the field of critical thinking, drawing on philosophy, communication,
and psychology. Emphasizing its relevance both to academic literacy and to decision-
making in a range of contexts, this book introduces and explains the
knowledge, methods, and skills needed to identify and avoid poor reasoning,
reconstruct and evaluate arguments, and engage constructively in dialogues.
Topics covered include:
• The relationship between critical thinking, emotions, and the psychology
of persuasion
• The role of character dispositions such as open-mindedness, courage, and
self-knowledge
• Argument identification and reconstruction
• Fallacies and argument evaluation.
This second edition has been revised and updated throughout, and includes
an additional chapter on the relationship between critical thinking and
emotions. There are also new sections on concepts such as the ‘experiential
mind’ and ‘need for cognitive closure’, and contemporary examples drawn
from issues including conspiracy theories, the pandemic, and misuses of
social media.
With updated and expanded discussion questions/exercises and suggestions
for further reading at the end of each main chapter, this book is an
essential read for students approaching the field of critical thinking for the
first time, and for the general reader wanting to improve their thinking skills
and decision-making abilities
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Comments on Thomas Wilk and Steven Gimbel’s In on the Joke: The Ethics of Humour & Comedy (De Gruyter, 2024)
Get PDFNo abstract available
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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