803 research outputs found
Musika eta Mintzairaren Sorrera
No full textEn el presente artículo el autor se refiere a la relación evolutiva entre música y lenguaje y a la naturaleza de ambas habilidades, exponiendo distintas teorías del pasado y actuales en torno a la cuestión. El articulista defiende con B.G. Levman que tanto el lenguaje como la música nacieron de una misma capacidad primitiva y considera aquel lenguaje fundamentalmente como música. Da cuenta de los pros y los contras de las hipótesis que adelanta. En este sentido, expone las conductas de diversos pueblos y razas y diferentes animales, componiendo un tratamiento particularmente completo del tema con análisis efectuados desde diversas disciplinas: etnomusicología, etología, antropología, psicología, acústica.Artikulu honetan autoreak musika eta mintzairaren harreman ebolutiboaz nahiz bi gaitasunon izaeraz dihardu, horren gainean diren eta izan diren teoria ezberdinak azalduz. B.G. Levman artikulugileak berak bai mintzaira eta bai musika antzin-gaitasun beretik sortu zirela defenditzen du, eta orduko mintzaira hura funtsean musikazkotzat jotzen du. Agertzen dituen hipotesien aldekotasun eta kontrakotasunak ematen ditu. Horretarako mundu zabaleko hainbat herri eta animalia arrazen jokamoldeak ekartzen ditu paperera, eta etnomusikologia, etologia, antropologia, psikologia, akustikaren ikuspegitik aztertzen, gaiaren tratamendu bereziki borobila eta osatua eginez.Dans cet article, l'auteur parle de la relation évolutive entre musique et langage et la nature de ces deux talents, en exposant différentes théories du passé et du présent concernant cette question. L'auteur et B.G. Levman défendent la théorie qui soutient que le langage et la musique naquirent d'une même capacité primitive et considèrent ce langage fondamentalement comme de la musique. Il explique le pour et le contre de l'hypothèse qu'il avance. Dans ce sens, il expose les conduites de divers peuples et races et de différents animaux, en traitant le sujet d'une façon particulièrement complète, avec des analyses sur diverses disciplines: ethno-musicologie, éthologie, anthropologie, psychologie, acoustic.In the present article the author makes reference to the evolutionary relationship between music and language and to the nature of both skills, exposing different theories in the past and present in connection with this issue. The author maintains, together with B.G.Levman, that both language and music were born out of the same primitive capacity and considers that language is, fundamentally, music. He also reports on the pros and cons of the hypothesis he advances. In this sense, he describes the conduct of various peoples and races and of various animals, constructing a particularly complete treatment of the topic with analysis carried out from various disciplines: ethnomusicology, ethology, anthropology and psychology
Just a Cottage Small (By a Waterfall) / music by James F. Hanley; words by B.G. De Sylva
No full textCover: photo of John McCormack; Publisher: Harms Incorporated (New York)https://egrove.olemiss.edu/sharris_d/1067/thumbnail.jp
B.G. Wood
No full textMade available by the Northern Territory Library via the Publications (Legal Deposit) Act 2004 (NT).Date:1985-03Acknowledgements:
The author acknowledges the field and office assistance of Ian Hall and
Jon Burgess during the preparation and completion of this project
Come on and listen, think what you'r missin', now that you're here, you'll stay [first line of chorus]
No full textintroduction and choruspiano and voiceads on inside front, inside back, and on back cover for Harms stock7767-4Johns Hopkins University, Levy Sheet Music Collection, Box
080, Item 013Words by ira Gershwin. Music by Philip Charig.Richard Herndon presents J.P. McEvoy's Americana. With Lew Brice, Roya Twell, Eddie Elkin's Orchestra. Music by Con Conrad and Henry Souvaine. Special Numbers by George Gershwin, Philip Charig-Ira Gershwin, James Hanley-B.G. DeSylva, Morrie Ryskind, Arthur Schwartz-Theo. Goodwin, Joe Young and Sam Lewis. Staged by Allan Dinehart. Production designed by John Held, Jr. Dance Numbers by Larry Ceballos
A sunny disposish will always see you through when up above the skies are blah 'stead of being blue [first line of chorus]
No full textintroduction and choruspiano and voiceads on inside front, inside back, and on back cover for Harms stock7768-4Johns Hopkins University, Levy Sheet Music Collection, Box
080, Item 169Words by ira Gershwin. Music by Philip Charig.Richard Herndon presents J.P. McEvoy's Americana. With Lew Brice, Roya Twell, Eddie Elkin's Orchestra. Music by Con Conrad and Henry Souvaine. Special Numbers by George Gershwin, Philip Charig-Ira Gershwin, James Hanley-B.G. DeSylva, Morrie Ryskind, Arthur Schwartz-Theo. Goodwin, Joe Young and Sam Lewis. Staged by Allan Dinehart. Production designed by John Held, Jr. Dance Numbers by Larry Ceballos
A sunny disposish will always see you through when up above the skies are blah 'stead of being blue [first line of chorus]
No full textintroduction and choruspiano and voiceads on inside front, inside back, and on back cover for Harms stock7768-4Johns Hopkins University, Levy Sheet Music Collection, Box
080, Item 169Words by ira Gershwin. Music by Philip Charig.Richard Herndon presents J.P. McEvoy's Americana. With Lew Brice, Roya Twell, Eddie Elkin's Orchestra. Music by Con Conrad and Henry Souvaine. Special Numbers by George Gershwin, Philip Charig-Ira Gershwin, James Hanley-B.G. DeSylva, Morrie Ryskind, Arthur Schwartz-Theo. Goodwin, Joe Young and Sam Lewis. Staged by Allan Dinehart. Production designed by John Held, Jr. Dance Numbers by Larry Ceballos
Come on and listen, think what you'r missin', now that you're here, you'll stay [first line of chorus]
No full textintroduction and choruspiano and voiceads on inside front, inside back, and on back cover for Harms stock7767-4Johns Hopkins University, Levy Sheet Music Collection, Box
080, Item 013Words by ira Gershwin. Music by Philip Charig.Richard Herndon presents J.P. McEvoy's Americana. With Lew Brice, Roya Twell, Eddie Elkin's Orchestra. Music by Con Conrad and Henry Souvaine. Special Numbers by George Gershwin, Philip Charig-Ira Gershwin, James Hanley-B.G. DeSylva, Morrie Ryskind, Arthur Schwartz-Theo. Goodwin, Joe Young and Sam Lewis. Staged by Allan Dinehart. Production designed by John Held, Jr. Dance Numbers by Larry Ceballos
Beginselen en voorbeelden van regelgeving en beleid ten aanzien van de opsporing en winning van aardolie en aardgas
No full textCivil Engineering and Geoscience
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