1,721,014 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Review of Reclaimed
Full text linkWhen Middlemarch was being issued in Eight Parts from December 1871 until December 1872, there was a strong readership interest in the fact that Dorothea and Lydgate had made, in each instance, a wrong choice of marriage mate. It went farther than this, some readers even expressing the view that Dorothea and Lydgate would have been ideally suited. With Daniel Deronda, which was also issued in parts from February to September 1876, readership sympathy was also involved. There was much dissatisfaction in Daniel\u27s forsaking of Gwendolen at the end (\u27I said I should be forsaken: says Gwendolen in her anguish) and going off to marry Mirah, embrace Judaism, and perhaps come back \u27some time: Indeed, so strong was this sense of frustration in one reader, that het she wrote a sequel to Daniel Deronda. It was published in 1878. The title-page has Gwendolen: A Sequel to George Eliot\u27s Daniel Deronda. library Edition. Ira Bradley and Company. 1878, but the first page of the novel has the word RECLAIMED at the top, followed by the first chapter, the latter headed by a motto in the George Eliot manner. The binding of the volume, incidentally, is exactly the same as that of the two-volume American edition of Daniel Deronda published by Harper and Brothers in 1876. I had heard about the sequel vaguely some years ago, and was excited when I found this copy in Coventry Central library during my visit last October.
The notorious Newby did not issue his sequel Adam Bede Inr, either because of the threat of legal proceedings or because it didn\u27t get written. Unhappily, Reclaimed got written and my excitement on opening it quickly cooled. The opening is sensational enough, the author\u27s wish-fulfilment being quickly translated into fictional fact. Daniel is initially happy with Mirah, but abandons his Jewish views \u27consequent upon his observing Jewish life in reality: We are told that \u27the East was growing irksome to him\u27. He goes on a journey (the journeys in this novel are always fraught with crisis and discovery), having left Mirah in Cairo. He is summoned back: Mirah\u27s child dies, followed shortly afterwards by Mirah herself, at the end of the first chapter. Daniel, whose memory extends back to his first meeting with Mirah on the Thames at Richmond, recites the words he was then singing. The author\u27s translation of these words is given in a footnote, just like the original footnote in Daniel Deronda. An eerie feeling comes over the reader (or perhaps I should say this reader) at this stage. Imagine all the sequels that could have been written after certain novels, and I don\u27t mean sequels like Jean Rhys\u27s to lane Eyre, for Wide Sargasso Sea has its own fasdnations and a particularised artistic independence. But think of a sequel to Tess of the D\u27Urbervilles. What kind of domestic life did Angel Gare and Liza Lu have? Was she always throwing his love for Tess in his face? Or suppose there was a sequel to Women in Love. Who else did Gudrun help to destroy? Is it possible that she might have an affair with Birkin? I remember in the 1960\u27s a romantic novelist called, I think, Patricia Robins, producing a sequel to the most discussed novel of that decade. She called it Lady Chatterley\u27s DauKhter. It was salacious and almost permissive. Reclaimed is dull and Gothic. Gwendolen (unrecognisably dull, conscience-stricken, unvibrant despite the author\u27s use of the word \u27elasticity\u27) is brooding
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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