1,721,414 research outputs found
Desiring from a Distance: Cinematic Theatricality and South Korea’s Cold War Gaze in Madame Freedom (1956)
Han Hyŏng-mo’s Madame Freedom (Chayu puin, 1956) is often overshadowed by Chŏng Pi-sŏk’s novel of the same title, which provoked public debates about representations of the moral decadence and practices of individual freedom of the upper class after the Korean War. Shifting critical attention from its relation to the original literary work to its cinematic achievements, this article elucidates how the particular mode of address intervenes in the spectator’s viewing experience. I first propose the concept of “cinematic theatricality,” which I coin from theatricality, but the concept goes beyond its association with the theater and theatrical performance, to discuss the display–spectator relationship that the film suggests. Second, I explore the political implications of the cultural Otherness of female dancing bodies by investigating public discussions of social dance in the 1950s. Finally, closely analyzing ‘Madame Freedom’ Sŏn-yŏng’s gaze and the gazes upon her, I demonstrate how the film encourages the spectator to become aware of the act of viewing while creating a distance between the spectator and the displayed. I argue that by exploring cinematic theatricality, Madame Freedom invites the spectator to observe the gendered and ethnocultural gaze that emerged in mid-1950s South Korea and the attempt of the Cold War mechanism to place the individual body and desire under surveillance Asian Studie
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Tahlil al-qalaq lishakhsiyyah al-ra`isiyah fi al- riwayah igtirab hanin lidayana shung (Dirasah al-tahlil al nafsili sigmund freud)
Penelitian ini menganalisis kecemasan yang dialami oleh tokoh utama bernamaHan?n dalam novel Ightir?b Han?n karya Dyana Sahiouni (2019). Novel inimenceritakan tentang tokoh utama perempuan yang bernama Han?n yang tumbuhdi kota Damaskus ketika terjadi konflik sektarian. Konflik ini menyebabkan krisissosial, politik, dan ekonomi yang berpengaruh pada masyarakat. Krisis inimenimbulkan dampak psikologis dalam bentuk kecemasan (Anxiety) pada tokohutama. Dalam novel ini digambarkan bahwa kecemasan Han?n semakin bertambahketika dia tidak dapat bersanding dengan laki-laki impiannya yang bernama Hasan.Penelitian ini menggunakan teori psikoanalisis Sigmund Freud denganmenganalisis tiga unsur kepribadian, yaitu id, ego dan supergo. Menurut teoritersebut dinamika yang terjadi antara id, ego dan super ego menimbulkan tigabentuk kecemasan (Anxiety) yaitu kecemasan realistis (Realistic Anxiety),kecemasan neurotik (Neurotic Anxiety) dan kecemasan moral (Moral Anxiety).Seperti hasil penelitian ini menunjukan bentuk-bentuk dari kecemasan yang dialamipada novel: kecemasan realistis (Realistic Anxiety), kecemasan neurotik (NeuroticAnxiety). Kecemasan realistis (Realistic Anxiety) terbentuk karena adanya konflikantara ego dengan realitas, yaitu ketakutan bahaya yang mengancam dari dunianyata. Kecemasan realistis Han?n ditunjukan dengan adanya kecemasan akanperpisahan. Adapun kecemasan neurotik (Neurotic Anxiety) terbentuk karenaadanya konflik antara id dengan ego. Yaitu ketakutan yang muncul atas apa yangakan terjadi jika menuruti naluri keinginan kita. Kecemasan neurotik pada Han?nditunjukan dengan adanya gangguan kecemasan ekstrim, tekanan trauma,kecemasan akan kehilangan dan kecemasan akan masa depan
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Tahlil al-qalaq lishakhsiyyah al-ra`isiyah fi al- riwayah igtirab hanin lidayana shung (Dirasah al-tahlil al nafsili sigmund freud)
Penelitian ini menganalisis kecemasan yang dialami oleh tokoh utama bernamaHan?n dalam novel Ightir?b Han?n karya Dyana Sahiouni (2019). Novel inimenceritakan tentang tokoh utama perempuan yang bernama Han?n yang tumbuhdi kota Damaskus ketika terjadi konflik sektarian. Konflik ini menyebabkan krisissosial, politik, dan ekonomi yang berpengaruh pada masyarakat. Krisis inimenimbulkan dampak psikologis dalam bentuk kecemasan (Anxiety) pada tokohutama. Dalam novel ini digambarkan bahwa kecemasan Han?n semakin bertambahketika dia tidak dapat bersanding dengan laki-laki impiannya yang bernama Hasan.Penelitian ini menggunakan teori psikoanalisis Sigmund Freud denganmenganalisis tiga unsur kepribadian, yaitu id, ego dan supergo. Menurut teoritersebut dinamika yang terjadi antara id, ego dan super ego menimbulkan tigabentuk kecemasan (Anxiety) yaitu kecemasan realistis (Realistic Anxiety),kecemasan neurotik (Neurotic Anxiety) dan kecemasan moral (Moral Anxiety).Seperti hasil penelitian ini menunjukan bentuk-bentuk dari kecemasan yang dialamipada novel: kecemasan realistis (Realistic Anxiety), kecemasan neurotik (NeuroticAnxiety). Kecemasan realistis (Realistic Anxiety) terbentuk karena adanya konflikantara ego dengan realitas, yaitu ketakutan bahaya yang mengancam dari dunianyata. Kecemasan realistis Han?n ditunjukan dengan adanya kecemasan akanperpisahan. Adapun kecemasan neurotik (Neurotic Anxiety) terbentuk karenaadanya konflik antara id dengan ego. Yaitu ketakutan yang muncul atas apa yangakan terjadi jika menuruti naluri keinginan kita. Kecemasan neurotik pada Han?nditunjukan dengan adanya gangguan kecemasan ekstrim, tekanan trauma,kecemasan akan kehilangan dan kecemasan akan masa depan
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