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    Gender, the Irish Diaspora and the Spatial Politics of Home in Brian Friel’s The Loves of Cass McGuire

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    在愛爾蘭劇作家布萊恩‧傅利爾的劇作《凱絲‧麥克吉爾的愛情故事》(1966)中,女主角凱絲結束了長達五十二年於紐約的寓居生活並選擇回歸故里,但在重返愛爾蘭與家人團聚不久之後卻陷入他鄉實非故鄉、家鄉卻是異鄉的困境。在其超過半世紀的創作生涯中,傅利爾(1929-2015)向來擅長針貶愛爾蘭的歷史問題與文化僵局,而這齣發表於生涯早期的戲劇作品則顯示出他對愛爾蘭離散議題的介入與批判。《凱絲‧麥克吉爾的愛情故事》關注愛爾蘭女性的離散經歷,並特別著重再現愛爾蘭女性離家後返家卻面臨鄉關何處的窘境。換言之,傅利爾在處理愛爾蘭離散的議題時,不僅聚焦在愛爾蘭獨立建國前後年輕女性跨國遷徙的問題,同時也著重探討愛爾蘭女性與不同時空下的家之間剪不斷理還亂的複雜關係。除此之外,此劇也呈現奠基於愛爾蘭國族主義與天主教教義的愛爾蘭性(Irishness)如何形塑了家這個社會空間的多重面向,以及在國族建構的過程中家與愛爾蘭女性的關聯。在此劇中,經由凱絲闊別數十載才返回愛爾蘭家園的故事,愛爾蘭中產階級父權概念與實踐下的家與離散女性所想像與體現的家產生矛盾與衝突。在這過程中,家已不是封閉、排外的同質空間,也不再只是一般想像中性別分工下社會再生產(social reproduction)的場域而已;事實上,家作為一種社會空間總是一個流動開放的異質空間,亦即,不同的社會實踐與介入不停地在其中形塑與顛覆對家的想像和認知、各種 身分認同與實踐、以及社會權力關係網絡。In this paper, I aim to explore the ways in which Brian Friel, in representing the Irish diaspora through the individual experiences of Cass in The Loves of Cass McGuire (1966), addresses the spatial issues of the diasporic experiences of Irish women, especially the home of displacement in Ireland and the home of placement outside Ireland. Two versions and conceptualizations of home embodied respectively by the Irish patriarch at home and the migrant woman away from home confront with each other upon the return migration of the latter in this play. Therefore, The Loves of Cass McGuire stages intricate negotiations between the nationalized imaginary of home and the gendered identity of Irish women. Furthermore, as shown in this play, home not only is a private haven of homeliness but also becomes a public site of political contestation and identity formation. An unhomely/uncanny presence, returned women migrants, like Cass, eventually lapse into physical, psychological and social homelessness, and are forced to construct a homely home of their own away from the home of origin

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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