1,721,060 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Les antinaturalismes fin-de-siècle de Barbey à Barrès (1877-1908). Exploration d'un labyrinthe critique, sociologique, philosophique, esthétique et moral
No full textAntinaturalists! This term brings out the figures of critics of the nineteenth century, whose names have remained more or less engraved in memory and in literary history: Barbey d'Aurevilly, Leon Bloy, Leon Daudet, but also Pontmartin, Remy de Gourmont or Jean-Marie Guyau ... fascinating authors by their virulence, their rejection of modernity, their philosophical positions out of norm or innovative ... The present study tends to show the diversity that can animate this group, which is defined by the negative as "those who oppose Zola's literature". This alliance of opposites allows them to constitute themselves in full force on the literary chessboard.To apprehend this tension between the plurality of figures and the strength of a group whose unity is shattered on the Dreyfus affair, a first part will propose some pathways in the sociology and philosophy of the time, which highlight a complex landscape, traversed by strange phenomena of breaks and continuity. Then, questioning the way in which antinaturalists form a critical discourse. A chapter devoted to antinaturalist rhetoric will only reinforce the idea of multiplicity within this group. A double-movement of construction and deconstruction of this concept, will lead to reevaluate some grievances addressed to Zola by his enemies to highlight phenomena of re-borrowing and singular and paradoxical positions, which testify to the importance of the naturalist author in the literary field of the late nineteenth century, both literary and political.Les antinaturalistes ! Ce terme fait jaillir les figures de critiques du XIXe siècle, dont les noms sont demeurés plus ou moins gravés dans la mémoire et dans l’histoire littéraire : Barbey d’Aurevilly, Léon Bloy, Léon Daudet, mais aussi Pontmartin, Remy de Gourmont ou Jean-Marie Guyau... auteurs fascinants par leur virulence, leur refus de la modernité, leurs positions philosophiques hors-norme ou novatrices... La présente étude tend à montrer la diversité qui peut animer ce groupe, qui se définit par la négative comme « ceux qui s’opposent à la littérature de Zola ». Cette alliance des contraires leur permet de se constituer en force à part entière sur l’échiquier littéraire.Pour appréhender cette tension entre la pluralité des figures et la force d’un groupe dont l’unité se fracasse sur l’affaire Dreyfus, une première partie proposera quelques parcours dans la sociologie et la philosophie de l’époque, qui mettent en évidence un paysage complexe, traversées par d’étranges phénomènes de ruptures et de continuité. Puis, en questionnant la manière dont les antinaturalistes mettent en forme un discours critique. Un chapitre consacré aux rhétoriques antinaturalistes ne fera que renforcer l’idée de multiplicité au sein de ce groupe. Un double-mouvement de construction et de déconstruction de ce concept, conduira à réévaluer quelques griefs adressés à Zola par ses ennemis pour mettre en lumière des phénomènes de ré-emprunts et des positions singulières et paradoxales, qui témoignent de l’importance de l’auteur naturaliste dans le champ littéraire de la fin du XIXe siècle, tant sur le plan littéraire que sur le plan politique
End of the century antinaturalisms from Barbey ito Barres (1877-1908). Exploration of a critical, sociological, philosophical, aesthetic and moral labyrinth
No full textLes antinaturalistes ! Ce terme fait jaillir les figures de critiques du XIXe siècle, dont les noms sont demeurés plus ou moins gravés dans la mémoire et dans l’histoire littéraire : Barbey d’Aurevilly, Léon Bloy, Léon Daudet, mais aussi Pontmartin, Remy de Gourmont ou Jean-Marie Guyau... auteurs fascinants par leur virulence, leur refus de la modernité, leurs positions philosophiques hors-norme ou novatrices... La présente étude tend à montrer la diversité qui peut animer ce groupe, qui se définit par la négative comme « ceux qui s’opposent à la littérature de Zola ». Cette alliance des contraires leur permet de se constituer en force à part entière sur l’échiquier littéraire.Pour appréhender cette tension entre la pluralité des figures et la force d’un groupe dont l’unité se fracasse sur l’affaire Dreyfus, une première partie proposera quelques parcours dans la sociologie et la philosophie de l’époque, qui mettent en évidence un paysage complexe, traversées par d’étranges phénomènes de ruptures et de continuité. Puis, en questionnant la manière dont les antinaturalistes mettent en forme un discours critique. Un chapitre consacré aux rhétoriques antinaturalistes ne fera que renforcer l’idée de multiplicité au sein de ce groupe. Un double-mouvement de construction et de déconstruction de ce concept, conduira à réévaluer quelques griefs adressés à Zola par ses ennemis pour mettre en lumière des phénomènes de ré-emprunts et des positions singulières et paradoxales, qui témoignent de l’importance de l’auteur naturaliste dans le champ littéraire de la fin du XIXe siècle, tant sur le plan littéraire que sur le plan politique.Antinaturalists! This term brings out the figures of critics of the nineteenth century, whose names have remained more or less engraved in memory and in literary history: Barbey d'Aurevilly, Leon Bloy, Leon Daudet, but also Pontmartin, Remy de Gourmont or Jean-Marie Guyau ... fascinating authors by their virulence, their rejection of modernity, their philosophical positions out of norm or innovative ... The present study tends to show the diversity that can animate this group, which is defined by the negative as "those who oppose Zola's literature". This alliance of opposites allows them to constitute themselves in full force on the literary chessboard.To apprehend this tension between the plurality of figures and the strength of a group whose unity is shattered on the Dreyfus affair, a first part will propose some pathways in the sociology and philosophy of the time, which highlight a complex landscape, traversed by strange phenomena of breaks and continuity. Then, questioning the way in which antinaturalists form a critical discourse. A chapter devoted to antinaturalist rhetoric will only reinforce the idea of multiplicity within this group. A double-movement of construction and deconstruction of this concept, will lead to reevaluate some grievances addressed to Zola by his enemies to highlight phenomena of re-borrowing and singular and paradoxical positions, which testify to the importance of the naturalist author in the literary field of the late nineteenth century, both literary and political
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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