1,720,968 research outputs found
Hammann, Louis J., October 18, 2000 [Interview]
No full textProfessor of Religion Louis J. Hammann was interviewed on October 18, 2000, by Michael Birkner about his childhood, education in Baltimore and at Gettysburg College; and his memories of Gettysburg faculty colleagues, including the creation of the Contemporary Civilization textbook.Moore, Carey A.; Ackley, Sheldon C.; Hanson, Henry W.A.; Glenn, John G.; Shaffer, W. Frederick; Mason, Francis C.; Glatfelter, Charles H.; Langsam, Walter C.; Bloom, Robert L.; Richardson, Norman E.; Crapster, Basil L.; Trone, Robert H.; Bolich, Harry F.Henry W.A. Hanson Years; Walter C. Langsam Year
Hammann, Louis J., March 9, 2007 [Interview]
No full textProfessor of Religion Louis J. Hammann was interviewed on March 9, 2007, by Michael Birkner about his education at Gettysburg College and Yale University; briefly being a pastor in Missouri; doing graduate work at Penn State University and Temple University; and being a faculty member at Gettysburg, including memories of classes, students, and colleagues.Ackley, Sheldon C.; Richardson, Norman E.; Coulter, Chan L.; Schubart, W. Richard; Glenn, John G.; Shaffer, W. Frederick; Waltemyer, William C.; Moore, Carey A.; Freed, Edwin D.; Korte, Edwerth E.; Dunkelberger, Harold A.; Loose, John H.; Mason, Francis C.; Wolfinger, Joseph K.; Pickering, James D.; Baskerville, Edward J.; Glatfelter, Charles H.; Fortenbaugh, Robert D.; Crapster, Basil L.; Potts, David B.; Glassick, Charles E.; Paul, Willard S.; Bloom, Dorothy; Barriga, Guillermo; Bream, Henry T.; Smith, Robert D.; Kramer, Frank H.; Lowenthal, Lawrence D.; Mara, Richard T.; Taylor, Katherine K.Henry W.A. Hanson Years; Walter C. Langsam Years; Willard S. Paul Years; Carl Arnold Hanson Year
Hammann, Louis J., December 20, 2010 [Interview]
No full textProfessor of Religion Louis J. Hammann was interviewed on December 20, 2010, by Michael Birkner about being a Gettysburg faculty member in the 1960s and 1970s, including memories of classes, students, presidents, and colleagues, and events such as Symposium 70.Paul, Willard S.; Hanson, Carl Arnold; Glatfelter, Charles H.; Hanson, Henry W.A.; Mara, Richard T.; Mason, Francis C.; Kramer, Frank H.; Pickering, James D.; Fortenbaugh, Robert D.; Bloom, Robert L.; Bream, Henry T.; Richardson, Norman E.; Loose, John H.; DeSantis, Tullio F.; Moorhead, M. Scott; Schaper, Donna; Glassick, Charles E.; Potts, David B.; Taylor, Katherine K.Willard S. Paul Years; Carl Arnold Hanson Years; Charles E. Glassick Year
Powers, Janet, March 29, 2011 [Interview]
No full textJanet Powers was interviewed on March 29, 2011 by Melissa Dorrance about growing up during WWII, her international travels, her journey to become a peace activist, and her time at Gettysburg College with global studies and women's studies. She also discussed the civil rights movement and her personal life.Hanson, Carl Arnold; Hammann, Louis J.; Vannorsdall, John W.; Gemmill, Robert M.Carl Arnold Hanson Year
Tackach, Susan, May 2, 2015 [Interview]
No full textSusan Tackach was interviewed on May 2, 2015, by Devin McKinney about her life before, during, and after her years at Gettysburg College, with specific focus on her participation in the spring 1971 Christ Chapel production of "Jesus Christ Superstar."Annis, Judy; Hammann, Louis J.; Brandenburg, Zane; Henderson, James G.; Buckley, William F.Carl Arnold Hanson Years
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Hughes, MichelleLynette, March 8, 2021 [Interview]
No full textMichelleLynette Hughes was interviewed on March 8, 2021, by Devin McKinney about her early life, her education at Gettysburg College, and her subsequent professional life.King, Louis Eugene; Chiteji, Frank; Glassick, Charles E.; Haaland, Gordon A.; Hammann, Louis J.; Sorensen, Ralph; Cavaliere, A. Ralph; Matthews, Harry; Jones, Darryl; Etheridge, Kay; Barnes, Robert D.; Nicholson, Anthony; Rochester, Karen; Lane, Anne Bucher; Schmidt, Emile O.Charles E. Glassick Years; Gordon A. Haaland Years
Curtiss, Geoff and Linda Curtiss, September 27, 2019 [Interview]
No full textGeoff Curtiss and Linda Wiggins Curtiss were interviewed by Michael Birkner on September 27, 2019, about their lives, with focus on their time as Gettysburg College students between 1966 and 1971.Vannorsdall, John W.; Hanson, C. Arnold; Nowlan, Steve; Smith, Don; Loose, John H.; Hammann, Louis J.; Richardson, Norman E.; Hinsley, Jay; Moore, Carey A.; Holder, Leonard I.; Alinsky, Saul; Blessit, Arthur; Clark, Ramsey;Carl Arnold Hanson Years
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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