1,723,164 research outputs found
Hamilton H-47
No full text1/2 right hand side view of the Hamilton H-47, a civilian aircraft, on the ground.https://corescholar.libraries.wright.edu/special_ms223_photographs/1933/thumbnail.jp
Hamilton H-45
No full text1/4 right hand side view of the Hamilton H-45 Metalplane, a civilian aircraft, on a float in water. This aircraft has markings for Isthmian Airways on the side.https://corescholar.libraries.wright.edu/special_ms223_photographs/1249/thumbnail.jp
[Plant life on Macquarie Island, Australasian Antarctic Expedition, 1911-1914] [picture] /
No full textPart of collection: Sir Douglas Mawson collection of Antarctic photographs.; "Neg. H254 (Hamilton 60)"--In pencil on verso.; Condition: Good.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3208912
Hamilton, H, VX48120
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/390002Surname: HAMILTON. Given Name(s) or Initials: H. Military Service Number or Last Known Location: VX48120. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 39011.214755
Item: [2016.0049.22295] "Hamilton, H, VX48120
The head of a bull sea elephant, Macquarie Island [Australasian Antarctic Expedition, 1911-1914] [picture] /
No full textPart of the John George Hunter collection of photographs of Antarctica, 1911-1914.; Condition: Broken.; Slide created by Frank Hurley from the original photograph.; Published in: The home of the blizzard / by Douglas Mawson. London : William Heinemann, 1915, v. 2 facing p. 216
Hamilton, H J D, [No Service Number]
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/389964Surname: HAMILTON. Given Name(s) or Initials: H J D. Military Service Number or Last Known Location: [No Registration Number]. Missing, Wounded and Prisoner of War Enquiry Card Index Number: WM-56 58844.214675
Item: [2016.0049.22257] "Hamilton, H J D, [No Service Number]
[Amnesty Letter ID111] / [Hamilton, H. C.
No full textThis letter was written by H. C. Hamilton to President Andrew Johnson in response to the President's Amnesty Proclamation of 29 May 1865. The writer indicates his county of residence as Caldwell Co., NC and does not state his occupation
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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