2,114 research outputs found
The Gospel on the Margins: The Ideological Function of the Patristic Tradition on the Evangelist Mark
No full textIn spite of the virtually unanimous patristic opinion that the evangelist Mark was the interpreter of Peter, one of the most prestigious apostolic founding figures in Christian memory, the Gospel of Mark was mostly neglected in the patristic period. Not only is the text of Mark the least well represented of the canonical Gospels in terms of the number of patristic citations, commentaries and manuscripts, the explicit comments about the evangelist Mark reveal some ambivalence about its literary or theological value. In my survey of the reception of Mark from Papias of Hierapolis until Clement of Alexandria, I will argue that the reason why the patristic writers were hesitant to embrace the Gospel of Mark was that they perceived the text to be amenable to the Christological beliefs and social praxis of rival Christian factions. The patristic tradition about Mark may have little historical basis, but it had an important ideological function in appropriating the text in the name of an apostolic authority from the margins or periphery
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
No full textContemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
Agenda for change: strategic choices for the next government
No full textThe next government has a primary requirement to be well briefed on the challenges inherent in Australia’s strategic circumstances and the policy options available to it. ASPI is publishing this report to layout our strategic choices and to provide recommendations.
Contributors are Peter Jennings on strategic policy, Mark Thomson and Andrew Davies on defence, Anthony Bergin and Kristy Bryden on homeland security, Russell Trood on foreign policy and Ryan Stokes on economic security.
This body of ideas makes a compelling contribution to the discussions which ought always to characterise the Australian strategic and defence debate
Smith, Andrew and Mark Bennet, editors. Locating Ann Radcliffe. Routledge, 2021.
No full textLocating Ann Radcliffe, edited by Andrew Smith and Mark Bennett, is a collective volume comprising seven articles written by various international scholars. All the articles in the volume were previously published as an issue of Women’s Writing, volume 22, issue 3 (August 2015), also entitled “Locating Ann Radcliffe” and edited by the same publisher. In the introduction to the volume, the editors (Andrew Smith, Professor of Nineteenth Century Literature at the University of Sheffield, UK, and Mark Bennett, author of a Ph. D. thesis on Ann Radcliffe, and scholar of travel writing and Victorian popular fiction) state that the volume “broadens the critical understanding of Ann Radcliffe’s work and includes explorations of the publication history of her work, her engagement with contemporary accounts of aesthetics, her travel writing, and her poetry” (1)
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Tackling Correctional Corruption /
No full textCorruption is a problem in prisons about which we hear very little, except when there is an escape from custody or other scandal that makes the media. The closed nature of correctional institutions has made the activities that go on within them less visible to the outside world. While some persons might be inclined to dismiss correctional corruption as an issue, this view ignores the scale of criminality and misconduct that can go on in prison and the impact it can have upon not just the good order of the prison or the rights of prisoners but on the prospects for successful reintegration of ex-prisoners into society. This book is the first to examine the phenomenon in any detail or to suggest what might be done to reduce its incidence and the harms that can arise from it. Andrew Goldsmith, Mark Halsey and Andrew Groves argue that it is not enough to tackle corruption alone. Rather there should be a broader attempt to promote what the authors call 'correctional integrity'. Andrew Goldsmith is Strategic Professor of Criminology at Flinders University, Australia, and Director of the Centre for Crime Policy and Research. Previously he has held academic posts at the Australian National University, University of Wollongong and Monash University, Australia. His research interests include policing, new technologies, organized crime and corruption. Mark Halsey is Professor of Criminology at the Centre for Crime Policy and Research, Flinders University, Australia. He currently holds a four year Australian Research Council Future Fellowship which explores the causes and consequences of intergenerational incarceration. Mark is the lead author of Young Offenders: Crime, Prison and Struggles for Desistance (Palgrave Macmillan, 2015). Andrew Groves is Lecturer in Criminology at Deakin University, Australia, and Adjunct Lecturer in Criminology at Flinders University. Australia. His research interests include illicit drug use/policy, youth and risk, corruption, victims and corrections
Modified Gravity Research
No full textFive small articles by each author:
1 The Gravity Research Group by Jackson Levi Said
2 Cosmology and Gravity: The dark
side of the universe by Gabriel Farrugia
3 Galactic Rotation Dynamics in Modifi ed Gravity by Andrew Finch
4 Exotic Stars by Mark Pacepeer-reviewe
Incomprehension or resistance? : the Markan disciples and the narrative logic of Mark 4:1—8:30
No full textThe characterization of the Markan disciples has been and continues to be the object of much scholarly reflection and speculation. For many, the Markan author’s presentation of Jesus’ disciples holds a key, if not the key, to unlocking the purpose and function of the gospel as a whole. Commentators differ as to whether the Markan disciples ultimately serve a pedagogical or polemical function, yet they are generally agreed that the disciples in Mark come off rather badly, especially when compared to their literary counterparts in Matthew, Luke, and John.
This narrative-critical study considers the characterization of the Markan disciples within the Sea Crossing movement (Mark 4:1–8:30). While commentators have, on the whole, interpreted the disciples’ negative characterization in this movement in terms of lack of faith and/or incomprehension, neither of these, nor a combination of the two, fully accounts for the severity of language leveled against the disciples by the narrator (6:52) and Jesus (8:17–18). Taking as its starting point an argument by Jeffrey B. Gibson (1986) that the harshness of Jesus’ rebuke in Mark 8:14–21 is occasioned not by the disciples’ lack of faith or incomprehension but by their active resistance to his Gentile mission, this investigation uncovers additional examples of the disciples’ resistance to Gentile mission, offering a better account of their negative portrayal within the Sea Crossing movement and helping explain many of their other failures.
In short, this study argues that in Mark 4:1–8:26, the disciples are characterized as resistant to Jesus’ Gentile mission and to their participation in that mission, the chief consequence being that they are rendered incapable of recognizing Jesus’ vocational identity as Israel’s Messiah (Thesis A). This leads to a secondary thesis, namely, that in Mark 8:27–30, Peter’s recognition of Jesus’ messianic identity indicates that the disciples have finally come to accept Jesus’ Gentile mission and their participation in it (Thesis B).
“Chapter One: Introduction” offers a selective review of scholarly treatments of the Markan disciples, which shows that few scholars attribute resistance, let alone purposeful resistance, to the disciples.
“Chapter Two: The Rhetoric of Repetition” introduces the methodological tools, concepts, and perspectives employed in the study. It includes a section on narrative criticism, which focuses upon the story-as-discoursed and the implied author and reader, and a section on Construction Grammar, a branch of cognitive linguistics founded by Charles Fillmore and further developed by Paul Danove, which focuses upon semantic and narrative frames and case frame analysis.
“Chapter Three: The Sea Crossing Movement, Mark 4:1–8:30” addresses the question of Markan structure and argues that Mark 4:1–8:30 comprises a single, unified, narrative movement, whose action and plot is oriented to the Sea of Galilee and whose most distinctive feature is the network of sea crossings that transport Jesus and his disciples back and forth between Jewish and Gentile geopolitical spaces.
Following William Freedman, “Chapter Four: The Literary Motif” introduces two criteria (frequency and avoidability) for determining objectively what constitutes a literary motif and provides the methodological basis and starting point for the analyses performed in chapters five and six.
“Chapter Five: The Sea Crossing Motif” establishes and then carries out a lengthy narrative analysis of the Sea Crossing motif, which is oriented around Mark’s use of θάλασσα (thalassa) and πλοῖον (ploion), and “Chapter Six: The Loaves Motif” does the same for The Loaves motif, oriented around Mark’s use of ἄρτος (artos).
Finally, “Chapter Seven: The Narrative Logic of the Disciples (In)comprehension” draws together all narrative, linguistic, and exegetical insights of the previous chapters and offers a single coherent reading of the Sea Crossing movement that establishes Theses A and B.
Introduction. Ruptures in the Everyday
No full textRuptures in the Everyday was jointly written by ATG26, a scholarly collective comprising the following authors:Jonathan Bach, Andrew Stuart Bergerson (lead author), Susanne Beer, Mark E. Blum, Michaela Christ, Cristina Cuevas-Wolf, Mary Fulbrook, Eva Giloi, Thomas Gurr, Jason Johnson, Craig Koslofsky, Dani Kranz, Phil Leask, Wendy Lower, Elissa Mailänder, Josie McLellan, Alexandra Oeser, Steve Ostovich, Will Rall, Leonard Schmieding (lead author), Johannes Schwartz, Sara Ann Sewell, Paul Steege, Maximilian Strnad, Julia Timpe, Heléna TóthInternational audienc
Introduction. Ruptures in the Everyday
No full textRuptures in the Everyday was jointly written by ATG26, a scholarly collective comprising the following authors:Jonathan Bach, Andrew Stuart Bergerson (lead author), Susanne Beer, Mark E. Blum, Michaela Christ, Cristina Cuevas-Wolf, Mary Fulbrook, Eva Giloi, Thomas Gurr, Jason Johnson, Craig Koslofsky, Dani Kranz, Phil Leask, Wendy Lower, Elissa Mailänder, Josie McLellan, Alexandra Oeser, Steve Ostovich, Will Rall, Leonard Schmieding (lead author), Johannes Schwartz, Sara Ann Sewell, Paul Steege, Maximilian Strnad, Julia Timpe, Heléna TóthInternational audienc
Out of the Ordinary: Andrew Hill's "Verona Rag"
No full textIn 1986, the adventurous and accomplished jazz pianist Andrew Hill (1937–2007) presented his composition “Verona Rag,” based loosely within the traditional ragtime idiom. Through close analysis of Hill’s studio recording, the author explains how this composition is “an exemplary illustration of Hill’s ability to extend and transform a bygone style and place his indelible mark upon it.” Background on Hill’s career and influences is provided, and an appendix includes a complete transcription of the piece
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