26,279 research outputs found
Encounters
No full textPhotograph of the exhibition "Encounters 6: Peter Halley," January 28-April 2, 1995, held at the Dallas Museum of Art
Encounters
No full textPhotograph of the exhibition "Encounters 6: Peter Halley," January 28-April 2, 1995, held at the Dallas Museum of Art
Encounters
No full textPhotograph of the exhibition "Encounters 6: Peter Halley," January 28-April 2, 1995, held at the Dallas Museum of Art
Encounters
No full textPhotograph of the exhibition "Encounters 6: Peter Halley," January 28-April 2, 1995, held at the Dallas Museum of Art
Encounters
No full textPhotograph of the exhibition "Encounters 6: Peter Halley," January 28-April 2, 1995, held at the Dallas Museum of Art
Encounters
No full textPhotograph of the exhibition "Encounters 6: Peter Halley," January 28-April 2, 1995, held at the Dallas Museum of Art
Encounters
No full textPhotograph of the exhibition "Encounters 6: Peter Halley," January 28-April 2, 1995, held at the Dallas Museum of Art
Encounters
No full textPhotograph of the exhibition "Encounters 6: Peter Halley," January 28-April 2, 1995, held at the Dallas Museum of Art
Peter Halley e il dio che ride /Peter Halley and the laughing God
No full textIl saggio esamina l'installazione di Peter Halley al Museo Nivola di Orani, in Sardegna, con al quale l'artista ha creato la sua personale Cappella degli Scrovegni del XXI secolo: concettuale e decorativa, criticamente riflessiva e spettacolare, immergeva il visitatore nel clima dionisiaco di un Mediterraneo filtrato attraverso il Modernismo novecentesco e bagnato di una luce artificiale e psichedelica.
The essay examines Peter Halley's installation at Museo Nivola, Orani, Sardinia, with which the artist created his own contemporary Scrovegni chapel: conceptual and decorative, critically reflective and spectacular, it immersed the visitor in the Dionysian atmosphere of a Mediterranean world filteredthrough twentieth-century Modernism and bathed in an artificial, psychedelic light
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