1,721,002 research outputs found
Crossnore Town Hall, NC
No full textCrossnore Town Hall, NC. Crossnore is a town in Avery County, North Carolina, United States. It was built in 1965https://digitalcommons.unf.edu/historical_architecture_main/1359/thumbnail.jp
Banner Elk Town Hall, NC
No full textBanner Elk Town Hall, NC, located in Avery County.https://digitalcommons.unf.edu/historical_architecture_main/1280/thumbnail.jp
Blowing Rock Town Hall, NC
No full textBlowing Rock Town Hall, NC, sits astride the Eastern Continental Divide at a cool 4,000 foot elevation.https://digitalcommons.unf.edu/historical_architecture_main/1283/thumbnail.jp
Seven Devils Town Hall, NC
No full textSeven Devils Town Hall, NC. Seven Devils is a town in Avery and Watauga counties in the U.S. state of North Carolina.https://digitalcommons.unf.edu/historical_architecture_main/1486/thumbnail.jp
Mars Hill College Marsh Banks Hall, NC
No full textMars Hill College Marsh Banks Hall, NC. Mars Hill College was founded just prior to the Civil War as a co-educational institution and retains the earliest surviving complex of higher education buildings in Western North Carolina. IThese range in date from 1892 to 1935 and display a mix of architectural styles and uses. Marshbanks Hall, 1910. Mars Hill College Historic District - Contributing Building - National Register of Historic PlacesNRIS #06000865https://digitalcommons.unf.edu/historical_architecture_main/2017/thumbnail.jp
Mars Hill College Montague Hall, NC
No full textMars Hill College Montague Hall, NC. Mars Hill College was founded as the French Broad Baptist Institute in Madison County in 1856.Approximately twenty buildings make this the largest educational historic district in the state. All of these building are on the quad except two. Of these, Montague is the oldest, built in 1856.Mars Hill College has received a $50,000 grant from the Janirve Foundation toward the restoration and renovation of its Rural Life Museum, housed in historic Montague Hall on the campus. Mars Hill College Historic District - Contributing Building - National Register of Historic PlacesNRIS #06000865https://digitalcommons.unf.edu/historical_architecture_main/2018/thumbnail.jp
Waynesville City Hall, NC (Old Post Office)
No full textWaynesville City Hall, NC (Old Post Office). Waynesville is a town in Haywood County, North Carolina. Waynesville is located about 30 miles southwest of Asheville between the Great Smoky and Blue Ridge mountains. Waynesville\u27s Municipal Building was constructed in 1917 as the first U. S. Post Office in Waynesville. It served in this capacity until 1966 when it was purchased by the Town of Waynesville to serve as its Municipal Building/Town Hall. Interior renovations were completed in 1989. The brick, two story structure is listed on the National Register of Historic Places #91000262.https://digitalcommons.unf.edu/historical_architecture_main/1523/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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