1,721,104 research outputs found
A Proposed Solution to the Notification Problem
Full text linkHall, Ralph F.. (2005). A Proposed Solution to the Notification Problem. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155819
To Recall or Not to Recall, That Is the Question: The Current Controversy over Medical Device Recalls
Full text linkHall, Ralph F.. (2005). To Recall or Not to Recall, That Is the Question: The Current Controversy over Medical Device Recalls. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155817
Left to Their Own Devices: IOM’s Medical Device Committee’s Failure to Comply
Full text linkStensvad, Eva; Hall, Ralph F.. (2012). Left to Their Own Devices: IOM’s Medical Device Committee’s Failure to Comply. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155941
Rethinking Lohr: Does “SE” Mean Safe and Effective, Substantially Equivalent, or Both?
Full text linkHall, Ralph F.; Mercer, Michelle. (2012). Rethinking Lohr: Does “SE” Mean Safe and Effective, Substantially Equivalent, or Both?. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155961
A Failure to Comply: An Initial Assessment of Gaps in IOM’s Medical Device Study Committee
Full text linkHall, Ralph F.; Stensvad, Eva. (2011). A Failure to Comply: An Initial Assessment of Gaps in IOM’s Medical Device Study Committee. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155901
Enforcing the Rights of Human Sources to Informed Consent and Disclosures of Incidental Findings from Biobanks and Researchers: State Mechanisms in Light of Broad Regulatory Failure
Full text linkFatehi, Leili; Hall, Ralph F.. (2012). Enforcing the Rights of Human Sources to Informed Consent and Disclosures of Incidental Findings from Biobanks and Researchers: State Mechanisms in Light of Broad Regulatory Failure. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155959
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Developing Oversight Frameworks for Nanobiotechnology
Full text linkParadise, Jordan; Wolf, Susan M.; Ramachandran, Gurumurthy; Kokkoli, Efrosini; Hall, Ralph; Kuzma, Jennifer. (2007). Developing Oversight Frameworks for Nanobiotechnology. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/155632
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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