1,022 research outputs found
Manfred Hainzmann (Ed.), Auf den Spuren keltischer Götterverehrung. Akten des 5. F. E. R. C. An. – Workshop, Graz 9.-12. Oktober 2003. Vienne, Verlag der Österreichischen Akademie der Wissenschaften, 2007
No full textRaepsaet-Charlier Marie-Thérèse. Manfred Hainzmann (Ed.), Auf den Spuren keltischer Götterverehrung. Akten des 5. F. E. R. C. An. – Workshop, Graz 9.-12. Oktober 2003. Vienne, Verlag der Österreichischen Akademie der Wissenschaften, 2007. In: L'antiquité classique, Tome 79, 2010. pp. 548-549
Andreas Hofeneder, Patrizia de Bernardo Stempel (dir.), avec la collaboration de Manfred Hainzmann, Nicolas Mathieu. Théonymie celtique, cultes, interpretatio / Keltische Theonymie, Kulte, interpretatio. X. Workshop F. E. R. C. AN., Paris 24.-26. Mai 2010. Vienne, Verlag der Österreichischen Akademie der Wissenschaften (Mitteilungen der Prähistorischen Kommission, 79), 2013
No full textLambert Pierre-Yves. Andreas Hofeneder, Patrizia de Bernardo Stempel (dir.), avec la collaboration de Manfred Hainzmann, Nicolas Mathieu. Théonymie celtique, cultes, interpretatio / Keltische Theonymie, Kulte, interpretatio. X. Workshop F. E. R. C. AN., Paris 24.-26. Mai 2010. Vienne, Verlag der Österreichischen Akademie der Wissenschaften (Mitteilungen der Prähistorischen Kommission, 79), 2013. In: Etudes Celtiques, vol. 40, 2014. pp. 324-327
Love in the First Degree: Manfred, Byron, and Incest
No full textThis is the author accepted manuscript. The final version is freely available from the University of Colorado via the link in this recordNote that the text of the manuscript varies considerably from the final published versionThis essay suggests that Byron’s Manfred contains not an expression of Byron’s guilt about his incest with his half-sister Augusta Leigh, as previous critics have suggested, but rather considerable evidence of his lack of guilt. It argues that the play displays incest and torment, but in fact does not link the two, instead displaying Manfred’s love for Astarte as deeply felt without regrets. The essay then argues that one finds the same combination of deep love and lack of regret in Byron’s remarks about his relationship with his half-sister, as well as in the representations of incest in his other works. It suggests that this acceptance of incest links to Byron’s commitment to rational thinking and personal freedom, and it invites future criticism to explore this connection in more detail
Manfred Macmillan
No full textDecadence meets gothic in Manfred Macmillan (1907), a carefully constructed tale of doppelgangers, magical intrigue, and the rootless scion of a noble house. This annotated, first-ever English translation presents an early queer novel long unavailable except in the original Czech. Author Jiří Karásek ze Lvovic (1871–1951) was a major cultural figure in his native Bohemia and cultivated ties with fellow artists from across Central Europe. In their extensive scholarly introduction, translator Carleton Bulkin and translation scholar Brian James Baer situate the novel within longer histories of gay literature, fascinations with the occult, and the cultural and linguistic politics of so-called peripheral European nations. They persuasively frame Karásek as a queer author and cultural disruptor in the fin de siècle Habsburg space.
Karasék rejected Czech translations of ancient Greek writers that bowdlerized gay themes, and he personally and vigorously defended Oscar Wilde in print, both on the grounds of artistic freedom and of private morality. He also published a cycle of homoerotic poems under the title Sodom, confiscated by the Austrian authorities but republished in 1905 and repeatedly afterward. A colonized subject, a literary decadent, and a sexual outlaw, Karasék’s complex responses to his own marginalization can be traced through his fantastically strange novel trilogy Three Magicians. As the first volume in that series, Manfred Macmillan is a gorgeous, compelling, and important addition to expanding canons of LGBTQI+ literature
Manfred Macmillan
No full textDecadence meets gothic in Manfred Macmillan (1907), a carefully constructed tale of doppelgangers, magical intrigue, and the rootless scion of a noble house. This annotated, first-ever English translation presents an early queer novel long unavailable except in the original Czech. Author Jiří Karásek ze Lvovic (1871–1951) was a major cultural figure in his native Bohemia and cultivated ties with fellow artists from across Central Europe. In their extensive scholarly introduction, translator Carleton Bulkin and translation scholar Brian James Baer situate the novel within longer histories of gay literature, fascinations with the occult, and the cultural and linguistic politics of so-called peripheral European nations. They persuasively frame Karásek as a queer author and cultural disruptor in the fin de siècle Habsburg space.
Karasék rejected Czech translations of ancient Greek writers that bowdlerized gay themes, and he personally and vigorously defended Oscar Wilde in print, both on the grounds of artistic freedom and of private morality. He also published a cycle of homoerotic poems under the title Sodom, confiscated by the Austrian authorities but republished in 1905 and repeatedly afterward. A colonized subject, a literary decadent, and a sexual outlaw, Karasék’s complex responses to his own marginalization can be traced through his fantastically strange novel trilogy Three Magicians. As the first volume in that series, Manfred Macmillan is a gorgeous, compelling, and important addition to expanding canons of LGBTQI+ literature
Introducing the Recent development in input-output analysis
No full textThis is a draft chapter. The final version is available in Recent Development in Input-Output Analysis, edited by Erik Dietzenbacher, Michael L. Lahr, and Manfred Lenzen, published in 2020, Edward Elgar Publishing Ltd. https://doi.org/10.4337/9781786430816.
The material cannot be used for any other purpose without further permission of the publisher, and is for private use only
Czech topics in work of Manfred Böckl
No full textDiese Abschlussarbeit beschäftigt sich mit tschechischen Themen in Werken des bayerischen Schriftstellers Manfred Böckl. Am Anfang werden das Leben und die Schöpfung dieses Autors vorgestellt, danach folgt die Analyse von tschechischen Themen bei ausgewählten Titeln. Die Arbeit ergänzt das Interview mit Manfred Böckl.Tato práce se zabývá českými tématy v dílech bavorského spisovatele Manfreda Böckla. Na začátku je představen život a tvorba tohoto autora, poté následuje analýza českých témat u vybraných literárních titulů. Práci doplňuje rozhovor s Manfredem Böcklem.This thesis is about czech topics in writings of bavarian author Manfred Böckl. In the first part there is described his life and literary output. After thet there is analysis of czech topics in selected literary works. Thesis is filled in with interview with Böckl himself.Katedra cizích jazykůDokončená práce s úspěšnou obhajobo
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