1,773 research outputs found

    Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015)

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    Whilst reading Stéphane Vanderhaeghe’s dystopian fiction and touching on Bernard Stiegler's Age of Disruption, Greg Hainge explores the world that now reads us via a universal digitisation

    No(i)stalgia: On the impossibility of recognising noise in the present

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    Starting from a comparison between the process of writing by hand and writing to screen, this paper contends that there is a continuity between the former, apparently archaic form of writing, and the latter, supposedly more modern form of writing. It will be suggested that, rather than being truly archaic, writing by hand perhaps constitutes a nostalgic act which attempts to bypass the perceived virtuality of the postmodern condition. As such, it will be claimed, via Baudrillard, that nostalgia of this kind is a type of hyper-simulacrum that relies on a misinterpretation of the noise created by the very act of expression. It will be claimed, however, that if interpreted without the sort of wilful misinterpretation to which noise often falls prey, many kinds of noise grafted onto contemporary cultural objects bear testimony to a certain continuity across historical eras as well as to the fact that we are ultimately incapable of recognising many cultural products' noise (and thus the products themselves in their entirety) in their own era. This paper therefore calls for a noisy theory which, analysing the world from an immanent position, would acknowledge the impossibility of full knowledge of the sig

    Tempest in another time: Shakespeare, Greenaway, Céline

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    Hainge examines Shakespeare's play The Tempest, which was used in the allusions of Louis-Ferdinand Céline's novel Guignol's Band and Peter Greenaway's 1991 film Prospero's Book. He hypothesizes that Céline's novel Feerie pour une autre fois can be conceived of as a response to and interpretation of the The Tempest in the same way that Greenaway's film can be conceived of not as a representation of Shakespeare's play, a simple staging of it, but rather as a subjective response to it, an adaptation in the truest sense of the term

    Author, Geraldine Brooks at the National Library of Australia for the 2009 Ray Mathew Lecture, Canberra, 23 October 2009 [picture] /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author, Geraldine Brooks during her visit to the National Library of Australia for the 2009 Ray Mathew Lecture, Canberra, 23 October 2009.; Acquired in digital format; access copy available online.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia

    Summer of Service: Greg Jao

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    Greg Jao, Vice President of Campus Engagement for InterVarsity, speaks on Nehemiah and the importance of investing where God has placed you. A second-generation Chinese American, Greg helped develop The Daniel Project, a leadership acceleration program for Asian American InterVarsity staff, and formerly served as National Field Director for InterVarsity in the Northeast. He has emceed several Urbana conferences, speaks often to student groups, and is a volunteer preacher at his church. Greg is the author of Your Mind’s Mission, The Kingdom of God, and Following Jesus Without Dishonoring Your Parents (all IVP)

    Portrait of Robert Dessaix in the National Library of Australia bookshop, Canberra, 10 October 2008, 1 [picture] /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author Robert Dessaix in the National Library of Australia bookshop, Canberra, 10 October 2008.; Acquired in digital format; access copy available online.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia

    Portrait of Robert Dessaix in the National Library of Australia bookshop, Canberra, 10 October 2008, 2 [picture] /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author Robert Dessaix in the National Library of Australia bookshop, Canberra, 10 October 2008.; Acquired in digital format; access copy available online.; Mode of access: Internet via World Wide Web.; Photographed by a staff member of the National Library of Australia
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