2,109 research outputs found
Reconstruction of Konrad Zuse’s Z3
No full textPart 9: Reconstruction StoriesInternational audienceThis paper describes the reconstruction of Konrad Zuse’s Machine Z3 by the author Horst Zuse from 2008. Konrad Zuse built the Z3 machine between 1939 and 1941 with some friends and a small amount of support by the government. The main idea for reconstructing the Z3 was to learn how this machine works and how much effort is necessary to build such a machine. Another main topic was to show this machine to the public
Author Correction: The dengue-specific immune response and antibody identification with machine learning
No full textCorrection to: npj Vaccineshttps://doi.org/10.1038/s41541-023-00788-7, published online 20 January 2024 In this article, the affiliation details for author Alexander Horst were incorrectly given as Alexander Horst1,2 but should have been Alexander Horst1 and other affiliations are renumbered. The original article has been corrected
Horst Wessel Dachau Street Sign
No full textBlack metal sign reading, 24 Horst Wessel-Strasse.
Information Provided by Michael D. Bulmash: A small metal street sign from the concentration camp of Dachau. The streets in Dachau were named after so-called Nazi heroes, and this particular example identifies the address 24 Horst Wessel Strasse. Horst Ludwig Wessel (1907-1930) was a German Nazi activist who was made a posthumous hero of the Nazi movement following his violent death in 1940. He was the author of the lyrics to the Nazi Party anthem Die Fahnehoch ( The Flag on High ), usually known as the Horst Wessel Song.https://digital.kenyon.edu/bulmash/2251/thumbnail.jp
Ideologie des neuen Imperialismus und ihre Positionen zu Krieg und Frieden: Beiträge zum 11. Dresdner Symposium Für eine globale Friedensordnung am 18. November 2006
No full textDie Projektgruppe „Globale Friedensordnung“ stellt im 11. Dresdner Symposium 'Für eine globale Friedensordnung' ihre Arbeitsergebnisse vor.:Symposiumbeiträge:
Erich Hahn, Ideologische Probleme des neuen Imperialismus.
Horst-Dieter Strüning, Zum Menschenbild des Neoliberalismus: der homo oeconomicus.
Wolfgang Scheler, Die Dominanz der Kriegsideologie in der neuen Phase des Kapitalismus.
Ernst Woit, USA-Strategen über die wachsende ideologische Bedeutung der Religionen und ihren Einfluss auf die Möglichkeiten imperialistischer Kriegführung.
Harry Pursche, Zur Funktion der Kriegsideologie des neuen Imperialismus.
Lothar Glaß, Ideologie, Feinde, Feindbilder.
Siegfried Schönherr, Rüstungsfinanzierung in der neuen Phase des Kapitalismus.
Anhang:
Hermann Klenner, Ethnische Minderheiten im Völkerrecht.
Ernst Woit, Nie wieder Angriffskrieg! Zum Artikel 26 des Grundgesetzes
Effect of plasma environment on synthesis of vertically aligned carbon nanofibers in plasma-enhanced chemical vapor deposition
No full textWe present a theoretical model describing a plasma-assisted growth of carbon nanofibers (CNFs), which involves two competing channels of carbon incorporation into stacked graphene sheets: via surface diffusion and through the bulk of the catalyst particle (on the top of the nanofiber), accounting for a range of ion- and radical-assisted processes on the catalyst surface. Using this model, it is found that at low surface temperatures, Ts, the CNF growth is indeed controlled by surface diffusion, thus quantifying the semiempirical conclusions of earlier experiments. On\ud
the other hand, both the surface and bulk diffusion channels provide a comparable supply of carbon atoms to the stacked graphene sheets at elevated synthesis temperatures.\ud
It is also shown that at low Ts, insufficient for effective catalytic precursor decomposition, the plasma ions play a key role in the production of carbon atoms on the catalyst surface. The model is used to compute the growth rates for the two extreme cases of thermal and plasma-enhanced chemical vapor deposition of CNFs. More importantly, these results quantify and explain a number of observations and\ud
semiempirical conclusions of earlier experiments
100 Jahre Kaiser-Wilhelm- / Max-Planck-Institut für Chemie (Otto Hahn Institut). Facetten seiner Geschichte
No full textReinhardt C, Kant H, eds. 100 Jahre Kaiser-Wilhelm- / Max-Planck-Institut für Chemie (Otto Hahn Institut). Facetten seiner Geschichte. Veröffentlichungen aus dem Archiv der Max-Planck-Gesellschaft. Vol 22. Berlin: Archiv der Max-Planck-Gesellschaft; 2012
Art History and Prehistoric Art: Rethinking their Relationship in the Light of New Observations: The Twentieth Horst Gerson Lecture held on October 4, 2019
No full textThe Twentieth Horst Gerson Lecture held in memory of Horst Gerson (1907-1978) in the aula of the University of Groningen on the 4th of October 2019
The point, from which we are defining the human ability to design artefacts and use symbolic signs is currently shifting to a more distant past. The insights responsible for this pushing back, are based, for example, on findings of very early human-shaped sculpture in Swabia, on the realization that human sign-making started literally hundred thousand years earlier than previously thought, as well as the realization that even hand-axes could carry symbolic meaning. Taken together, these phenomena call for a redefinition of the anthropos, in which the ability to design plays an eminent role. The lecture aims to show how the capacity to discriminate and creatively employ visual and material difference in the environment was a pre-condition for the development of human kind. Against this background, the question rises, if the fruitful collaboration between the fields of aesthetics, art history, and anthropology, that drove nineteenth century research into the origins of human creativity, can be revived.
Author Horst BredekampTranslated by Mitch CohenGraphic design by Tariq JakobsenStichting Gerson LezingenOude Boteringestraat 349712 GK Groningenwww.rug.nl/let/gersonlectures www.facebook.com/gersonlecture
Upper Silesia as a Myth and Utopia in the Works of Horst Bienek
No full textDaniel Juliusz PietrekInstitute of German Language and LettersFaculty of PhilologyThe University of OpolePoland
Upper Silesia as a Myth and Utopia in the Works of Horst Bienek
Abstract: Horst Bienek was a very well known and influential personality in the literary circles in Germany. His works are also important for the history of Silesian literature because of his role in the intraGerman and German-Polish discourse about the homeland, history and identity. In the article the author presents poetical strategies and methodology which Bienek used while creating his mythic representations of Silesia and (at the same time) of himself.Keywords: literary history, German literature, Silesian literature, Horst Bienek, utopiaFor an abstract in English, scroll down.Daniel Juliusz PietrekUniwersytet OpolskiWydział FilologicznyInstytut Filologii Germańskiej
„Wtedy przyjdzie ktoś i przerzuci przez Kłodnicę most z papieru”. Górny Śląsk jako mit i utopia w twórczości Horsta BienkaAbstrakt: Horst Bienek był osobą bardzo znaną, wpływową i niezwykle cenioną w środowisku literackim RFN. Jest też autorem szczególnie ważnym dla literatury śląskiej ze względu na jego rolę w wewnątrzniemieckim i niemiecko-polskim dyskursie o ojczyźnie, pamięci i tożsamości. W moim tekście pokazuję strategie poetologiczne i „metodykę”, którą posługiwał się gliwicki pisarz, tworząc swoje mityczne wyobrażenia o Śląsku i (co jest nierozerwalne w przypadku jego twórczości) równocześnie o sobie samym.Słowa kluczowe: historia literatury, literatura niemiecka, literatura śląska, Horst Bienek, utopia
Upper Silesia as a Myth and Utopia in the works of Horst Bienek
Abstract: Horst Bienek was a very well known and influential personality in the literary circles in Germany. His works are also important for the history of Silesian literature because of his role in the intraGerman and German-Polish discourse about the homeland, history and identity. In the article the author presents poetical strategies and methodology which Bienek used while creating his mythic representations of Silesia and (at the same time) of himself.Keywords: literary history, German literature, Silesian literature, Horst Bienek, utopi
Band 9
No full textThis book is uniform in series with several others I have but they seem to have different bibliographical data, including publisher: Alfo Kunstdruck Verlag in Kaiserslautern. This book has the same canvas binding and the same striped cover format with a picture at the center. Like them, it has 32 pages. There is a beginning T of C with titles for the fourteen fables. Sources are given on the book's last page. The color work for the fables here is simple and pleasing. Each fable's text is on the left-hand page with a colored illustration on the right-hand page. Above and below the colored illustration are engaging and even humorous sketches of different phases of the fable. Familiar to me among these engaging tales are Der kranke Löwe (12); Der stolze Schmetterling (18); and Der Hahn (22). The illustration for the latter is typically well done: the rooster teaches the jackal to pray. When the former gets the latter to shut his eyes, he flies away. Der Waldwolf und der Steppenwolf (28) is an American Indian tale describing how the wolf and dog parted ways as enemy and friend of human beings.This is a hardbound book (hard cover)Language note: GermanBearbeitet und Herausgegeben von Dr. Jakob Szlisk
Bernard Horst - The connections between life and work
No full textThis thesis focuses on Bernard Horst, who is introduced, based on the historical background of the period in which he lived as well as literary reviews and the interpretation of his selected novels. The thesis aims to provide a complex overview of findings about this writer and should also - using overviews of the history of the Czech literature and literary dictionaries - partially answer the following question: In what light can the personality of a marginal author address a contemporary reader, through which perspective can this author be seen and, most importantly, how this author can be discussed using the wider literary context
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