1,721,203 research outputs found
FIGURE 7 in Identifying species of Bythinella (Caenogastropoda: Rissooidea): A plea for an integrative approach
FIGURE 7. Phylogramme of most likely tree resulting from Bayesian analysis with posterior probabilities/majority rule consensus indices/bootstrap support values, the latter two from the maximum parsimony analysis. Outgroup pruned from tree. Populations are identified by their first four letters (see Table 1).Published as part of Haase, Martin, Wilke, Thomas & Mildner, Paul, 2007, Identifying species of Bythinella (Caenogastropoda: Rissooidea): A plea for an integrative approach, pp. 1-16 in Zootaxa 1563 on page 14, DOI: 10.5281/zenodo.17838
New insights into tateid gastropods and their radiation on Fiji based on anatomical and molecular methods (Caenogastropoda: Truncatelloidea)
Zielske, Susan, Haase, Martin (2014): New insights into tateid gastropods and their radiation on Fiji based on anatomical and molecular methods (Caenogastropoda: Truncatelloidea). Zoological Journal of the Linnean Society 172 (1): 71-102, DOI: 10.1111/zoj.12153, URL: http://dx.doi.org/10.1111/zoj.1215
New insights into tateid gastropods and their radiation on Fiji based on anatomical and molecular methods (Caenogastropoda: Truncatelloidea)
Figure 1. Map of Fiji and its location in the South Pacific; numbers indicate sampling stations (see Table 1).Published as part of Zielske, Susan & Haase, Martin, 2014, New insights into tateid gastropods and their radiation on Fiji based on anatomical and molecular methods (Caenogastropoda: Truncatelloidea), pp. 71-102 in Zoological Journal of the Linnean Society 172 (1) on page 72, DOI: 10.1111/zoj.12153, http://zenodo.org/record/531127
(Gastropoda: Stylommatophora: Pupillidae)
Haase, Martin, Meng, Stefan, Horsák, Michal (2021): Tracking parallel adaptation of shell morphology through geological times in the land snail genus Pupilla (Gastropoda: Stylommatophora: Pupillidae). Zoological Journal of the Linnean Society 191 (3): 720, DOI: 10.1093/zoolinnean/zlaa057, URL: https://academic.oup.com/zoolinnean/article/191/3/720/586119
Figure 3 in Amplified fragment length polymorphisms, the evolution of the land snail genus Theba (Stylommatophora: Helicidae), and an objective approach for relating fossils to internal nodes of a phylogenetic tree using geometric morphometrics
Figure 3. Thin plate splines illustrating shape changes between selected nodes of the tree in Figure 4 based on weighted branch lengths.Published as part of Haase, Martin, Greve, Carola, Hutterer, Rainer & Misof, Bernhard, 2014, Amplified fragment length polymorphisms, the evolution of the land snail genus Theba (Stylommatophora: Helicidae), and an objective approach for relating fossils to internal nodes of a phylogenetic tree using geometric morphometrics, pp. 92-107 in Zoological Journal of the Linnean Society 171 (1) on page 102, DOI: 10.1111/zoj.12123, http://zenodo.org/record/530514
Fig. 9 in New species from a 'lost world': Sulawesidrobia (Caenogastropoda, Tateidae) from ancient Lake Matano, Sulawesi, Indonesia
Fig. 9. Bayesian phylogenetic analysis. Outgroup pruned from tree. Taxa represented by "species name_ZMB catalogue number and specimen_abbreviation of lake". Numbers at nodes are posterior probabilities> 0.50. Scale in substitutions per site.Published as part of Haase, Martin, Rintelen, Thomas von, Harting, Britta, Marwoto, Ristiyanti & Glaubrecht, Matthias, 2023, New species from a 'lost world': Sulawesidrobia (Caenogastropoda, Tateidae) from ancient Lake Matano, Sulawesi, Indonesia, pp. 77-103 in European Journal of Taxonomy 864 (1) on page 96, DOI: 10.5852/ejt.2023.864.2089, http://zenodo.org/record/784163
Fig. 11 in New species from a 'lost world': Sulawesidrobia (Caenogastropoda, Tateidae) from ancient Lake Matano, Sulawesi, Indonesia
Fig. 11. Principal component analysis based on five shell measurements. Numbers are ZMB catalogue numbers.Published as part of Haase, Martin, Rintelen, Thomas von, Harting, Britta, Marwoto, Ristiyanti & Glaubrecht, Matthias, 2023, New species from a 'lost world': Sulawesidrobia (Caenogastropoda, Tateidae) from ancient Lake Matano, Sulawesi, Indonesia, pp. 77-103 in European Journal of Taxonomy 864 (1) on page 98, DOI: 10.5852/ejt.2023.864.2089, http://zenodo.org/record/784163
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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