1,402,644 research outputs found

    Haas Hall - 1

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    Haas Hallphotograph date: Unknow

    Ernst Haas: The American West

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    The photographer behind Life magazine’s first ever all-color photographic essay, Ernst Haas made—and captured—history as an early adopter of Kodachrome film. The Austrian-born artist had already established himself as a black and white photographer when he moved to America in 1951. But as a member of the renowned Magnum agency, he transformed the genre with his color-saturated images, the perfect medium for capturing America’s geographic and cultural landscapes. From desert storms, Route 66 gas stations, and Las Vegas neon to rolling prairie, dilapidated farms, small-town parades, and city sidewalks, Haas’ perfectly composed images, contain a distinct pictorial language, suffused with poetry, pattern, and light. At the same time his pictures communicate a journalist’s point of view, whether the subject is rural poverty, suburban comfort, or the myth of the American West. The remarkable book offers a vision of America that feels both poignantly distant and reassuringly familiar

    Anna Maria Ortese, Possibilmente il più innocente. Lettere a Franz Haas (1990-1998), a c. di Francesco Rognoni, Franz Haas, Sedizioni, Mergozzo-Viddalba, 2016

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    Il testo, a cura di Francesco Rognoni e del destinatario, intende restituire il dialogo intenso e fraterno avviato per posta tra Anna Maria Ortese e il giovane studioso austriaco Franz Haas, destinato ad accompagnare gli ultimi anni di vita della scrittrice e a diventare fonte di studio per la ricostruzione della sua biografia

    Bernard and Millie Haas Family

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    Mildred (Millie) Rose Haas, 88, Bradenton, died August 15, 2014. Millie was born March 10, 1926 in Perrysburg, Ohio, the daughter of Everett A. Mahler and Bertha Pratt Mahler and came to Bradenton in August of 1960. She was a homemaker and mother of 12 children and a long time member of St. Joseph Catholic Church. She was a homemaker and mother of 12 children and a long time member of St. Joseph Catholic Church. She is survived by her sister, Doris Shiple and predeceased by her sisters, Dorothy Hoffman, Virginia Twinning , Florence Trzeciak and Eileen Mahler. She was preceded in death by husband of 54 years, Bernard P. Haas and her son, Gregory E. Haas. Millie is survived by her children, Sandra K. Haas-Martens, Holmes Beach, Dale A. Haas, Sarasota, Gerald A. Haas, Ft. Myers, Mark E. Haas, Tampa, James J. Haas, Bradenton, Elaine M. Haas, Bradenton, Francis J. Haas, Bradenton, Douglas P. Haas, Palmetto, Cheryl A. Gonzales, Albuquerque, New Mexico, Bonnie R. Haas-Cumber, Tamp

    Migration and development. A theoretical perspective

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    de Haas H. Migration and development. A theoretical perspective. COMCAD Arbeitspapiere - working papers, 29. Bielefeld: COMCAD - Center on Migration, Citizenship and Development; 2007

    Significant Improvement in Energy Efficiency in Manufacturing at Rohm and Haas��� Kankakee, Illinois, Plant

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    Significant improvement in energy efficiency was achieved at Rohm and Haas��� Kankakee, Illinois facility last year through the combined efforts of all plant personnel. In total, a 24% reduction in energy requirements per pound of product produced was reached compared to 2004. That amounts to $270,000 in savings in 2005 with 1000 fewer tons of CO2 emitted to the environment

    Haas, Fred. Fred Haas interview, April 16, 1986.

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    Fred Haas discusses the history of the Baie Verte area. He discusses his family history. He discusses working as a logger and in the sawmill at Baie Verte. He discusses how Baie Verte has changed over his lifetime there

    Aqui jaz uma morte: atitudes fúnebres na trajetória da empresa funerária da família Haas de Blumenau

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2013.Desde os primeiros anos do século XX, a empresa da família Haas de Blumenau (Santa Catarina, Brasil) dedica-se ao mercado funerário. A pequena oficina, fundada por Mathias e seu pai, estabeleceu-se com a fabricação de túmulos e a arte dos marmoristas, com destaque para o próprio Mathias que esculpiu na pedra, túmulos e ornamentos funerários. A administração da empresa, sempre a cargo de membros da Haas, depois de algumas décadas de dedicação à arquitetura funerária e também civil, concentrou seus esforços na gerência de uma agência funerária. Com a funerária, a empresa ofereceu aos seus clientes uma série de serviços voltados ao cuidado do corpo e por último, entrou no segmento de vendas de planos funerários. Desde a sua fundação, a empresa enfrentou mudanças e teve que administrar momentos de transição e de adequação de seus produtos e investimentos para conciliar mudanças nos ritos e a entrada de novidades no mercado funerário. A trajetória da família Haas possibilitou as reflexões desta tese que buscou pensar sobre as atitudes fúnebres e a morte, em diferentes momentos, por meio de sua empresa. Contando com um acervo documental formado por imagens, escritos pessoais, partes de construções tumulares, blogs, notas fiscais, documentos administrativos, catálogos de modelos tumulares e depoimentos, foram percebidas mudanças no tratamento do corpo morto e no seu destino final. <br

    Willy Haas Collection 1933-1956

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    The collection contains two personal letters of Willy Haas, a German journalist, film critic, and screenwriter. The letter from Willy Haas to Erich Ebermayer, dated September 9, 1933, solicits Ebermayer's contribution to Die Welt im Wort, Haas' newspaper for literature, art and culture. The letter to Lutz Weltmann, dated June 1956, contains a note of gratitude written by Willy Haas on the occasion of his 65th birthday. Both letters include Willy Haas' signature.Libris (p)See also the Kurt Hirschfeld CollectionSee also the Kurt Kersten CollectionThe original German-language inventory is available in the collectionProcessed for digtizationSent for digitizationReturned from digitizationLinked to online manifestationdigitize
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