1,727,085 research outputs found
Jennifer Hew Interview
No full textThis interview of Jennifer Hew was conducted by Chandler Smith on December 22, 2025. Interview transcribed by Sam Howat.https://digitalscholar.lsuhsc.edu/oral_hist/1031/thumbnail.jp
Venyi Hew Honours 2021 - Study 1 and 2 Datasets (SPSS)
No full textVenyi Hew Honours 2021 - Study 1 and Study 2 Dataset
Two and a half dimensions
No full textTwo and a Half Dimensions, curated by Marcus Harvey, is a group exhibition bringing together painting whose preoccupation is with three-dimensionality and sculpture that reflects the painterly. the exhibition includes work by Sir Anthony Caro, Ian Dawson, Marcus Harvey, Ed Lipski, Hew Locke and Martin Westwoo
An Interview with Professor Sir Hew Strachan
Get PDFProfessor Sir Hew Strachan is a British military historian, currently Professor of International Relations at the University of St Andrews. He is well known for his studies of the British Army, the history of the First World War, and military history from the 18th century to date, including contemporary strategic studies. During his career, he held various academic positions such as senior lecturer in War Studies at the Royal Military Academy Sandhurst, Professor of Modern History at the University of Glasgow, Chichele Professor of the History of War at All Souls at Oxford. He was knighted in the 2013 New Year Honours for his services to the Ministry of Defence and he also won the Pritzker Literature Award for Lifetime Achievement in Military Writing. In 2017 Strachan was elected Fellow of the British Academy (FBA), the United Kingdom’s national academy for the humanities and social sciences. Some of his famous works include The First World War, Vol. 1: To Arms, European Armies and the Conduct of War, Wellington’s Legacy: The Reform of the British Army 1830-54, From Waterloo to Balaclava: Tactics, Technology and the British Army, The Politics of the British Army, Clausewitz’s On War: a Biography, etc
The EU, multilateralism, and the use of force
No full text'The EU, multilateralism, and the use of force', in The Changing Character of War, eds Hew Strachan and Sibylle Scheipers, OUP, forthcoming, 201
Hew Locke: House of Cards
Get PDF‘Hew Locke: House of Cards’ featured a selection of the artist's portraits of British royalty in various media, and his response to other trappings of the monarchy and empire. The show included works previously exhibited at the Luckman Gallery, Los Angeles, in tandem with a newly commissioned coat of arms, and other recent works.
Locke draws from everyday sources, ranging from items found in London's Brixton Market to discount fabric shops and thrift stores. Other sources of inspiration include Islamic, Rococo and Medieval architecture, royalty ephemera, Victorian funfairs and carousels. Using cardboard as the basis for much of his art, Locke draws attention to how artists and their works are packaged and commodified according to presumed geopolitical identities and affiliations. The exhibition reflected Locke’s long involvement with notions of hybrid and invented culture,how post-colonial societies evolve and invent themselves, and select their symbols of nationhood.
Exhibited works included five large cardboard cut-outs (2004) that depict Queen Elizabeth, Princess Diana, and Prince Charles in various officially represented states of age or emotion. Inspired by images on travel postcards, the deceptively detailed likenesses are formed by a lattice of small serrations into large sheets of cardboard, each highlighted by white paint and black marker pen.
Thirteen small pastel and charcoal drawings from the Siren series (1999) resemble facial topographies, painstakingly adorned with minutiae befitting royal subject matter, while hinting at something more ominous.
Passport Culture references the Queen’s Coat of Arms (depicted on every British passport). Constructed in layers, a pen drawing on Locke's trade-mark brown packing material is overlaid with an encrustation of strings of beads, chains of safety pins (a la Sex Pistols), fabric and butterflies. These 'exotic' materials form a chaotic line drawing. The original Lions, Unicorns and Harp are almost swamped by drawn and cut patchwork masks and wild-eyed skulls. The piece reflects the changing / shifting nature of British cultural identity and the fear these changes often evoke.
For the Contemporary, Locke made a new wall-based coat of arms of his own invention, constructed from rope and sequin waste, that spoke to the idea that “commoners may also aspire to the opulence of heraldry.
The exhibition was accompanied by a publication with a commissioned essay by artist and critic Gean Moreno which reflected on the “unflagging ambiguity” of Locke’s art. Asking “Where are his explicit politics? Where are his rage and loathing? Or conversely, where are his cool-headed anthropology or sociology?,” Moreno concluded that “incompleteness always conveys something” and that “the work challenges those blind to the need for multiple perspectives.
Interview with Violet Hew Zane
Get PDFCovered in this interview are the experiences of a Chinese store-and-restaurant-owning family between 1906 - 1980, with emphasis on family life and day-to-day activities.homemaker, storekeeper; Chinese; femaleInterview conducted in English.Stat
Robertson, Hew Struan, VX29954
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/413797Surname: ROBERTSON. Given Name(s) or Initials: HEW STRUAN. Military Service Number or Last Known Location: VX29954. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 25217.232507
Item: [2016.0049.46058] "Robertson, Hew Struan, VX29954
Interview with Kui Seu Hew
Get PDFAn accountant from Maui talks about his jobs, including wartime positions with the U.S. Engineer Department and the Naval Air Station in Puunene.accountant; Chinese; maleInterview conducted in English.State, Federa
- …
