1,788,623 research outputs found
H. D. Pappas residence, Dallas, Texas
No full textPhotograph shows exterior of the one-story frame house with Harry D. and Demetiula Pappas in yard on leftthe H. D. Pappas residence. Mr. and Mrs. H. D. Pappas are on the left. Child (Tommy Pappas?) riding tricycle on front walk
Album page from H. D. Pappas family album
No full textPhotograph on top of page shows the H. D. Pappas family in a boat. The other photo shows two unidentified women
H. D. Pappas family and Tony Antone, Dallas County, Texas
No full textPhotograph shows Mrs. H. D. Pappas and Pappas' children in an automobile. Tony Antone is sitting on the running board of the car
H. D. Bailey
No full text"SX.33148 Baily. H.D. 34 Batt 34 Brigades Frenches Forest. [N.S.W.] 2 Darwin 1944 Railways Australian. Imperial Force 1939.2.1947 British Commonwealth Occupation Force 1945.-1947. Munitions 1939 - 1943 Served King & country".SX.33148 Baily, H. D. 34 Battalion, 34 Brigade. Frenches Forest, [New South Wales]. 2 Darwin 1944 Railways. Australian Imperial Force, 1939.2.1947. British Commonwealth Occupation Force, 1945.-1947. Munitions 1939 - 1943 Served King & country
H. D. Smith letter to James Smith
No full textLetter from H. D. Smith to his son, James Smith, regarding the elopement of a married woman with a bigamist glass blower from Pittsburgh
H. D. Smith letter to James Smith
No full textLetter from H. D. Smith to his son, James Smith, regarding the elopement of a married woman with a bigamist glass blower from Pittsburgh
H. D. Smith letter to James Smith
No full textLetter from H. D. Smith to his son, James Smith, regarding the elopement of a married woman with a bigamist glass blower from Pittsburgh
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Imagism reconsidered, with special reference to the early poetry of H. D.
Get PDFThe main aim of this thesis is to examine how H. D. developed her poetics during the Imagist movement by looking especially at her work in the Imagist anthologies (1915-1917). In order to identify the distinctive qualities of H. D.'s poetry, I shall compare it with that of other Imagists, notably Richard Aldington, John Gould Fletcher, F. S. Flint and Amy Lowell. Previous discussions of H. D.'s early poetics have been held within the context of Ezra Pound's aesthetics, and the characteristics of her poems which are inconsistent with Pound’s criteria have been ignored. Hence, one of the most useful strategies to reinterpret H. D.'s poetry is, first and foremost to reconsider Pound's Imagist theory from a different viewpoint. Because of this, in the first half of this thesis, I will consider Imagism in respect of Japanese poetics; for as regards the relationship between Pound’s theory and the haiku and the Chinese ideograph, there are some important issues which have been hardly discussed. So, these issues provide room for reconsidering the formation of Imagism. Since H. D. left behind hardly any literary criticism, her poems are the most useful source from which to draw clarification of her poetic criteria. Moreover, her correspondence with Amy Lowell provides significant evidence for an examination of H. D.'s poetic practice at this time. In the second half of the thesis, by quoting her own words in letters to Lowell, I identify the characteristics of H.D.'s Imagism which obviously differ from Pound's theory, and trace her development within the Imagist period. By raising a number of critical issues, I intend to illuminate the diversity of Imagism
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