9,607 research outputs found
Professionelle musikere kan - midt i en koncert - tænke lidt på indkøbssedlen
Forskeren Simon Høffding er i gang med at nedbryde myter om musikerens tanker
Inner and Outer Ears
Based on phenomenological interviews, this chapter describes and analyzes the improvisational techniques of a freely improvising, expert saxophonist. In attempting to precisely understand the mind as engaged in musical improvisation, we describe thirteen distinct improvisational techniques divided into “technical”, “perceptual”, and “mental and meta” techniques and advance a position in line with “distributed” or “4E” cognition. The techniques compose a performative, dynamic system, in which the change in or attention to one technique, which we explicate as an “agential pole”, changes the entire system, that is, the music performance. As such, ours is a case study in the expertise of assuming and relinquishing control as essential to artistic improvisation
Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice, edited by Susanne Ravn, Simon Høffding, and James McGuirk
A book review of Susanne Ravn, Simon Høffding, and James McGuirk, eds., Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice. London: Routledge, 2021, vii + 218 pp. ISBN 9780367540210.16517
sj-pdf-1-mns-10.1177_20592043241233422 - Supplemental material for The Stilling Response: From Musical Silence to Audience Stillness
Supplemental material, sj-pdf-1-mns-10.1177_20592043241233422 for The Stilling Response: From Musical Silence to Audience Stillness by Finn Upham, Simon Høffding and Fernando E. Rosas in Music & Science</p
Introduction
The paradox of improvisation as both a highly specialised and a taken-for-granted capacity is rarely explored explicitly in research literature that focuses either on improvisation in artistic practices or in the philosophy of action. The first of these has to do with improvisation both as a specialised capacity of artistic, or other highly skilled practice, and as central to our capacity to perform basically any everyday task. The second paradox concerns the relationship between structure and freedom in improvisation. The third paradox concerns agency and expertise. In the case of artistic improvisation, at least, we tend to view the improviser as an expert, as someone who has mastered their field of dance, theatre, or music to the extent that he or she can discover new spaces of possibility in their art. The chapter also presents an overview of the key concepts discussed in this book
Charlie May Simon materials
This collection contains materials relating to Arkansas author Charlie May Simon
Simon Nyakot
abstract: Simon Nyakot left his village when he was six years old.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 27Region: LakeThis picture and bio was donated to the Lost Boys Found project from The Arizona Lost Boys Cente
Cahiers Saint-Simon
https://www.persee.fr/renderCollectionCover/simon.pngThe Société Saint-Simon was founded in 1972 in order to promote studies about the Duke of Saint-Simon (1675-1755), namely about the work, life, and thinking of the Mémoires’s author. Each year it issues a Cahier Saint-Simon. It contains the Acts of the annual Journée d’étude in Versailles, but also Notes and Documents, News of the Society and Book reviews.Fondée en 1972, la Société Saint-Simon a pour but de développer les études concernant l'oeuvre, la personne et la pensée du duc de Saint-Simon (1675-1755), l’auteur des Mémoires. Chaque année, paraît un numéro de Cahiers Saint-Simon contenant les actes de la journée annuelle de Versailles, ainsi que des Mélanges, des Notes et Documents et une Chronique bibliographique détaillée
Cahiers Saint-Simon
https://www.persee.fr/renderCollectionCover/simon.pngThe Société Saint-Simon was founded in 1972 in order to promote studies about the Duke of Saint-Simon (1675-1755), namely about the work, life, and thinking of the Mémoires’s author. Each year it issues a Cahier Saint-Simon. It contains the Acts of the annual Journée d’étude in Versailles, but also Notes and Documents, News of the Society and Book reviews.Fondée en 1972, la Société Saint-Simon a pour but de développer les études concernant l'oeuvre, la personne et la pensée du duc de Saint-Simon (1675-1755), l’auteur des Mémoires. Chaque année, paraît un numéro de Cahiers Saint-Simon contenant les actes de la journée annuelle de Versailles, ainsi que des Mélanges, des Notes et Documents et une Chronique bibliographique détaillée
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