6,078 research outputs found
Tang Code, Tang Rite, and Other Manuscripts of Tang Dynasty
No full textIn the present paper, the author gives the preliminary reports on three newly found Tang 唐 official documents, pointing out their important value, and offering the all texts for further studies.1. In Tunhuang and Turfan Documents concerning Social and Economic History I. Legal Texts (Tokyo 1978-1980), Professors T. Yamamoto, O. Ikeda, and M. Okano published the joined texts of O. 5098 and O. 8099 from Otani collection. They identified the fragments with the Section on Violence and Robbery of the Tang Code (唐律), and pointed out the article comes from the Yonghui 永徽 or Chuigong 垂拱 Code according to the Zetian 則天 characters used in the Buddhist text on the verso. The author joins another fragment based on an old photograph of the Turfan document preserved in the Lüshun Museum (旅順博物館). The new text contains one different article from the printed text after the Song 宋 dynasty.2. Among the Dunhuang 敦煌 manuscripts in the National Library of China in Beijing, there is a good copy of the Tang Rite (唐礼) in high Tang characters (No. zhou 周 70A). It contains the text corresponding to the Da Tang Kaiyuan li 大唐開元礼, vol. 37: “Huangdi shixiang yu Taimiao 皇帝時享於太廟”. It is the first time to find the book in Dunhuang or Turfan manuscripts.3. In his Dunhuang Turfan Tangdai fazhi wenshu kaoshi 敦煌吐魯番唐代法制文書考釈, Liu Junwen thought the document of zhou 51 should be the Regulations of the Regional Military Organization. But the form of the original document could not conform to the Tang Regulations, so the author refutes his view and thinks that it is an official document relating to the beacon of the military fortress in the area of Dunhuang or Turfan.journal articl
Tang O 1950-1954
No full textA report on the village of Tang O, detailing its location, the current projects there, and the resources available
Reinventing the Pre-Tang Tradition: Compiling and Publishing Pre-Tang Poetry Anthologies in Sixteenth-Century China
No full textAbstract
This article examines how the making of pre-Tang poetry anthologies in sixteenth-century Ming China led to a reinvention of the pre-Tang poetic tradition. From the Zhengde period 正德 (1506–21) well into the Wanli reign 萬曆 (1573–1620), the compilation and publication of new pre-Tang poetry anthologies saw a dramatic increase, making the anthologizing practices in the 1500s crucial to understanding the pre-Tang tradition. Through a study of paratextual elements (book titles, tables of contents, prefaces, postscripts, etc.) in twenty-two pre-Tang poetry anthologies compiled in the 1500s, this article identifies three types of anthologizing practices. By employing quantitative and network analysis, the author hopes to historicize these practices, investigate the motivations for the anthologies, and explore their citation networks. These anthologizing practices, I conclude, gradually transformed the classification principles of previous anthologies, expanded the scope of canonized anthologies, and established a distinct pre-Tang tradition by the end of the sixteenth century.</jats:p
The wine theme in Tang dynasty poetry
No full textBakalaura darba tēma ir “Vīna tēma Tan dinastijas poēzijā”. Šī tēma bija izvēlēta sakarā
ar vīna poēzijas izpētīšanas deficītu. Vīns vienmēr aizņēma svarīgu vietu ķīniešu sociālajā
dzīvē, un it īpaši šis dzēriens bija vispusīgi izmantots Tan dinastijā. Vīna tēmai ir veltīts
milzīgs Tan dzejoļu skaits, bet joprojām šī tēma nebija rūpīgi izpētīta.
Šī bakalaura darba mērķis ir nodemonstrēt, ka vīna tēma Tan dinastijas poēzijā ir tik pat
svarīga kā citas tēmas. Autore studē vīna nozīmi Tan dinastijā un pirms-Tan periodā, akcentē
galvenos Tan poēzijas aspektus, izpētē kādā veidā vīna tēma kļuva par poēzijas sastāvdaļu,
noteic galvenos dzeršanas motīvus poēzijā un analizē slavenu Tan dzejnieku-dzērāju vīna
poēziju.
Atslēgvārdi: Ķīna, Tan, dzeja, vīns.The theme of the bachelor paper is “The wine theme in the Tang dynasty poetry”. The
choice of this theme was determined by the deficit of research on wine poetry. Wine has
always played an important role in Chinese social life, and especially it found an extensive
use in the Tang dynasty. The wine theme takes up a great number of Tang poems, however, it
is not a topic which is studied in depth.
The aim of this bachelor paper is to demonstrate that the wine theme in Tang poetry is
as important as the other themes. The author studies the meaning of wine in the Tang dynasty
and the pre-Tang period, shows the main aspects of Tang poetry, researches how the wine
theme became a part of poetry, ascertains the main drinking motives in poetry and analyzes
wine poetry of the most famous Tang poets-drinkers.
Keywords: China, Tang, poetry, wine
Sphaerobulbus ningliei Zhao & Tang 2020, sp. nov.
No full textSphaerobulbus ningliei sp. nov. (Figs 5, 6, 19–23) Type material. HƟĿƟŦYPൾ: CHINA: YUNNAN: ³, glued on a card with labels as follows: “China: Yunnan Prov. Binchuan County, Jizu Shan, 25°57′41.76″N 100°23′36.38″E, alt. 3000 m, 16. VII.2010, Liang Tang leg.” “ Holotype / Sphaerobulbus ningliei / Zhao & Tang” [red handwritten label] (SHNU). Description. Measurements of male: BL: 14.2 mm, FL: 7.7 mm. HL: 2.06 mm, HW: 2.18 mm, EYL: 0.59 mm, TL: 1.00 mm, PL: 2.88 mm, PW: 2.55 mm, EL: 2.89 mm, EW: 2.95 mm. HW/HL: 1.05, TL/EYL: 1.69, PL/PW: 1.13, EL/EW: 0.98. Body entirely blackish with metallic blue tint,appendages reddish except mid and hind coxae darker. Head 1.05 times as wide as long, rounded quadrangular, posterior angles entirely rounded, tempora longer than eyes (ratio 1.69), disc with punctation well delimited on middle portion and more or less confluent on lateral portions, posterior half of head with impunctate midline, interstices densely reticulated, about equal to diameter of punctures on midanterior portion and mostly narrower than half diameter of punctures on the remaining portions. Pronotum 1.13 times as long as wide, widest at about basal third, disc with complete impunctate midline, punctation confluent, interstices reticulated, narrower than half diameter of punctures; scutellum with black pubescence, finely and densely punctate. Elytra 0.98 times as long as wide and as long as pronotum; punctation fine and dense, interstices slightly dull with coarse granulose microsculpture. Abdomen semi-cylindrical, posterior margin of tergite VII with palisade fringe; posterior basal line of abdominal tergites III–V distinctly bisinuate, median impression after posterior basal line relatively shallow; punctation dense and fine, interstices reticulated. Male. Sternite VIII emarginate at middle of posterior margin; sternite IX (Fig. 19) emarginate medioapically; tergite X(Fig. 20) subtriangular with apex obtusely pointed. Aedeagus (Fig. 21) with median lobe asymmetrical, apical portion hook-like and pointing to left side in ventral view, paramere slightly asymmetrical, slightly shorter than median lobe, underside of paramere (Figs 22, 23) with a few sensory peg seta in apical portion and one degenerated sensory peg seta at middle of subapical portion. Female. Unknown. Differential diagnosis. The new species is similar to S. cardinalis Smetana, 2010 from Sichuan and Yunnan, but can be distinguished from the latter by the posterior angles of the head being rounded (slightly prominent in S. cardinalis), the posterior half of the head with the impunctate midline broad (narrow in S. cardinalis), the apical portion of the aedeagal median lobe hook-like, and the underside of the paramere with sparser sensory peg setae. Both species seem to differ also in the degree of metallic tint in some cases (compare Figs 5 and 26), but this character seems to be variable in S. cardinalis which can also exhibit a bluish-purple tint (A. Smetana, pers. comm. 2020) and the coloration is hence not useful as a diagnostic character. The new species is also a little similar to S. smetanai described above in coloration, but it can be distinguished by the head with an impunctate midline, the elytra distinctly longer, and the abdomen distinctly darker in coloration. Etymology. This species is named in honor of Mr. Lie Ning who accompanied the second author during the collecting trip. Distribution. China (Yunnan).Published as part of Zhao, Xin & Tang, Liang, 2020, Three new species of the genus Sphaerobulbus from China (Coleoptera: Staphylinidae), pp. 333-341 in Acta Entomologica Musei Nationalis Pragae 60 (1) on pages 337-338, DOI: 10.37520/aemnp.2020.019, http://zenodo.org/record/387994
Du shu cao tang ming shi: si juan.
No full text順德簡朝亮述."排印留版存讀書草堂, 上海中華書局承印"--Title page verso.Shunde Jian Zhaoliang shu."Pai yin liu ban cun Du shu cao tang, Shanghai Zhonghua shu ju cheng yin"--Title page verso
Tang Hanedanı Hükümdarı Wuzong’un Kırgız Kağanı’na Mektubu
No full textÇince yazılı kayıtlar, Çin’e komşu olan pek çok halkın tarihini ve kültürel özelliklerini kaydetmenin yanı sıra Çinliler ile Türk kültür çevresinden halklar arasındaki ilişkileri, karşılıklı olarak yaşananları da kayda geçirmişlerdir. Bunu kimi zaman bu halklarla ilgili monografi kayıtları üzerinden anlatırken kimi zaman da hükümdarlar tarafından yazdırılan emirnameler, çağrılar ve mektuplar üzerinden anlatmışlardır. Kırgızlar, Uygurları yenilgiye uğrattıktan sonra Tang Hükümdarı tarafından yöneticilerine Kağan unvanı verilmesini talep etmişler ve bu talep doğrultusunda Çin’e elçiler göndermişlerdir. Kırgızların talebine cevap olarak Tang Hükümdarı Wuzong, Kırgız Kağanı’na iki ayrı mektup göndermiştir. İlki 843 yılında yazılan mektupların ikincisi 845 yılında yazılmış ve bu mektupla Çin tarafından Kırgızların yöneticisine Kağan unvanı verilmiştir. 843 yılında yazılan mektup, Tang döneminin önemli devlet adamı ve yazarlarından biri olan ve dönemin pek çok önemli evrakının yazarı olan Li Deyu tarafından yazılmıştır. Diğer mektup ise bizzat Hükümdar Wuzong tarafından kaleme alınmıştır. Çalışmada, Hükümdar Wuzong’un yönetim dönemi olan 840-846 yıllarının önemli olayları Çin tarihini kronolojik olarak anlatan Zizhi Tongjian içerisinde taranarak incelenmiş, gönderilen ilk mektubun yazarı Li Deyu hakkında bilgi verilmiş ve Tang Hükümdarı Wuzong tarafından Kırgız Kağanı’na gönderilen mektupların tercümesi yapılmıştır. Bu çalışmayla Çince kaynaklarda yer alan Türk Kültür çevresinden halklarla ilgili bilgilerin gün ışığına çıkarılması amaçlanmaktadır.In addition to recording the history and cultural characteristics of many peoples neighboring China, Chinese classics also recorded the relations between the Chinese and the people from Turkic cultural environment and the mutual experiences between them. Sometimes they told this through monography recordings about these communities, sometimes through the commandments, appeals and letters written by the rulers. After defeating Uyghurs, Kyrgyzs demanded that their rulers be given the title of Khagan by the Tang Ruler and they sent envoys to China in line with this demand. In response to the demand of the Kyrgyzs, Tang ruler Wuzong sent two separate letters to the Kyrgyz Khagan. The first of the letters was written in 843, the second was written in 845 and with this letter, the ruler of the Kyrgyz people was given the title of Khagan. The letter, written in 843, was written by Li Deyu, one of the important statesman and writers of the Tang period and the author of many important documents of the period. The other letter was written by ruler Wuzong himself. This study, examines the important events of 840-846 years, which is the reign of Ruler Wuzong, in Zizhi Tongjian, which tells the history of China chronologically, gives information about Li Deyu, the author of the first letter sent and translates the letters sent to the Kyrgyz Khagan by Tang Ruler Wuzong. This study aims to bring to light the information about the peoples from the Turkic cultural environment in the Chinese sources
An Adaptive Moving Mesh Method for Two-Dimensional Relativistic Hydrodynamics
No full textThis paper extends the adaptive moving mesh method developed by Tang and Tang [36] to two-dimensional (2D) relativistic hydrodynamic (RHD) equations. The algorithm consists of two "independent" parts: the time evolution of the RHD equations and the (static) mesh iteration redistribution. In the first part, the RHD equations are discretized by using a high resolution finite volume scheme on the fixed but nonuniform meshes without the full characteristic decomposition of the governing equations. The second part is an iterative procedure. In each iteration, the mesh points are first redistributed, and then the cell averages of the conservative variables are remapped onto the new mesh in a conservative way. Several numerical examples are given to demonstrate the accuracy and effectiveness of the proposed method.http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000301923300006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=8e1609b174ce4e31116a60747a720701Physics, MathematicalSCI(E)15ARTICLE1114-1461
Xing zhi yu li jiao: chu Tang shi qi Dunhuang shi ku qun gong yang ren tu xiang yan jiu = Graphic system, etiquette, and rituals : the images of donors in the cave temples of Dunhuang during the early Tang dynasty
No full textPh.D.This thesis mainly focuses on the research of donors' images in the cave temples located in the Dunhuang area during the early Tang Dynasty (between 618 to 704 AD). This period is an obvious turning point in the art history of the local grottoes, with distinctly transformative features. Due to the lack of systematic imagery of the donors and the lack of image data, there was no systematic and comprehensive study on this topic. Therefore, this research systematically sorted and analyzed the images of the donors who had important influences on the grottoes during an important period.By reviewing cave-dated research documents, 59 caves were delineated for this research topic. By archaeologically arranging the images of the donors in the original materials for 28 of the 59 caves, mistakes in previous literature records were corrected. Moreover, the images were analyzed and studied through a combination of typology and functional sciences, as well as when divided into four layout types and three categories.Based on the aforementioned archaeological research and classification, research was conducted on the changes in the paintings. The results proved that the aristocratic class and the elite class in the donors' community were seriously affected by the ethics of the Tang court, and that they strictly adhered to the rules of "forbidding the faces of women to be seen outside" and "a distinction should be made between males and females". Furthermore, the research concluded that, the transformation of the monastic economy of the Middle Ages should be considered starting from the early the Tang Dynasty.According to the research on the new pattern of donors' images, the results proved that the "single composition painting as the offering" images on the East Wall has functioned as "transcendence of the dead (in the images) to the pure land". There were donors who presented themselves in the images by kneeling with the right knee on the ground and the left knee up ("胡跪"). These kneeling postures were related to the transformation of the "central axis" into the structure of the "central mandala". The last part of this research was about drawings of the donors in the "double knee kneeling" posture. Based on the images, the research proposed that under the strict legal policy of the Tang court, the absorption and self-adjustment of Buddhism's analogue to Confucianism's "filial piety" in the early Tang Dynasty was the key to Buddhism finally reaching secularization and surviving for thousands of years.This article starts with the images of the donors and intends to retell the true situation of the donors' community in Dunhuang during the early Tang Dynasty. The results of this research can also rectify the historical facts on the relationship between the political and religious groups in Dunhuang and Chang'an in the 7th and 8th centuries, as well as refine and modify the understanding of the politics, religion, and society of the Tang Dynasty.本文以初唐敦煌石窟群壁畫中的供養人圖像為主要研究對象，具體時期為唐高祖至武周時期，即大約公元618年至705年之間。初唐敦煌石窟壁畫藝術是敦煌石窟藝術的一個鮮明轉折點。石窟以220窟“家窟”的產生為標誌，壁畫藝術新元素的出現被認為與供養人群體有密不可分的關聯。但由於迄今供養人圖像整理未有系統，圖像資料長期缺乏，學界一直對此材料認識不足，缺乏整體綜合性研究。因此，本文將以初唐為主要時代，對此重要轉變期，且對石窟有重要影響的供養人之圖像進行系統地整理和分析研究。筆者通過對初唐石窟各家斷代資料整理，劃定研究範圍共有59個石窟，其中28個石窟壁畫有同時期供養人圖像。以此批圖像為原始材料，首先補正了《敦煌石窟內容總錄》之錯漏；再次，將28個石窟中的供養人壁畫按佈局分為四種，以供養姿勢分為三類，分別進行分析與研究。根據以上研究總結，初唐時期“供養出行圖”數量驟跌，同時，“單幅供養圖”、“跪式供養”作為新樣出現。研究證明供養人群中的“通貴階層”受唐廷禮教影響嚴重。更進一步地得出中古時期寺院經濟體轉，應該從初唐高宗便已開始之結論。挑戰對於初唐時期本地經濟供養體的傳統認知。從供養新圖樣上，證明東壁門上單幅供養像俱有“追亡薦福”之功能；初唐新見世俗供養人“胡跪”，與石窟多重華嚴結構成立、敦煌禮儀懺法流行緊密相關；同時，對於“雙膝跪拜式”供養圖像，提出其姿勢的反常性與唐代律法之聯繫。由圖像觀察，得出在唐廷嚴酷的律法政策下，初唐時期佛教對儒家“孝親”概念的吸納與自我圓融，是以佛教實現其世俗化，得以長存的關鍵原因。本文從供養人圖像入手，旨在還原初唐供養人群體的真實情況。研究結果，亦可補正七世紀至八世紀敦煌——長安政教關係史實，完善對唐代政體——宗教——世俗鏈條的認識。肖浪."2018年9月".Parallel title from added title page.Thesis Ph.D. Chinese University of Hong Kong 2018.Includes bibliographical references (leaves 215-244).Abstracts in Chinese and English.Title from PDF title page (viewed on January 26, 2022).Xiao Lang
Polynomization of the Chern–Fu–Tang conjecture
No full textBessenrodt and Ono’s work on additive and multiplicative properties of the partition function and DeSalvo and Pak’s paper on the log-concavity of the partition function have generated many beautiful theorems and conjectures. In January 2020, the first author gave a lecture at the MPIM in Bonn on a conjecture of Chern–Fu–Tang, and presented an extension (joint work with Neuhauser) involving polynomials. Partial results have been announced. Bringmann, Kane, Rolen, and Tripp provided complete proof of the Chern–Fu–Tang conjecture, following advice from Ono to utilize a recently provided exact formula for the fractional partition functions. They also proved a large proportion of Heim–Neuhauser’s conjecture, which is the polynomization of Chern–Fu–Tang’s conjecture. We prove several cases, not covered by Bringmann et. al. Finally, we lay out a general approach for proving the conjecture
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