496 research outputs found
Un journaliste militant de l'ORTF en mai 68 : entretien avec Edouard Guibert
No full textÀ travers l'évocation de son parcours professionnel, le journaliste et syndicaliste Edouard Guibert revient sur la crise de mai 68 auprès des journalistes de l'ORTF. Il décrit les luttes et les mouvements sociaux qui touchent ce corps divisé selon les sensibilités politiques, les formations des journalistes, les lieux d'exercice, etc. E. Guibert relate également les pressions exercées par le pouvoir politique sur les média, et notamment la radio.Guibert Edouard, Legris Patricia. Un journaliste militant de l'ORTF en mai 68 : entretien avec Edouard Guibert. In: Quaderni, n°65, Hiver 2007-2008. L'ambivalence du mythe de l'ORTF. pp. 21-32
Brazilian hospitality in Recife and Ilheus
No full textFigure 1: Brazilian hospitality in Recife and Ilheus Charles-Edouard Houllier-Guibert Figure 2: Brazilian hospitality in Recife and Ilheus Charles-Edouard Houllier-Guibert Both of these photographs show the same thing: a group of musicians and dancers performing a regional, folkloric dance. The group inside a hall is performing a traditional dance from Pernambuco, a state in north-east Brazil. The photograph was taken in the brand new ferry terminal in Recife, capital of Pernambuco. Recife ..
Interactions entre Jeux Olympiques et territoires
No full textInternational audienceLe numéro 4 de RMT repose sur des travaux académiques présentés lors des deux premiers colloques (juin 2018 et juin 2019) de l'ORME - Observatoire de Recherche sur les Mega-Events -, créé au sein de l'UPEM en vue du déroulement des Jeux Olympiques d'Eté à Paris en 2024.Les universitaires Charles-Edouard Houllier-Guibert, directeur de cette revue, et Marie Delaplace, membre du comité de pilotage de l'ORME, ont coordonné ce numéro ainsi que des sessions lors de chacun des colloques, dont la session "Quel héritage en termes d’image pour les villes hôtes ou candidates des olympiades ?" spécialement proposée pour ce numéro thématique
Lignes touristiques et logos institutionnels des villes : le marquage comme instrument du marketing urbain
No full textMarketing of the city is a way theory realized by several actions (mega-event, urban project, branding...). Among them, the marking of public space is an intention that indicates public authority, develops the sense of place, give codes for urban tourism, make a beautiful city. Through several marking in European cities and North American cities we can see an appropriation of the public space when we are walking in the street.Le marketing urbain est une manière de penser la ville qui se concrétise à travers plusieurs actions. Parmi celles-ci, le marquage de l’espace public est une intention qui affirme le pouvoir public, développe le sentiment d’appartenance, codifie le tourisme urbain, embellit la ville. A travers plusieurs marqueurs urbains dans diverses villes d’Europe et d’Amérique du Nord, les messages émis permettent une appropriation de la ville par ceux qui la pratiquent.Houllier-Guibert Charles-Edouard. Lignes touristiques et logos institutionnels des villes : le marquage comme instrument du marketing urbain. In: Le Globe. Revue genevoise de géographie, tome 152, 2012. Ville et littérature. pp. 105-124
Edouard Roditi Collection 1931-1980
No full textThe collection documents professional activities of Edouard Roditi as an art historian and critic and consists of manuscripts, notes, research files, and a wealth of art catalogues, press release, photographs, and exhibit invitations. There are manuscripts by Roditi as well as by other authors on such topics as Jewish artists in France, Sephardic Jews, and other. Correspondence collected here includes Roditi’s professional correspondence with individuals as well as organizations.However, the bulk of the collection consists of art catalogues, press release, photographs, and exhibit invitations dealing with Jewish artists in France. These materials have not been microfilmed and are available in the original form. There are no personal materials that shed light on Eduard Roditi’s life, nor any materials pertaining to his work as an interpreter for the Nuremberg trial, or San Francisco Conference, during which the United Nations Organization was established.Edouard Roditi was born in France into an American family. He was educated in England, France, Germany, and in the United States. During WWII and shortly after he worked for a number of United States agencies. He was an author as well as a well established art critic and a translator. - Edouard Roditi died on May 10, 1992, at the age of 81.Photographs removed to Photograph Collectiondigitize
Nec ancilla nec domina: Representations of Eve in the Twelfth Century
No full textThis thesis seeks to demonstrate the extent to which the figure of Eve operated in twelfth-century commentary on Genesis as a crucial means by which to examine some of the most fundamental and problematic areas of the hexaemeron and fall narratives.
Amid the twelfth-century’s flourishing corpus of writing on the creation and fall of mankind, Eve emerges not as an expedient model of female iniquity or a credulous victim of diabolic casuistry, but as a valued equivalent and peer to Adam (‘nec ancilla nec domina sed socia’, in the words of Hugh of St Victor). Moreover, Eve lies at the heart of twelfth-century debate surrounding the challenging issues of how and why mankind was created, why the existence of sin and evil was permitted, the action of temptation and sin, and the composition of the created world.
However, there has been no substantial treatment of representations of Eve in the central middle ages, and modern scholarship has frequently been content to assume that medieval responses to the first woman are universally misogynistic. This thesis aims both to address this historiographical lacuna, and to examine the hitherto neglected function of Eve as a means by which to elucidate some of the major theological and philosophical preoccupations of this formative period.
In order to do this, the thesis examines representations of Eve as the first woman (Chapter I), the first wife/mother (Chapter II) and the first sinner (Chapter III) in a corpus of texts centred around six of the major twelfth-century treatments of Eve and the creation/fall narrative. These are Guibert of Nogent’s Moralia in Genesim, Abelard’s Expositio in hexameron, Hugh of St Victor’s De sacramentis, Hildegard of Bingen’s Scivias, Peter Lombard’s Sentences, and the Anglo-Norman Jeu d’Adam
Charles-Édouard Houllier-Guibert, Les Politiques de communication rennaises pour un positionnement européen. Image de la ville et idéologies territoriales
No full textUn pharmacien limousin à l'esprit inventif : Antoine-Edouard Peyrusson
No full textEin erfinderischen Apotheker aus dem Limousin : Antoine-Édouard Peyrusson.
Édouard Peyrusson (1841-1909), Professor an der « École de Médecine et de Pharmacie » von Limoges, Offizinapotheker, geboren und verstorben in dieser Stadt, ist Autor von verschiedene Arbeiten über Keramik, sowie Inhaber von zahlreichen Erfindungs- oder Verbesserungs-patenten von elektrischen Akkumulatoren und Elektrolyseapparaten .A pharmacist from Limoges with an inventive mind : Antoine-Edouard Peyrusson.
Born and died in Limoges, professor at the School of Medicine and Pharmacy in that city, Edouard Peyrusson (1841-1909), retail pharmacist, was the author of works on ceramics and of numerous invention patents on the perfecting of electrolytic cells and of electrolyzers.Saumande Pierre. Un pharmacien limousin à l'esprit inventif : Antoine-Edouard Peyrusson. In: Revue d'histoire de la pharmacie, 77ᵉ année, n°283, 1989. pp. 327-332
Edouard Vuillermoz and Dix Pièces Mélodiques
No full textabstract: ABSTRACT
Edouard Vuillermoz (1869-1939) was a horn player and teacher who studied and later taught at the Paris Conservatory during the early twentieth century. As did many of the professors from the Conservatory, Vuillermoz published works for the horn. Unfortunately, his name has largely faded into obscurity and most of his works are no longer in print, yet one has remained in the repertoire and is still available for purchase today—Dix Pièces Mélodiques. Published in 1927 by Alphonse-Leduc, Vuillermoz desired for his students a set of etudes that would teach mastery of transposition, but he was not a composer. The ten transposition exercises he created were selected and transcribed from a compilation of vocalises commissioned by a vocal professor at the Conservatory, Amédée-Louis Hettich (1856-1937).
Hettich desired vocalise-etudes that would able aid and inspire his students, so he commissioned over one-hundred-fifty vocalises by modern composers during the first half of the twentieth century. Composers including Bozza, Copland, Dukas, Fauré, Messiaen, Nielsen, Ravel, and Tomasi answered his call for works between 1906 and 1938. These modern vocalise-etudes have since disappeared from the vocal repertoire. Now, a century later, many of these studies have entered the public domain and are resurfacing as instrumental transcriptions and concert etudes. This study promotes awareness of Edouard Vuillermoz’s Dix Pièces Mélodiques and advocates for their inclusion in a modern revival.Dissertation/ThesisDoctoral Dissertation Music 201
S-Nitrosylation in Organs of Mice Exposed to Low or High Doses of γ-Rays: The Modulating Effect of Iodine Contrast Agent at a Low Radiation Dose
No full textThe covalent addition of nitric oxide (NO•) onto cysteine thiols, or S-nitrosylation, modulates the activity of key signaling proteins. The dysregulation of normal S-nitrosylation contributes to degenerative conditions and to cancer. To gain insight into the biochemical changes induced by low-dose ionizing radiation, we determined global S-nitrosylation by the “biotin switch” assay coupled with mass spectrometry analyses in organs of C57BL/6J mice exposed to acute 0.1 Gy of cesium-137 γ-rays. The dose of radiation was delivered to the whole body in the presence or absence of iopamidol, an iodinated contrast agent used during radiological examinations. To investigate whether similar or distinct nitrosylation patterns are induced following high-dose irradiation, mice were exposed in parallel to acute 4 Gy of cesium-137 γ rays. Analysis of modulated S-nitrosothiols (SNO-proteins) in freshly-harvested organs of animals sacrificed 13 days after irradiation revealed radiation dose- and contrast agent-dependent changes. The major results were as follows: (i) iopamidol alone had significant effects on S-nitrosylation in brain, lung and liver; (ii) relative to the control, exposure to 0.1 Gy without iopamidol resulted in statistically-significant SNO changes in proteins that differ in molecular weight in liver, lung, brain and blood plasma; (iii) iopamidol enhanced the decrease in S-nitrosylation induced by 0.1 Gy in brain; (iv) whereas a decrease in S-nitrosylation occurred at 0.1 Gy for proteins of ~50 kDa in brain and for proteins of ~37 kDa in liver, an increase was detected at 4 Gy in both organs; (v) mass spectrometry analyses of nitrosylated proteins in brain revealed differential modulation of SNO proteins (e.g., sodium/potassium-transporting ATPase subunit beta-1; beta tubulins; ADP-ribosylation factor 5) by low- and high-dose irradiation; and (vi) ingenuity pathway analysis identified major signaling networks to be modulated, in particular the neuronal nitric oxide synthase signaling pathway was differentially modulated by low- and high-dose γ-irradiation.Peer reviewe
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