1,721,157 research outputs found
FAENZA DALLA FONDAZIONE AL'ETà MODERNA: LA CARTA ARCHEOLOGICA. ETA'TARDOANTICA E ALTOMEDIOEVALE. ETA' MEDIOEVALE E POSTMEDIOEVALE
Si analizzano attraverso le evidenze storiche, architettoniche e archeologiche le fasi evolutive dell'area urbana di Faenz
Elementi architettonici inediti provenienti dal territorio di Tredozio
vengono analizzati alcuni capitelli altomedioevali da finestra e un mattone decorato altomedioeval
Judicial Independence and the Rule of Law: Exploring the European Experience
Judicial Independence is here analysed on a theoretical and empirical basis, with a comparative view. The macro - micro nexus is also investigated relying on the research data referring to a cluster of European countries which differ in terms of culture of JI and institutional legacy
MEDIOEVO ADRIATICO: TESTI E IMMAGINI. MANOSCRITTI MINIATI A ZARA (SECOLI XIII-XIV)
CONTRIBUTO IN CD ROM - SITO OFF LIN
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The useful plants of the city of Ferrara (Late Mediaeval/Renaissance) based on archaeobotanical records from middens and historical/culinary/ethnobotanical documentation
Gli scavi archeologici nel centro storico di Ferrara (Emilia-Romagna, Nord Italia), dichiarato World Heritage Site dall’UNESCOnel 1995, hanno dato la possibilità di disporre di numerosi dati archeobotanici. Qui vengono considerati i dati archeocarpologiciottenuti da nove immondezzai urbani ed una latrina secondariamente adibita a immondezzaio, datati tra la fine del XIV e il XVIsec. d.C. I semi/frutti di questi depositi sono importanti per ricostruire le abitudini alimentari e come le piante siano statemanipolate in ambito domestico. I resti appartengono principalmente a comuni piante alimentari delle quali la parte rinvenutaè uno scarto derivante dall’azione “di aver mangiato” o di “aver manipolato” quella pianta. Tuttavia gli assemblaggi comprendonoanche resti di piante coltivate/coltivabili delle quali la presenza del seme/frutto non è direttamente collegabile all’utilizzo dellapianta (ad es. erbe da foglia, piante da fibra) e molti resti di piante spontanee delle quali non è ovvio l’utilizzo. In base a fontistorico-letterarie-botaniche coeve e a documentazioni etnobotaniche è stato estrapolato dalla lista floristica globale, un elencodi piante potenzialmente utilizzabili a scopo alimentare/medicinale/tecnologico/ornamentale e sono stati suggeriti, anche in basea caratteri quali-quantitativi dei relativi reperti, gli impieghi e le modalità che più facilmente possono aver portato alla loroimmissione negli immondezzai urbani
Il paesaggio come vocazione geomorfica. La scoperta delle saline romane di Cervia.
Between 2014 and 2015, on the occasion of a roundabout construction alongthe Romea main road (SS 71bis), near the inhabited area of Cervia (RA), Emilia-Romagna, Italy, wooden elements belonging to a Roman saltworks were discovered. The excavationhas brought to light a series of shallow basins into which, through a system of canalization, marine water ran. Sluices were in operation along these channels, so thatthe flow of water could be blocked and the water in the basins got evaporated during hot summer months. The uncovering of the site and the study of the Roman saltwork have been carried out through a multidisciplinary approach which permitted to put inevidence the complex relationship between human and natural landscape in this area
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