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Sion/Sitten, Médiathèque Valais, S 51 : Pseudo-Cyrillus, Speculum sapientiae. Anonymus Neveleti (Gualterus Anglicus ?), Aesopus moralisatus
No full textVolume S 51 from the library of Walter Supersaxo (ca. 1402-1482), Bishop of Sion, and of his son Georg (ca. 1450-1529) contains two collections of Latin fables, the first printed, the second handwritten. The first part, printed around 1475 by Michael Wenssler in Basel (GW 7890), contains the Speculum sapientiae, which had erroneously been attributed to the holy bishop Cyril. This collection of 95 fables in Latin prose was probably compiled around 1337-1347 by the Italian Dominican Bongiovanni da Messina. The second part contains Aesop\u27s fables in a Latin version in verse called “Fables by Anonymus Neveleti“ (after the name of the first publisher, Isaac Nicolas Nevelet, in the year 1610), which eventually were attributed to Gualterus Anglicus (12th century). This second, handwritten part was produced around 1474 by Georg Supersaxo’s anonymous scribe. It is comparable to other copies that were produced for Georg Supersaxo around 1472-1474, at the time that the young man studied law in Basel. This group of manuscripts includes the classical writers (Terence, Sallust …) as well as texts known only to scholars (Augustinus Datus, Gasparinus Barzizius …). Glued to the pastedowns of S 51, there are parchment fragments with Latin excerpts from Aristotle’s Physics (Book IV, in the translation of James of Venice).Online Since: 2018-03-2
Fabulae <lat.>
No full textvon Hans Draheim. [Verf.: Anonymus Neveleti, d.i. Gualterus Anglicus]Progr. Nr. 6
Fragm. lat. III 33 - Fabulae (Fab. 41 - 48)
No full textTrägerband: Inc. oct. 397; Vorbesitzer: Dominikanerkloster Frankfurt am Mai
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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