1,720,995 research outputs found
Le cimetière de Worms
No full textGrunwald Max. Le cimetière de Worms. In: Revue des études juives, tome 4 (104), juillet-décembre 1938. pp. 71-111
Le procès de l'Inquisition contre Diego et Manoël Teixeira
No full textGrunwald Max. Le procès de l'Inquisition contre Diego et Manoël Teixeira. In: Revue des études juives, tome 59, n°118, avril-juin 1910. pp. 239-247
Note sur des Marranes à Rouen et ailleurs
No full textGrunwald Max. Note sur des Marranes à Rouen et ailleurs. In: Revue des études juives, tome 89, n°177-178,1930. Cinquantenaire de la Société. pp. 381-384
Les Archives d'une famille juive au moyen âge
No full textGrunwald Max. Les Archives d'une famille juive au moyen âge. In: Revue des études juives, tome 96, n°190, octobre-décembre 1933. pp. 199-204
Un Juif, fournisseur militaire de Napoléon Ier ; contribution à l'histoire des campagnes de 1812-1813
No full textGrunwald Max. Un Juif, fournisseur militaire de Napoléon Ier ; contribution à l'histoire des campagnes de 1812-1813. In: Revue des études juives, tome 57, n°113, janvier-mars 1909. pp. 79-92
Dr. Josef S. Bloch : Auswahl aus seiner Briefsammlung / Grunwald, Max [Hrsg.]
No full textBildet Beilage zu der in der Festschrift zum 75 jährigen Jubiläum des jüdisch-theologischen Seminars zu Breslau erschienen Monographie "Josef Bloch
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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