1,721,264 research outputs found
Practising Duets #4: Griselda Pollock and Womanifesto
No full textAs a prelude to The Ignorant Art School Sit-in #4 exhibition Outside the Circle, Cooper Gallery will host the fourth iteration of Practising Duets, a series of trans-disciplinary events organised by The Ignorant Art Schools, a research group of the British Art Network (BAN).
Sharing reflections on knowledge formation, alternative art pedagogies and internationalism charged by feminist solidarity, leading feminist, postcolonial and social art historian Griselda Pollock will be in conversation with Varsha Nair one of the artist-organisers of Womanifesto, a Thailand based women artists’ collective.
Griselda Pollock and Womanifesto will subsequently participate in the exhibition Sit-in #4: Outside the Circle as part of The Ignorant Art School: Five Sit-ins Towards Creative Emancipation programme at Cooper Gallery.
The in-conversation event is chaired by Sophia Yadong Hao, Director of Cooper Gallery, University of Dundee
‘How the political world crashes in on my personal everyday’: Lubaina Himid’s Conversations and Voices: Towards an Essay About Cotton.com
Get PDFGriselda Pollock traces Lubaina Himid’s creative trajectory as she articulates her presence and singularity as an artist
The virtual feminist museum di Griselda Pollock. Una visita guidata
No full textGriselda Pollock, storica dell'arte attenta alle questioni di genere, ha proposto un singolare Virtual feminist museum i cui criteri e le cui articolazioni sono analizzati nell'intervento
Griselda Pollock : Féminisme et histoire de l’art
No full textLes études sur les questions de genre, qui connaissent depuis les années 1970 un grand succès dans les pays anglo-saxons, reçoivent un accueil plus réservé chez les historiens de l’art en France. Alors que les recherches de Linda Nochlin sont relativement bien diffusées en français (Femmes peintres 1550-1950 [1976], Paris, 1981 ; Femmes, art et pouvoir et autres essais, Nîmes, 1993), les travaux et réflexions de Griselda Pollock sont encore très peu publiés (« Histoire et politique : l’histoi..
Griselda Pollock and the Spaces of Writing Painting
Get PDFWritten from the perspective of studying and teaching with Griselda Pollock at the University of Leeds from 1993 to 2002, the essay is structured around key examples of her exploration of painting as the site of historical knowledge and inscriptions of social and psychic subjectivity in, of and from the feminine. Beginning in 1988 with the essay "Modernity and the spaces of femininity" from the book Vision and Difference, it concludes with the catalogue essay "Nichsapha: Yearning/Languishing The Immaterial Tuché of Colour in Painting After Painting After History" written for the exhibition Bracha Lichtenberg Ettinger: Artworking 1985-1999 in Brussels in 2000. Underlying this essay is a profound appreciation of the importance of the "Master of Arts in Feminist Historical, Theoretical and Critical Studies in the Visual Arts", established and directed by Griselda Pollock at the University of Leeds as a rigorous, creative and highly productive feminist, pedagogical and research environment in which to think and work
Griselda Pollock. Visión y diferencia. Feminismo, feminidad e historias del arte. Ciudad de Bs. As., Argentina: Fiordo, 2013.
No full textGriselda Pollock. Visión y diferencia. Feminismo, feminidad e historias del arte. Ciudad de Bs. As., Argentina: Fiordo, 2013. ResumenEl libro "Visión y diferencia. Feminismo, feminidad e historias del arte", de Griselda Pollock, fue publicado por primera vez en inglés por la editorial Routledge en 1988, y por primera vez en español por la editorial Fiordo en 2013. Siendo esta última nuestro objeto de análisis para esta investigación
The missing future. Il museo alla prova della critica femminista di Griselda Pollock
No full textIl saggio analizza il contributo offerto dalla storica dell'arte Griselda Pollock alla riflessione femminista sul museo e all'analisi delle dinamiche di esclusione che hanno segnato la costruzione delle collezioni del MoMA di New Yor
Catherine de Zegher, Griselda Pollock, red., “Art as Compassion: Bracha L. Ettinger”, Brussels: ASA Publishers, 2012, 320 s.
Get PDFRecenzja książki : Catherine de Zegher, Griselda Pollock, red., “Art as Compassion:
Bracha L. Ettinger”, Brussels: ASA Publishers, 2012, 320 s
The early work of Griselda Pollock in the context of developing feminist thinking in art history and criticism
No full textThe early work of Griselda Pollock in the context of developing feminist thinking in art history and criticis
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