1,720,984 research outputs found

    Philippe Pons. "Misère et crime au Japon du XVIIe siècle à nos jours"

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    Griolet Pascal. Philippe Pons. "Misère et crime au Japon du XVIIe siècle à nos jours". In: Ebisu, n°23, 2000. pp. 149-158

    Autour d'une exposition. "Le rôle joué par l'estampe dans la naissance de la presse populaire au Japon"

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    Griolet Pascal. Autour d'une exposition. "Le rôle joué par l'estampe dans la naissance de la presse populaire au Japon". In: Ebisu, n°22, 1999. pp. 157-163

    Histoires de poissons-chats — les images du grand séisme de 1855 à Edo

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    Butel Jean-Michel, Griolet Pascal. Histoires de poissons-chats — les images du grand séisme de 1855 à Edo. In: Ebisu, n°21, 1999. Le Japon des séismes. pp. 17-33

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Language, script and modernity

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    The Japanese writing system was the target of criticism and reform during the latter half of the 19th century. In order to implement a coherent education, some like Mori Arinori suggested adopting English; others like Nanbu Yoshikazu proposed the adoption of the Latin alphabet and the abolition of Chinese characters. This paper shows that, contrary to the image that everything has changed in Japan within a few years around the Meiji Restoration (1868), from the initial debates of the late-Edo, it has taken over forty years to see the Japanese language unshackled from Chinese, yet without being destroyed and transformed into English, and for the building blocks of a “national language” (kokugo) to emerge.Le système graphique japonais fut la cible de critiques et l’objet de réformes durant la deuxième moitié du XIXe siècle. Afin de mettre sur pied un système éducatif cohérent, certains, comme Mori Arinori, suggérèrent d’adopter l’anglais ; d’autres, comme Nanmu Yoshikazu, proposèrent l’adoption de l’alphabet latin et la suppression des caractères chinois. Cet article montre que, contrairement à l’image selon laquelle tout aurait basculé en quelques années au Japon autour de la Restauration de Meiji (1868), depuis les débats de la fin de l’époque d’Edo, il aura fallu plus de quarante ans pour qu’apparaisse une langue japonaise dégagée de l’emprise du chinois sans pour autant être anéantie et métamorphosée en anglais, et pour qu’émerge les premières fondations d’une langue nationale (kokugo)

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Langue, lecture et école au Japon, sous la direction de C. Galan et de J. Fijalkow

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    Cet ouvrage de plus de quatre cents pages présente les Actes d’un colloque international sur l’enseignement de la langue et de la lecture dans la scolarité japonaise, qui s’est tenu en mai 2003 à l’université Toulouse-le Mirail. Il comporte quatre grands volets : les caractéristiques de l’écriture japonaise, les objectifs du système scolaire japonais, l’apprentissage de la lecture, et enfin une dernière partie consacrée à l’histoire et aux pratiques de la lecture. L’avant-propos de Christian ..
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