1,722,569 research outputs found
Romanian specifics within the framework of regional economic cooperation
No full textThe various forms of economic cooperation are so many channels for the Romanian economy to connect itself to European and International Economy. That is why, by making use of R&D (Research & Development) cooperation mechanisms, Romania could access - even in times of transition but with the help of its national highly qualified labor force - peak technology sectors. By developing production capacities in cooperation with companies from the European Union, Romania’s affordable (cheap) labor, natural resources, commercial facilities could be driven to the technology of the third millennium. Cooperation with regard to marketing and sales is leading to the integration of the Romanian market into the European one, increasing the awareness of market requests and improving negotiation skills. High technology, new technique, trade under the auspices of international competition are steering the capitalization and management of natural, human, financial and information resources, facilitating both the integration processes and the economic and social development.cooperation, technical, production, trade, development
Grigorescu, clown musical
No full textPrésent, fin 1976, sous le chapiteau du 3 e Festival International de cirque de Monte-Carlo, le journaliste Jacques Richard apprécie le travail de deux jeunes clowns, un Suisse, Rolf Knie et un Roumain, Grigorescu, tous deux primés à l’issue de la manifestation. Grigorescu et sa troupe, du Circul Bucuresti, le cirque d’Etat de Bucarest, avaient été découverts au cirque Knie lors de la saison 1971 et en 1972 chez Jean Richard, qui le représente sur l’une de ses affiches avec sa casquette et la mention, en grosses lettres : « Grigorescu, le clown de génie ». Le clown se présente avec sa partenaire, musicienne également, sans doute d’origine espagnole ou catalane, et ils interprètent notamment le gag des Instruments de musique confisqués.
« Flûte, piston, violon, cornemuse ou cymbales, tous les instruments sont chez lui en situation. Grigorescu a de la finesse, des idées, un style bien à lui. Voilà un clown exceptionnel » écrit J.R., dans L’Aurore du 30 décembre 1976. Au programme du 28 e Festival de Monte-Carlo en 2003, Gorgon (sa fille Consuela) et Grigorescu remportent le prix de la Sacem. Source : Dominique Denis, Clowns de cirque , 2016
The Ebb and Flow of Global GovernanceIntergovernmentalism versus Nongovernmentalism in World Politics
No full textThe Ebb and Flow of Global Governance challenges the traditionally dichotomous distinction between international intergovernmental organizations and international nongovernmental organizations. Alexandru Grigorescu argues that international organizations are best understood as falling on an \u27intergovernmental-nongovernmental continuum\u27. The placement of organizations on this continuum is determined by how much government involvement factors into their decision-making, financing, and deliberations. Using this fine-grained conceptualization, Grigorescu uncovers numerous changes in the intergovernmental versus nongovernmental nature of global governance over the past century and a half. These changes are due primarily to ideological and institutional domestic shifts in powerful states. The Ebb and Flow of Global Governance assesses the plausibility of these arguments through archival research on a dozen organizations from the global health, labor, and technical standards realms. Grigorescu concludes that there has been a continuous ebb and flow in world politics, rather than an inexorable movement towards greater roles for nongovernmental actors, as existing literature argues.https://ecommons.luc.edu/facultybooks/1265/thumbnail.jp
Authentication of a Painting by Nicolae Grigorescu Using Modern Multi-Analytical Methods
No full textThe paper presents the expertise of authenticating a painting by Nicolae Grigorescu through the involvement of multi-analytical techniques, in order to identify and evaluate some archaeometric and chemometric characteristics of the pictorial materials and of the support, used in determining the age. The painting is made with oil colors on pressed cardboard, with preparation based on chalk powder and animal glue. The painting presents two elements as being counterfeit, which have attracted suspicions, namely the signature of the author (presenting a semi-transparent covering veil), and, on the back, a writing of dating, performed by a very controversial art historian. The investigation was carried out by direct analysis with magnification devices, in reflected UV (ultraviolet), VIS (visible), and NIR (near- infrared) light, and by OM, SEM-EDX, and μ-FTIR. The results showed that the painting is authentic and belongs to Nicolae Grigorescu, and the dating established previously by Amelia Pavel through the writing on the back is certain
Romanian public marketing in terms of necessity, collaboration and mix
No full textThe paper carries out a short literature review on public sector and public marketing terms. The findings of the paper’s study shows that the Romanian public sector should give more importance to marketing activities, as 87% of the respondents sustained when asked about their necessity. Within a public institution, the marketing specialists should cooperate with research& development, sales and financial departments. The study results reaffirm the importance of the 4 P of the marketing mix when making an offer, and place them on the top positions.public marketing, knowledge, specialists, cooperation
Grigorescu tábornok, a 4. román tüzérezred parancsnoka : portré
No full textA kép alatt, középen a paszpartun felirat: Colonelul Grigorescu, comandantul regimentului 4. artilerieA kép egy 120 felvételből álló album egyik lapja. A címlap hiányzik.Felvétel helye és ideje: Budapest, 1919. augusztus-novemberMatt albumin papírkép másodlagos hordozó
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