1,783 research outputs found
Poe's biopics : representations of the author in D.W. Griffith's Edgar Allen Poe and James Mcteigue's The raven
No full textLiterary biopics often reinforce romantic images regarding the creative process, emphasizing biographic and author-centered approaches to literature previously denounced by Roland Barthes (1977). Curiously, one of the most famous critics of such romantic conceptions, Edgar Allan Poe, has himself been a victim of this very same treatment, his literary production being taken as part and result of his controversial biography in a number of works. This article analyzes two biographical films, or biopics, about the renowned poet, D.W. Griffith’s Edgar Allen Poe (sic) (1909) and James McTeigue’s The Raven (2012). The analysis of these works indicates that both reinforce the merge of the artist’s life and oeuvre, as well as the blurring of borders between fact and fiction, author and character, high and mass culture, thus contributing to the characterization of the biopic as a fitting example of historiographic metafiction. (Hutcheon, 1988).Cinebiografias literárias frequentemente reforçam visões românticas quanto ao fazer artístico, reiterando a visão biografista e a centralidade do autor há muito denunciadas por Roland Barthes (1977). Curiosamente, um dos mais célebres críticos de tais concepções românticas, Edgar Allan Poe, viu-se vítima desse mesmo tratamento ao ter sua produção literária apropriada como parte e reflexo de sua controversa biografia em diversas obras. O presente artigo debruça-se sobre dois filmes biográficos, ou biopics, acerca do célebre poeta, Edgar Allen Poe (sic), de D.W. Griffith (1909), e O Corvo, de James McTeigue (2012). A análise das obras aponta que ambas reiteram a fusão entre vida e obrado artista, bem como o apagamento das fronteiras entre fato histórico e ficção, entre autor e personagem, alta cultura e cultura de massa, contribuindo para a caracterização do gênero biopic como um dos mais bem-acabados exemplos de metaficção historiográfica (Hutcheon, 1988)
Author Correction:A cattle graph genome incorporating global breed diversity
No full textThe original version of this Article omitted from the author list the 12th and 13th authors Dennis Muhanguzi and Wilson Amanyire, who are from the ‘School of Biosecurity, Biotechnology and Laboratory Sciences (SBLS), College of Veterinary Medicine, Animal Resources and Biosecurity, Makerere University, P.O Box 7062, Kampala, Uganda’. Consequently, the final sentence of the Author Contributions incorrectly read ‘D.W., P.T., E.A.J.C., C.E., E.T.O., E.R.A., A. Tijjani, K.M., A.F., B.R.F., A.Q., U.C. and P.W. provided samples and expertise for the studies’. This has been replaced with ‘D.W., P.T., W.A., D.M., E.A.J.C., C.E., E.T.O., E.R.A., A. Tijjani, K.M., A.F., B.R.F., A.Q., U.C. and P.W. provided samples and expertise for the studies’. This has been corrected in both the PDF and HTML versions of the Article
Anglo-Saxon England and the Irish Sea region AD 800-1100 : an archaeological study of the Lower Dee and Mersey as a border area.
No full textSIGLEAvailable from British Library Document Supply Centre- DSC:D98356 / BLDSC - British Library Document Supply CentreGBUnited Kingdo
Author Co-Citation Analysis (ACA): a powerful tool for representing implicit knowledge of scholar knowledge workers
No full textIn the last decade, knowledge has emerged as one of the most important and valuable organizational assets. Gradually this importance caused to emergence of new discipline entitled ―knowledge management‖. However one of the major challenges of knowledge management is conversion implicit or tacit knowledge to explicit knowledge. Thus Making knowledge visible so that it can be better accessed, discussed, valued or generally managed is a long-standing objective in knowledge management. Accordingly in this paper author co- citation analysis (ACA) will be proposed as an efficient technique of knowledge visualization in academia (Scholar knowledge workers)
Digital traces of behavior within addiction : Response to Griffiths (2017)
No full textGriffiths’ (2017) response to the recent commentary piece by Ryding and Kaye (2017) on “Internet Addiction: A conceptual minefield” provided a useful critique and extension of some key issues. We take this opportunity to further build upon on one of these issues to provide some further insight into how the field of “internet addiction” (IA) or technological addictions more generally, may benefit from capitalising on behavioural data. As such, this response extends Griffiths’ (2007) points surrounding the efficacy of behavioural data previously used in studies on problematic gambling, to consider its merit for future research on IA or associated topics such as Internet Gaming Disorder (IGD) or “Smartphone addiction”. Within this, we highlight the challenges associated with utilising behavioural data but provide some practical solutions which may support researchers and practitioners in this field. These recent developments could, in turn, advance our understanding and potentially validate such concepts by establishing behavioural correlates, conditions and contexts. Indeed, corroborating behavioural metrics alongside self-report measures presents a key opportunity if scholars and practitioners are to move the field forward
Negotiating for industrialization : Italy's commercial strategy and industrial expansion in the context of the attempts to further European integration
No full textDefence date: 14 December 1994Examining board: Prof. R.T. Griffiths, EUI (supervisor) ; Prof. V. Zamagni, Università di Bologna (second supervisor) ; Prof. A. Carerras (EUI) ; Prof. M.L. Cavalcanti, Università di Napoli ; Prof. D.W. Ellwood, Università di BolognaPDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 201
\u3cem\u3eTennyson\u27s Enoch Arden : A Victorian Best-Seller\u3c/em\u3e
No full textExamines the reception, sources, composition and publication history, and narrative structure of Tennyson\u27s bestselling narrative poem Enoch Arden (1864), discussing particularly the poem\u27s relation to the sensation novel and the way it was interpreted by its first illustrators, in adaptation for the stage, and in early film versions by D.W. Griffiths and J. M. East
Really New Stories: The Effect of Early Concept Narratives on Consumer Understanding and Attitudes
No full textReally New Stories typically describe a use setting and a main character - the hero - who is using a really new product. In this doctoral thesis, Ellis van den Hende explains why early consumer input during the development of really new products can be remarkably frustrating to new product managers and product developers. Ellis elucidates how Really New Stories can present information about the new product concept in a way that is evocative and relevant for consumers. She tests and discusses the positive effects of Really New Stories on consumer understanding and attitudes and provides practical guidelines to put Really New Stories to work. To summarize, she explains how Really New Stories successfully contribute to the new product development process. Ellis van den Hende (1981) received her graduate and postgraduate training in product development and innovation management at Delft University of Technology, The Netherlands. Her research has been published in International scientific journals, such as the Journal of Product Innovation Management. Please email the author for the latest versions of the papers in this thesis ([email protected]). Thank you for your interest in this thesis!Product Innovation ManagementIndustrial Design Engineerin
Karakterisering van ionenwisselaars in verband met hun toepassing bij de bereiding van ketelvoedingwater
No full textApplied Science
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