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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Minute Minis

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    Minute Minis are essentially relabeled fraction circles: the whole is labeled ‘1 hour,’ the halves are each labeled ’30 min,’ the fourths are labeled ’15 minutes,’ and the twelfths are labeled ‘5 min.’The designers of Minute Minis wanted to design a tool that would alleviate the anxiety that children often experience when they learn about fractions. They were also interested in helping students learn how to tell time. Minute Minis help students learn the abstract concept of time using concrete representations of fractions. Students can use what they already know about telling time to learn to tell time more precisely (in increments of 5 and 15 minutes) while also learning the part-whole meaning of fractions

    No Más Caídas

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    No Más Caídas is a manipulative that helps children learn to count by forming groups of fives and tens (i.e., by subitizing), generalize strategies for composing and decomposing numbers, and develop a sense of the nested nature of numbers.No Más Caídas is Spanish for No More Falls. The design was inspired by games played in the Dominican Republic, where one of its authors grew up. Through playful and embodied activities, children drop, observe, count, and listen to marbles as they make their way through the tower, children can form groups of 5s and 10s, learn to skip count by 5s and 10s, and compose and decompose numbers in groups of 5s and 10s. These ideas are foundational to base 10 understanding and the measurement meaning of division

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Conic Sections

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    This is a model of conic slices that is obtained through reverse-engineering parts of a cone, with its dimensions determined by its isosceles triangular frame and the angle of the cross-sectional slices.All conic sections are defined by the relationship of their locus of points to fixed points known as foci. Ellipses arise from a locus of points that represent a constant sum of distances from two fixed points (foci). Hyperbolas arise from a locus of points that represent a constant absolute value of difference of distances from two fixed points (foci)

    3D Vertical Fraction Strips

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    This manipulative is a 3D version of fraction strips. Each strip is a rectangular piece that will slide onto one of the three vertical pegs so that the fraction strips can stack vertically (rather than lining up horizontally) and represent the value of a fraction in terms of height.The fractions are mounted on one platform with the 1 (whole) always visible so that the student can begin to grasp how all the fractional parts are related to the whole. Each fraction strip is labeled with its fraction name, but only on one side so that they can be made either visible to or hidden from students as they problem solve. Students should be able to understand a fraction as a number on the number line and represent fraction using the fraction strip
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