404 research outputs found
Is the International System in a Moment of Crisis?
An interview with Evan J. Criddle, co-author of Mandatory Multilateralism, published in the American Journal of International Law (AJIL)
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Is the International System in a Moment of Crisis?
An interview with Evan J. Criddle, co-author of Mandatory Multilateralism, published in the American Journal of International Law (AJIL)
The PrEP diaries : a safe(r) sex memoir
The term PrEP (Pre-Exposure Prophylaxis) has become part of our dialogues with not only personal physicians but friends and lovers. The gay, bisexual, queer and transgender community is exploring Truvada, the first daily pill prescribed to HIV-negative people that prevents transmission of the virus, while the straight world catches up. Author Evan J. Peterson first wrote about his experience taking PrEP for The Stranger back in 2014. Since then he has chronicled his life in the same clever and sardonic tone; readers of The PrEP Diaries will enjoy Evan\u27s stories about sex, intimacy, and the wild new frontiers of queer life in an increasingly PrEP-savvy world --Back cover.https://aura.antioch.edu/facbooks/1020/thumbnail.jp
NJBankers 2017-18 Economic Survey: Final Anaylsis and Report of Survey Results
Under the direction of James Hughes, the Bloustein School surveyed all 92 member institutions of the New Jersey Bankers Association and received a 73 percent response rate.
This year’s survey results indicate a soaring confidence in the US economy. Nearly 85 percent of respondents indicated the national economy’s health as “good,” and a record 10 percent rated it as “excellent.” For the first time in the survey’s history, no one rated it as “poor.” While somewhat more muted than sentiments toward the national economy, confidence in the NJ economy is nonetheless surging. 42 percent of respondents rated New Jersey’s economic health as “good” in 2018, compared to 15 percent in 2016. Still, 2018 marks the eighth consecutive year in which no respondent has rated New Jersey’s economy as “excellent.”Survey conducted for New Jersey Bankers Association by Edward J. Bloustein School of Planning and Public Policy. Field period: February 26-April 20, 2018. Published May, 2018
J.C. Bach's London keyboard sonatas : style and context
J. C. Bach's keyboard works include several sets of accompanied sonatas, a genre that enjoyed a wide popularity during the Classical era, but never
found its way into the concert repertoire. The accompanied sonata was a genre meant for domestic performance; the solo keyboard sonata, on
the other hand, was adopted in due course by concert audiences. J. C. Bach composed works within both genres during most of his productive years, and his output constitutes a corpus of remarkable consistency. J. C. Bach's removal to London in 1762 coincided with his clear adoption of a galant style, marked by the Italianate influence, and the abandonment of most Baroque traits. The British milieu provided additional factors: the rise of the pianoforte, a thriving music-publishing market, and a great interest in domestic music making among the affluent classes. These factors marked J. C. Bach's output at various levels. Keyboard works had to conform to the proficiency of the amateur performer, a
fact reflected in the accompanied output mostly. The number of movements, their length, and the inclusion of particular technical devices are readily observable differences between the two genres. The most remarkable
distinction lies perhaps in the preference for binary sonata format in the accompanied. sonatas from the mid 1760s to the 1770s, in spite of a later tendency for tripartite designs in both genres. J. C. Bach's lifelong preference for motivic phrase structure conditioned his keyboard production and partly explains the gap in quality between some of his works and sonatas composed around the same time by Haydn and Mozart, who developed more effective means to connect the melodic material
to higher structural units. J. C. Bach's influence, however, endured in Mozart's handling of melody, and his keyboard production constitutes, in spite of some flaws, a noteworthy example of elegance and craftsmanship
Comment on “Mercury Oxidation by UV Irradiation: Effect of Contact Time, UV Wavelength, and Moisture Content”
Rent - seeking trade policy : a time series approach
Using a time-series approach, the author analyzes the relationship between the extent of rent-seeking trade policy and both political and economic variables. For rent-seeking trade policy, the indicator he uses is the number of foreign-trade regulations passed each year for the benefit of a single firm or industry. The author uses data from Uruguay for 1925-83. Uruguay, which experienced an impressive economic decline, is an outstanding example of a rent-seeking society. After being a wealthy economy in midcentury, it suffered almost complete stagnation, which led to social and policital disintegration by the end of the 1960s. Three decades of restrictive regulations on foreign trade had created a nearly closed economy by the end of the 1960s. It was worth analyzing whether policymakers'great receptiveness to demands for protection could account for Uruguay's decline. Over the period 1925-83, the author finds almost 4,000 laws, decrees, and administrative resolutions that create, maintain, or modify a foreign-trade regulation for the benefit of a single firm or industry. About half of them explicitly identify the petitioner - usually a firm or guild. Since the size of the Uruguayan economy changed over the period studied, the author scales the annual number of regulations by output or exports to measure the extent of rent-seeking trade policy. The author shows that the extent of rent-seeking trade policy increased with discretionary policies and under dictatorship. (In the period studied, there were two stages of democracy - until 1932 and from 1943-72 - and two stages of dictatorship.) He also shows that rent-seeking trade restrictions increased under import-substitution strategies and, more unexpectedly, under active export promotion. This suggests that discretionary power leads to wasteful distribution, whether it is used to support inward- or outward-oriented policies. Finally, the author analyzes the correlation between innovations in the trade policy indicator and innovations in the growth rates of output and exports, with a lag of up to 20 years. Surprisingly, he finds a positive correlation with output growth rates after two or three years. But the correlation becomes negative some years later, particularly in the case of exports. The short-run positive impact on growth rates, together with the surprisingly long time lag before the negative impact, may account for policymakers'receptiveness to demands for protection.Trade Policy,Achieving Shared Growth,TF054105-DONOR FUNDED OPERATION ADMINISTRATION FEE INCOME AND EXPENSE ACCOUNT,Economic Theory&Research,Environmental Economics&Policies
Retrofitting unreinforced concrete masonry to resist tornado loading
Thesis (M. Eng.)--Massachusetts Institute of Technology, Dept. of Civil and Environmental Engineering, 2013.This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.Cataloged from student-submitted PDF version of thesis.Includes bibliographical references (p. 99-101).Advances in structural design and building materials have significantly increased the performance of many structures under the extreme loading conditions associated with natural disasters such as earthquakes. However, catastrophic structural failure after extreme wind events and tornadoes remains a problem which costs the insurance industry billions of dollars and results in an average loss of 200 lives per year in the United States. Accountable for many of these structural failures, buildings with walls of Unreinforced Masonry (URM) are incapable of withstanding the magnitude of forces brought on by a tornado, and the cracking or failure of just one wall can lead to the progressive collapse of the entire structure. The need to reinforce these systems is large, but retrofitting with conventional steel reinforcement is time consuming and costly; however, externally bonded Fiber Reinforced Polymer (FRP) composites represent a high strength, low cost alternative which and can be installed in a fraction of the time. This thesis investigates the use of FRPs to strengthen URM walls against both out-of-plane flexural loads and debris impact, and attempts to determine if enough strength can be added for such wall assemblies to meet the requirements of a Tornado Safe Room as dictated by FEMA. By adapting current design guidelines and extrapolating evidence on the performance of URM walls strengthened with FRP, a design guide is created which provides the tool necessary to use this innovative retrofitting technique to strengthen URM walls to satisfy both the flexural and impact resistance strength requirements for FEMA Tornado Safe Rooms.by Evan G. Dorshorst.M.Eng
Spontaneous music : the first generation British free improvisers
The British free improvisation scene originated in London and Sheffield during the
mid 1960s. In groups such as AMM, the Spontaneous Music Ensemble and Joseph
Holbrooke, a distinctive and ambitious musicality developed that still occupies most
of its protagonists forty years later.
Marked stylistic contrasts developed within the genre, notably the `atomistic' and
`laminar' methods of interaction. Nonetheless, a consistency of principle and practice
was also apparent that defined British free improvisation as unique. In some respects
the genre resembled its German, Dutch and American counterparts, and also the jazz
and classical avant-gardes that had inspired them. Both conceptually and practically,
however, clear differences remained.
The British free improvisers refined a method and an aesthetic of musical creativity,
which suggested an intimate perspective and a detailed analysis of that which we
accept as `music'. Its techniques and results were unconventional, but remained
consistent with music's defining concepts and experiences. As such, British free
improvisation suggested a more inclusive model of musicality than is common, and
implied a broad critique of the cultural values that define `music' at all. Though the
free improvisers themselves did not explicitly state the connection, their work may be
viewed in the context of Deconstruction: the post-structuralist analytical strategy
associated with philosopher Jacques Derrida.
British free improvisation culminated from innovations within the twentieth century
avant-garde. Referencing styles such as atonality and free jazz, it challenged the
aesthetic, technical and hierarchical standards of Western tradition in a form that was
striking and extreme, but also of logical development and focus. Free improvisation
owed explicit debt to a variety of other musics; its most singular achievement
however, was the redefinition of `rhythm' by which it disguised this fact.
The music of the first generation British free improvisers is reliant upon precise
conceptual and practical execution. But though this has enabled the genre to be
musically innovative, in the long term it has also become a logical problem. With
British free improvisation as its subject, the scrutiny of Deconstruction reveals
significant discrepancies between what `free improvisation' implies and what it
actually represents
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