19,054 research outputs found
Charlie May Simon materials
No full textThis collection contains materials relating to Arkansas author Charlie May Simon
Graham Greene An Approach to the Novels
No full textThis study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.Book Cover -- Half-Title -- Title -- Copyright -- Dedication -- Contents -- Introduction -- Acknowledgements -- GRAHAM GREENE -- CHAPTER ONE Protagonists of the First Phase -- YOUTH -- DIVIDED SELVES -- WOMEN AND REDEMPTION -- MARRIAGE IN THE FIRST PHASE -- THE LITERARY FRAME -- THE FIRST-PHASE PROTAGONIST AND THE AUTHOR -- CHAPTER TWO Letters and Diaries -- LETTERS TO VIVIEN -- DIARIES -- CHAPTER THREE A Gun for Sale -- A GUN FOR SALE AND BROWNING'S "CHILDE ROLAND" -- A GUN FOR SALE AND TENNYSON'S MAUD -- CHAPTER FOUR Brighton Rock -- PINKIE AS NAPOLEONIC STRATEGIST -- CHARACTERS AND NAMES -- BRIGHTON ROCK AS A FAUSTIAN NOVEL -- CHAPTER FIVE Protagonists of the Second Phase -- AGE -- CHILDREN AND CHILDHOOD -- SELF-DIVISION -- MARRIAGE IN THE SECOND PHASE -- CHAPTER SIX The Strategy of Allusion in the Second Phase -- TOWARD THE WRITER AS PROTAGONIST -- CHAPTER SEVEN Portraits of the Artist -- CHAPTER EIGHT Travels with My Aunt -- CHAPTER NINE The Honorary Consul -- CHAPTER TEN The Human Factor -- CHAPTER ELEVEN Dr. Fischer of Geneva -- CHAPTER TWELVE Monsignor Quixote -- POSTSCRIPT: "YOUR DREAM HAS BEEN YOUR LIFE. -- CHAPTER THIRTEEN The Captain and the Enemy -- FINIS -- Selected Bibliography -- (A) WORKS BY GRAHAM GREENE -- (B) CRITICAL AND BIOGRAPHICAL WORKS -- Index -- Permissions Acknowledgements -- PENGUIN PUTNAM INC. -- SIMON & -- SCHUSTERThis study reveals Greene in a dual role as author, one who projects literary experience into his view of life and subsequently projects both his experience and its "literary" interpretation into his fiction; and it defines two phases of Greenes novels through the changing relationship between writer and protagonists. The first phase progresses from acutely sensitive, self-divided young men somewhat like the young Greene to embittered, alienated characters ostensibly at great distance from their creator. The second phase (1939) includes a series of "portraits of the artist" through which Greene confronts more directly the tensions and conflicts of his private life.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Simon Starling 'At Twilight'
No full textA publication in two parts: one a hard-bound book that includes the script for ‘At Twilight: A play for two actors, three musicians, one dancer, eight masks (and a donkey costume)’ by Graham Eatough and Simon Starling, first performed in Glasgow in 2016; and the other a tabloid-format newspaper that documents the exhibition 'At Twilight' and the live performances at Hollywood House, Glasgow. The publication includes texts by Katrina Brown, Director of The Common Guild, and Yukie Kamiya, Director of The Japan Society Gallery, alongside character biographies written by Simon Starling and source material selected by the artist. Designed by graphic design collective Åbäke to accompany the exhibitions ‘At Twilight' at The Common Guild 2 July – 4 September 2016 and 'At Twilight (After W.B. Yeats’ Noh Reincarnation)' at Japan Society, New York 14 October 2016 – 15 January 2017
Telecommunications and the city: electronic spaces, urban places
No full textStephen Graham and Simon Marvin.xvii, 434 p. : ill. ; 25 cm
Alvarez David, Graham Robert, Nothing Sacred, Nazi Espionage Against the Vatican (1939-1945)
No full textKitson Simon. Alvarez David, Graham Robert, Nothing Sacred, Nazi Espionage Against the Vatican (1939-1945). In: Vingtième Siècle, revue d'histoire, n°61, janvier-mars 1999. pp. 160-162
Simon Nyakot
No full textabstract: Simon Nyakot left his village when he was six years old.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 27Region: LakeThis picture and bio was donated to the Lost Boys Found project from The Arizona Lost Boys Cente
John A. Graham account of estate 1796-1797
No full textConsists of the account of the estate of John A. Graham, listing all expenses and moneys owed. Among those due money by the estate were Solomon Levy, Isaac H. Levy, Simeon Levy, Isaac Moses, Simon Nathan, Isaac Gomez, Ham (?) Levy, Ephraim Hart, Isaac Abrahams, Nyham (?) Abrahams, Joshua Isaacs, and Abraham I. AbrahamsGift of the Elsie O. & Philip D. Sang Foundation, 198
At Twilight: a play for two actors, three musicians, one dancer, eight masks (and a donkey costume)
No full text'At Twilight: a play for two actors, three musicians, one dancer, eight masks (and a donkey costume)' was a series of theatrical performances created by Graham Eatough in collaboration with visual artist Simon Starling. The project is part of Graham's continuing practice as research into the 'theatrical turn' in the visual arts through a series of collaborations with visual artists.
The performances took place on the 26, 27 and 28 August 2016 in the grounds of Holmwood House, a National Trust of Scotland property on the south side of Glasgow. They were accompanied by the exhibition 'At Twilight' by Simon Starling in collaboration with Graham Eatough at The Common Guild gallery.
'At Twilight: A play for two actors, three musicians, one dancer, eight masks (and a donkey costume)’ references ‘At The Hawk’s Well’, a play by W.B. Yeats that was written and performed 100 years ago, in the midst of the First World War, when he was working with the poet Ezra Pound. The text for the performance was written by Graham Eatough and Simon Starling and directed by Graham Eatough.
The performances made use of traditionally made Japanese noh theatre masks and costumes that formed part of the accompanying exhibition. It also included 'The Hawk's Dance' – specially devised by choreographer Javier de Frutos, working with Scottish Ballet and dancer Thomas Edwards – presented on film and accompanied by live music from Chicago-based musician Joshua Abrams and Natural Information Society
At Twilight: a play for two actors, three musicians, one dancer, eight masks (and a donkey costume)
No full text'At Twilight: a play for two actors, three musicians, one dancer, eight masks (and a donkey costume)' was a series of theatrical performances created by Graham Eatough in collaboration with visual artist Simon Starling. The project is part of Graham's continuing practice as research into the 'theatrical turn' in the visual arts through a series of collaborations with visual artists.
The performances took place on the 26, 27 and 28 August 2016 in the grounds of Holmwood House, a National Trust of Scotland property on the south side of Glasgow. They were accompanied by the exhibition 'At Twilight' by Simon Starling in collaboration with Graham Eatough at The Common Guild gallery.
'At Twilight: A play for two actors, three musicians, one dancer, eight masks (and a donkey costume)’ references ‘At The Hawk’s Well’, a play by W.B. Yeats that was written and performed 100 years ago, in the midst of the First World War, when he was working with the poet Ezra Pound. The text for the performance was written by Graham Eatough and Simon Starling and directed by Graham Eatough.
The performances made use of traditionally made Japanese noh theatre masks and costumes that formed part of the accompanying exhibition. It also included 'The Hawk's Dance' – specially devised by choreographer Javier de Frutos, working with Scottish Ballet and dancer Thomas Edwards – presented on film and accompanied by live music from Chicago-based musician Joshua Abrams and Natural Information Society
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