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    Graham Cameron scholarship.

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    A Year 8 Council of Management Scholarship has been named the Graham Cameron Scholarship in recognition of Graham Cameron's contribution and long service to St Hilda's

    2012 16 March Graham Cameron interview

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    Graham Cameron, telephone interview by Kathryn Maxson and Robert Cook-Deegan, conducted from Durham, NC, 15 March 2012. Graham Cameron joined the European Molecular Biology Laboratory (EMBL) in Heidelberg in 1982 and assumed the EMBL directorship in 1986. In 1992, the EMBL council decided to form the Wellcome Trust and Medical Research Council (MRC)-funded European Bioinformatics Institute (EBI), which would house the nucleotide data library run by EMBL. Cameron was the first employee of the EBI, founded in 1993 in Hinxton, UK. Its data library became one of the three international nucleotide databanks of the HGP, the depositories of choice for data governed by the Bermuda Principles. This transcript is available beginning 1 July 2014. Keywords: Human Genome Project, HGP, interview, Bermuda Principles, Bermuda Accord, International Strategy Meetings on Human Genome Sequencing, data sharing, science policy, genomics, genome, genome sequence, genetics, DNA sequence, DNA, deoxyribonucleic acid, NIH, National Institutes of Health, DOE, Department of Energy, European Molecular Biology Laboratory, EMBL, European Bioinformatics Institute, EBI, Hinxton, EMBL-EBI data library, Graham Cameron.This research was supported by the NHGRI-funded Duke Center for Public Genomics, P50 HG 003391, with supplementary funding from the Ewing Marion Kauffman Foundation

    Accompanying material supporting the Southampton University Doctoral thesis 'Worlds. Metaphors. Icons. Staging the creative process as steps to worlding'.

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    The material includes musical scores and performance videos for each of the works composed as part of the doctoral research.It contains:Comfort Objects, for two performers (2019). Musical ScoreLot. No. 1517 (2020). Musical ScorePoet Mechanic V, for solo performer (2018). Musical ScoreThe Noise and Hardware Caravan Club, for ensemble (2020). Musical ScoreUntitled, Or, 'the thing about shoe gaze is it doesn't (2020-21). Musical ScoreUntitled, or, Symphony of Red Bubbles (2020). Musical ScoreUntitled, or, Thirty-0Three Confessions (2021). Musical Score-Cameron Graham - Video Documentation (2018 - 2023)<br/

    Worlds. Metaphors. Icons. Staging the creative process as steps to worlding

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    This practice-based PhD explores three interconnected subjects: novel approaches to staging the creative process, the aesthetic nature and role of metaphor, and the use of worldbuilding methods in the creation of audiovisual art. Relationships between process and product, and the agency of technology in intermedia composition are also explored. The submission includes a portfolio of four core compositions, 3 additional compositions, and a commentary. The commentary first defines and discusses the subjects named above in order to articulate the aesthetic intentions underpinning my work, placing my practice in an expansive artistic framework. The project both plots the trajectory and critically reflects on two key ways my practice has transformed across the PhD. Firstly, from small-scale concert projects to a nebular art practice including methods of website design, exhibition formatting, 3D modelling and printing, virtual simulation design, speculative engineering design, and long-form durational installation. And secondly, from a shift in focus from ‘staging the creative process’ – through metaphor creation – to ‘worldbuilding’

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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